Posted by scott on Wednesday, May 29, 2002 at 2:14 AM (EDT)
About all I can say is wow. Straight from Thursday's webpage:
"Hello Everyone. We've noticed that there have been a lot of rumors floating around on the internet and especially on our message board and we'd like to set the record straight. We hope that this clears some things up. When we first signed to Victory Records we were really excited about the idea of working with a label that supported bands we all grew up listening to. The opportunity to be part of a "hardcore tradition" was great. However once we signed, many of our friends warned us that we had probably gotten ourselves into a situation that we would regret..." The statement goes on, at length, to describe the band's relationship with Victory, as well as the band confirming their long-rumored signing to Island Records. Read the whole statement below. Hello Everyone. We've noticed that there have been a lot of rumors floating around on the internet and especially on our message board and we'd like to set the record straight. We hope that this clears some things up. When we first signed to Victory Records we were really excited about the idea of working with a label that supported bands we all grew up listening to. The opportunity to be part of a "hardcore tradition" was great. However once we signed, many of our friends warned us that we had probably gotten ourselves into a situation that we would regret. At first we weren't sure what they were talking about, but we figured that it was ok because part of our deal with Victory was that we could go to another label if we chose to do so. The deal that we signed stated that any movement away from Victory had to be towards a major label, which at the time seemed like a far-fetched idea to say the least. In any case, soon after beginning our relationship with Victory we began to realize what people had been warning us about. The problems started with what we thought were minor issues. For "Full Collapse", we had intended to make a nice booklet for the artwork but Tony (the owner of Victory Records) would not allow that. He told us that it would be cheaper to do a 1 page insert and that the lyrics to our songs were unimportant and should be left out of the packaging. We obviously disagreed and worked out a compromise that would ultimately produce the final packaging for Full Collapse. In another instance, while we were visiting the Victory offices we discovered that for promotional purposes they had made "Thursday Whoopee Cushions" that they intended to have passed out at the Warped tour. We were kind of shocked by this, and were also puzzled why we weren't consulted before hand. Geoff sat down with Tony and expressed the band's position on the matter and asked Tony if Victory would get our approval before doing things like that. Tony's response to Geoff was that Victory was a big company and that they didn't have time to run everything by the band. On several occasions we expressed to Victory that we needed to communicate more to make sure that we were on the same page regarding promotion and art direction. Unfortunately it really never got any better. Tony began to promote our song "Understanding In A Car Crash" (for a second time) without ever informing us of any plans to do so. And we still have no idea what their future plans are concerning radio promotion. On our way out to the Murder City Devils tour we stopped in at Victory for a friendly visit. Steve and Geoff sat down with Tony to talk about how things were going. Tony told them that he was sorry that Thursday wasn't living up to his expectations but that it was ok because he had just signed a new band that was going to "open up doors" for everyone on Victory. We expected at that point that his thoughts on our progress as a new touring band would have been more positive. We knew that we weren't selling millions of records but we were touring relentlessly and by most indie-label standards one could say we were doing well. Tony's words were not exactly words of encouragement or satisfaction. About a month or so later while we were on tour with Saves The Day we suddenly found ourselves with a new best friend. Tony seemed to think that the more high profile tours ie; 1500 to 2000 capacity clubs, were the tours we should have been doing all along. Never mind basements and VFW halls, never mind forming meaningful intimate relationships with people with their own self sufficient DIY scenes around the country. The calls we were getting from Victory became more frequent, Tony started calling us just to say hello, or to ask how record sales at shows were going. We found it disheartening that this support wasn't there from the beginning. It not only seemed that this new friendship was disingenuous but it was also defeating to us. The notion that all of our touring before this tour, which totaled 3/4ths of a year straight was not worthy of moral support was upsetting. Instead of Tony's relationship with us being based on a love for music, it was based entirely on numbers. Throughout this whole time we were approached by various major labels. We were initially shocked that our tiny band was getting any such attention. As certain labels grew more persistent through the course of the year, we found ourselves having to seriously consider their attention as something worth entertaining and learning about. We were very cautious for obvious reasons and we were still uncertain that moving to a major label was the right decision for us. We have always been concerned with maintaining a familial and mutually caring relationship with people we have worked with. And at the time, there was so much we didn't understand about major labels. While we were on tour with Saves The Day we found out "through the grapevine" that Tony was probably going to sell a part of his label to MCA (Music Corporation of America). Of course he has every right to do this, but one would think, as we certainly did, that being an indie label, he might consult his bands about it. This was not the case. Feeling deceived, and nervous about such a potentially serious move, and with the knowledge that becoming part of a major not of our choice was going to happen regardless of what we felt, we decided to find other options. We brainstormed, and knew that there were other indie labels that we would have loved to be a part of. However, we were contractually blocked from moving to another independent label. One label, Island Def Jam, had been coming to our shows since we started touring full time. They had seen us at our worst, they knew at the time that we were not concerned with radio or huge record sales, and they understood that we just wanted to tour and play music. Throughout the entire year various members of the Island staff would come out to shows to tell us that we played well and to show their support for us. Later, they would express interest in working with us. After hearing from several major labels over the past year, and after learning of Tony's dealings with MCA, we decided that it was in our best interest to sign a deal with Island. While our deal with Island is subject to our getting released from Victory Records (which Victory is obligated to do according to the contract), we are confident that we will soon be a part of the Island family. Victory Records helped us very much. They helped us to make a record and to get it out to people. However, we have realized that we are not and never will be creatively aligned with Tony and his vision for our band and his company. The idea of family is very important to us, members of a family should treat each other in a forthright, honest, respectful and supportive manner. This is not the case with Victory because of the way Tony has acted towards us. We have been deceived, bullied and compromised to an unsatisfactory end. This is not to say that we don't care about members of the Victory staff. We wish them all the luck in the world. We simply want to continue autonomous from Victory. Regarding MCA records, because of their deal with Tony they have now begun to promote "Full Collapse" as if it was their own. However we have had no communication with them and we do not consider ourselves an MCA band. We are looking forward to building a relationship with Island. They have illustrated over the past year that they understand the basis of our band, and they have no intentions of changing the music that we naturally write, record and perform. Neither do we. This last year has been amazing. To all of you who have come out to our shows and shown your love and support we would like to let you know that it is greatly appreciated and that we sincerely thank you. Being a newer band out on the road we took a leap of faith that was initially very scary but thanks to all of you it has been an incredible experience thus far. And while this year has been so much fun, this situation has been very trying. We're confident it will be worked out, but we want you all to know that we will do whatever it takes to ensure that we obtain full and complete control of our music and the way in which it is presented to you. We hope this settles any confusion. Thanks, Steve, Tom, Geoff, Tim and Tucker Island Records (72 comments)
Please login or register to post comments.What are the benefits of having a Punknews.org account?
Fine Print: The following comments are owned by whoever posted them. We are not responsible for them in any way. Seriously.
Someone (May 29, 2002)
initially i was skeptical, but reading that, i'm cool with it.....i liked how they commented on what happened with victory, with intelligence. Midtown take note 1+ Reply
Someone (May 29, 2002)
Wow. 2002 sure has seemed to be quite the year for bands breaking the silence about shitty treatment from their labels, now hasn't it???
martin (May 29, 2002)
Good luck thursday. i hope that vistory isnt as bad as it seems lately cos I think they have done alot for this scene. Also I love the "take note midtown" comment. Brilliant. Rock! 3+ Replies
lockdown59 (May 29, 2002)
I think that this is definately a step in the right direction for Thursday. I have heard testimonies from artists on Island/Def Jam, and the same "it really is family" theme always comes up. Actually, I was watching a thing on MTV (yes, I still watch MTV sometimes) about the growth of Def Jam Records. They took the cameras inside the Island/Def Jam compund, and the way that the staff and artists bonded was on a higher level.
As for all the exposing of record label bullshit in 2002, this has been a discouraging experience for me cause I always wanted to be in a band, get signed, play music, record, tour and whatnot. Fuck! I might as well only sign to the label I hope to start, Perverted Uncle Records.
So the music industry expose so far this year: I have seen 3 artists/bands come forward- Thursday, Midtown and Pink (Originally, she was marketed as an urban music performer,
show rest of comment
Someone (May 29, 2002)
I agree with the guy with the Midtown comment. Thursday are explaining how they have observed the problems without talking shit about the label or Tony. They are not trying to trash Tony in anyway but they are just saying that they disagree with him. Midtown on the otherhand really weren't nice. They were assholes. They talked shit about the label and even confessed that it was them who talked Chris out of signing to the label after all the label had done for him. That music business i guess. Everyone gets fucked over. bye
_911 (May 29, 2002)
im so happy for thursday.. cant wait to hear the next album.. these guys also put on one of the best live shows!
Someone (May 29, 2002)
reversal of man exposed tony first. "street by street. block by block you hypocritical f!cks. you and tony victory are nothing but corporate rock." get the kid with the sideburns. does anyone remember why boy sets fire left victory? or has everyone already forgotten about that? that should have pissed more people off. victory was putting advertisements in hustler magazine. 2+ Replies
Someone (May 29, 2002)
much respect to thursday and their actions...great response to the whole situation...
Someone (May 29, 2002)
hahahahahahahaha, what a bunch of bullshit....
first of all, I need to say a big FUCK YOU to victory records and another bigger FUCK YOU to thursday. There is no doubt in my mind that what thursday says in this post is absolutely true, victory records and this asshole tony are both steaming piles of shit, but come on guys, the post makes it sound like moving to island / def jam was the only option thursday had - "The deal that we signed stated that any movement away from Victory had to be towards a major label" - what kind of dumbass would sign something like that if they had absolutely no intentions of moving to a major label in the first place, did they expect to be on victory records their entire career??? it makes me laugh how thursday has spun their whole sell-out announcement 180 degrees. if instead they had posted "yeah, well we've decided to move to island / show rest of comment 6+ Replies
Someone (May 29, 2002)
MIdtown is my hero too.. haha... anyway. What makes people say all the time that Thursday is hardcore? I never like to tell people what genre of music a band is but I really dont consider Thursday to be very hardcore. As much as I hate the word and so called genre Thursday I consider "screamo". God I hate that word. Anyway, Victory has become more and more emo by the year. Remember when everything they put out was Strife, Hatebreed or soemthing like it. Now they have Thursday (well not anymore), and even now Snapcase is emo-ish. As for Victory being "jock hardcore" I dont know exactly what that means but if it is what Victory used to put out hell maybe I really like jock hardcore. Victory used to be so respectable and still are. But I dont consider them a hardcore label anymore. They have definitley gone the more popular way and signed a lot of emo bands.
show rest of comment
Zerochance (May 29, 2002)
Hooray for Thursday. I particularly love the way they spoke out against Victory with respect and dignity. Midtown totally blew their credibility and if you read Drive-Thru's response to their comments, it makes you wonder who the bad guy in that story really is. Over the years I've come to realize that when bands sign to a major that is not necessarily a bad thing. Though I must say, I would loooove to have one of those whopee cushions
Someone (May 29, 2002)
Bahhh! Who gives two flying fist-a-fucks about Victory anymore. So much shit has been proven about Tony's nasty business practices in the past ten years... why are you people surprised by this?? I'm not saying all Victory bands suck, but the direction they have headed in the last few years has been for the worse. Say what you will, but Victory Records owes everything to one band, Earth Crisis. Go ahead, tear 'em apart, but you can't deny that when someone thought Victory, they thought EC, later Strife, then Snapcase. They had a reputation for good quality, sXe metal-core, that you could actually find in a mall environment. I think it is a shame to see how things have progressed in Chicago. Even the current lineup has some bright spots: Ringworm, a reunited Bloodlet, and others, but Victory has gotten so far away from what they used to be, they have completely alienated e show rest of comment 1+ Reply
Someone (May 29, 2002)
Back in the day in the '80s when the
old bands would play (old school)
They managed O.K. They did fine
Although they never got paid (that's cool)
50 cent shows, no cars we walked
Both ways through the snow (up hill)
That's how it should go, but you're too busy
Counting your dough (each bill)
If you want to be punk, if you want to be cool
Don't forget the golden rule
Stay underground, you must stay poor
Don't grow up and don't ask for more
You live for the green, dead presidents
Are destroying our scene (money)
You know what I mean, you pay your rent
By selling the dream (for me)
No Individual Retirement Account
Forget you and your 401K (wall street)
I'm gonna stay as poor
As I am today (can't eat)
You can't be punk if you don't care that dollar signs are everywhere
It seems like everyone's on Victory
But I will give away all that's mine, and we won't make anoth show rest of comment 1+ Reply
Someone (May 29, 2002)
Im in a band that is now on Victory i can not name my band cus of certain issues but i will say Victory is better then the other label we were on for so many years the label in question i will and can not say but the owner is a piece of shit that goes out to make money off of bands and doesnt give them what was promised in the long run other bands that have been on this label have left for the same reason certain California lables dont deserve the fame and shit they get my two bits are in 2+ Replies
Someone (May 29, 2002)
I think everyone needs to take off their blinders and realize that the indies are in it for the money just as much as the majors. You have to be - its business. You need to survive, and you need to make money. Who cares who puts out a bands record as long as its good? Like Davey from the Promise Ring said in that infamous TIME "emo" article: "We don't ask who pays for your college. Why should you care who puts out our records?" 2+ Replies
Someone (May 30, 2002)
why does it say thursday is releasing something on the 31st of this month? what is it? why isnt it announced yet? wtf?
Someone (May 30, 2002)
Hmm, I dunno if island was the right choice, The Mighty Mighty BossToneS just left island for side one dummy because the record company was doing the same thing that Tony character was doing to thusday, and if island thinks they can push around a band as big as the BossToneS, just think what they'll do with a more or less no name of a band like thursday (no disrespect, I love thursday, they just don't have the fan base the BossToneS do). 1+ Reply
punky (May 30, 2002)
What about One Life Crew? Those guys are sexist, racist and homophobes, and victory use to release their album, until people started to boycott victory. Either mr,Tony doesn't care what the band stands for because he's in it for the money anyway or he signed that band just like majors do, without even knowing what the band was about. (They had ''the right sound'') Anyway, BoySetsFire is a great band, and so is Thursday.They both did the right choice to move to another label, major or indie.
Zerochance (May 30, 2002)
OK, "selling out" is a very relative term. In my opinion, a band sells out when they change their sound and marketing tactics in order to sell more records, regardless of what label they're in. I don't think signing to a major automatically makes you a sellout. If you really think about it, you can be a sellout without being on a major. Remember Rancid back in the days of "Out Come the Wolves"? They were still on Epitaph yet they plastered their faces all over MTV and Rolling Stone. 1+ Reply
| Features
Previous
Exclusive StreamsNewest Reviews
Punknews.org TeamManaging EditorAdam WhiteNews EditorsKira WisniewskiBrittany Strummer Andrew Waterfield Katy Hardy Matthew Baldwin Armando Olivas John Flynn Video EditorChris MoranSocial Media EditorJustin AugustCopy EditorAmelia ClineReviews EditorJoe PeloneInterviews EditorRichard VerducciPublisherAubin PaulISSN 1710-5366© Copyright 1999-2012 Punknews.org Other Places to GoPunknews.org Flickr Pool |






wow, that totally sounds like tony victory. i used to be on victory, in a band that will remain unnamed, and i can honestly say that that is EXACTLY how my perception of tony/victory records ended up. initially, i was psyched...and then tony pulled the overtly-business oriented bullshit that ruined the whole thing. and good luck to thursday, they deserve it.