How is the tour going so far? Sergie Loobkoff: It’s been really, extremely fun, I would say. Wouldn’t you say?
Sean Kennerly: I would agree, yeah, it’s been one of our best tours so far, I mean it’s just beginning, but we’ve had a lot of fun shows.
Sergie: Like seven shows in, it’s always gonna seem pretty fun . . . catch us on that 164th and see how we’re liking it.
Laughs Yeah, so you’ve been supported by The Casting Out and A Death in the Family, I know you’ve at least toured with ADITF before; how are you all getting along?
Sergie: Oh, super good. Did you see that DITF played a little song with Jason in their little encore?
No, actually I got here after that
Sergie: Well DITF took us to Australia last year, so we’re like old friends now, and The Casting Out guys are really nice. You, know we share all the same equipment and we’re all just hanging out – a bunch of dudes.
Right. So, what about touring Europe have you been looking forward to most and what sort of differences do you notice between American and European audiences?
Sean: Those are two really distinct questions.
Sergie: Maybe you should get two different guys to answer them…
Ok, I could’ve probably set them apart. Ok so, what about touring Europe have you been looking forward to most?
Sean: Well it’s funny ‘cause it’s usually super fun to go to Berlin, and we played there, and that was probably, only for technical and logistical reasons one of our worst shows. And here, we showed up here and we were like, ‘aw man, we gotta play one of these little dumpy college bar things or whatever, and it was actually the best show, energy-wise, it was really fun and the crowd was really great.
Sergie: It’s definitely proved that you don’t have to play in front of a giant group of people with a giant PA. It’s just the energy from like 300 people all flippin’ out. Cuz in Berlin, there were four or five hundred people – a lot more people.
But the energy wasn’t there.
Sergie: The energy was actually there, but it wasn’t like tonight where people were trying to break each other’s arms
Yeah, a little more intense. So do you notice many differences between the American and the European audiences?
Sergie: I would say that New Brunswick, New Jersey must be a Czech audience.
Sean: They’re so drunk
Sergie: Seriously…I can differentiate because we go to like Japan, and South America and Europe and America, I can differentiate between cities, but you can’t say certain countries are different..you know?
Sergie: And also it’s different nights – when the magic is in the air.
Sean: We’ve had shows in Berlin that are like this, when everyone is stage diving and floating around. You never know how much alcohol is gonna go through people’s systems and make them do things that they’ll regret in the morning
So would you say you have a favorite place to play in Europe, after your many visits to the continent?
Sergie: Well I would say our best shows are usually in Munster and Cologne, like biggest, which I guess, as we were saying isn’t necessarily the best. We’ve had some really fun ones here, you know? But there’s two different questions in that one two because it’s what’s the place you want to be at, and what’s the place you want to play a show at? You can be in a rad-ass place, and people don’t give a shit about your band. Like, on tour you sorta go, ‘oh, I want to be in a place where people like my band’, but then there’s places where it’s hella fun to hang out. But we love most places in Europe because every time we come everyone is like, ‘Yay!,’ and they’re nice , and there’s more cheese and bread than we could ever ask for.
Oh, definitely. The pastries are really good here, too.
Sergie: Yeah. Well, I dunno. It’s just really hard to single places out.
Yeah. Alright, so the rarities collection (Orphan Works) came out last month. How do you feel about the response so far?
Sergie: Well we don’t really gauge the response because they take it home and listen to it, so. If we had like a little robot with a little camera on it, so we could sneak it into people’s homes and see their reactions, and they go, ‘This sucks!’
Sean: It’s also different because we’ve already played the songs, it’s not like they’re new, like we have a new album coming out or anything. I mean, we’ve already played most of these songs.
Alright, so with the recent release of the rarities and a self-proclaimed tendency to romanticize Samiam’s past, what is the likelihood that you’ll be taking inspiration from your older material on newer work?
Sean: I think at this point in time, we’ve sort of reached this phase where we don’t - we’re sort of working on new material, but we’ve reached a point where we don’t really have to think about what era we’re drawing from or whatever. We can just do whatever we want. Maybe it’s good or maybe It’s terrible, but we’re not really confined to, ‘Oh, we have to do the old thing’ or ‘We have to reinvent ourselves…’
Sergie: but like, you formulated that question for us, so do you think there’s a big distinction between old and new Samiam?
Oh, no, no I’m just wondering what the mindset is . . .
Sergie: Oh, no. We don’t think about nothin’.
Sergie: The better answer is like ‘I dunno . . . we’re just gonna put some songs together..
We do what we want.
Ok, cool. Cool. So When can fans expect new material?
Sergie: We have fans?
I think so.
Sergie: Oh, I thought drunk people just happened to show up at the same time we were playing . . . uh, no one can expect anything. We don’t know. Real soon – how’s that sound?
Sergie: In all seriousness, we are a rag-tag group. The fact that we’ve been around for 20 years means that we go on tour and a lot of people come and see us, but we’re basically a garage band, you know? In every way. We’re not serious enough about it to have anything planned, as much as maybe we’d like to. It’s complicated, we don’t live in the same city.
Sean: We’ve also been playing with our new drummer, Charlie Walker – it’s been really fun. (points to Charlie) He changes things – he makes it reinvigorating.
Right, so you’ve been on a handful of labels in your time, and Orphan Works is the first one out on No Idea, what inspired the switch to No Idea and how have they been treating you so far?
Sergie: Well we played the Fest last year, you know? And I’ve known Var for about a century. We were talking to him and he came out with the idea to get those two records – Clumsy and You are Freaking Me Out – to re-release them. That’s why we did this Orphan Works record. We just wanted to get it out and try to spark some interest in this old band of weirdos, you know? It’s not like we signed to No Idea – they’re not that kind of label or anything. It’s really neat to be on a label with a bunch of guys that we’re all friends with.
You guys closed the Fest last year – how was that?
Sergie: It was an insane show because our bass player didn’t make it so we had to teach two guys how to play our songs – to go stand out in front of a couple thousand people and play, and that was really nerve-wracking. Then we played the show and it was packed and people were jumping around and it was very gratifying. But the whole entire time I couldn’t relax because I thought at any second it was going to fall apart – the bass player’s gonna go ‘I don’t remember this anymore!’, you know? So it was one of those ‘Hold your breath – it’s gonna be over soon – I hope it turns out – I can’t believe it’s still going good! – wow it’s not fucking up completely!’ and then it ended, and we went ‘whew! That went real super well!’ But honestly, I wasn’t feeling loosey-goosey like tonight, I was really worried.
Sean: I think in some ways though that show was sort of a pivotal show especially with the energy of the band coming back because we were sort of like, ‘what? What? Are we gonna keep doing this?’ or whatever and there were so many people that were so enthusiastic about it and we thought it was awesome. It was really great.
Sergie: ‘Cause the Fest is just like a little group of people from around the country that might – at least for our band – a group of people that wouldn’t normally see us ‘cause we don’t normally tour. There’s people from Chicago, and people from wherever…
Yeah there was a big international crowd there, as well
Sergie: Yeah, yeah, yeah. So it was a real monster trying to wrap ourselves around not having our bass player and then to do it. It came out really great. We all – well everyone except our bass player was there – all walked away from it saying ‘Wow, that was really neat.’ ‘Cause you know the band that played right before us – it was like half as full, and to be really honest I was going ‘Holy shit we’re the last band of the whole festival – 150 bands and we’re the last band. I guess Sunday night everyone wants to take their plane back or drive home’. So the band right before us played and it was half full so I was going, ‘Oh, shit. I guess this whole trip was a giant disaster’. And you know, I face my amp when I tune, and after we did the sound check, I turned, and I was like ‘Holy shit, this room is packed!’. So then when the show went off, I personally felt like ‘Yeah, the whole 19 years of doing this shit wasn’t a complete waste of time!’
Laughs Right, yeah. Yeah, so speaking of that, you guys have been together for over two decades, what have been some of your most proud accomplishments?
Sergie: I think that being an old fart and not being fat right now and being able to not pass out after running around playing the songs and having the people in the audience, no matter if it is like 200 people that really love it...Like, – you get a band that’s on the radio in 1994, like we were. A band way more popular in 1994, and they haven’t made anything in 10 years – put them in a little club in Prague, and how many people will come? No one. And then you get a little garage band kinda, a little punk band – quote unquote punk band, whatever we are – and we come here, and everywhere we play – we played eight shows – every show we played has been packed. People love our stupid songs and it’s like, wow, we’re like total failures in the music industry, but we’re actually really successful as humans.
Sean: Plus he smoked a really killer joint earlier so…
Sergie: So that might have something to do with what Sergie says.
Laughs Right. So do you have any goals right now as a band beside the whole ‘we do what we want’ kinda thing?
Sergie: I really honestly think we don’t have any goals. We have a goal to make a record right now, but we have very modest goals as far as exceeding what we’ve done in the past. As far as like, oh, it’d be nicer if 800 people came, but only 400 people came…I don’t think we’re that hung up on it.
Sean: Pretty much just having fun. We get to have fun now. It’s not about making money off of it. It’s just fun to play the shows.
Yeah, yeah. So most punk bands don’t make it for this long – what do you think has set Samiam apart and kept you all going?
Sean: We’re very forgetful . . . we get along pretty well. We’ve been friends for a long time, and we also put up walls so we don’t really have to emotionally interact. All laugh
Sergie: Yeah I think the text messaging and IMing have really kept this band tight . . . when is a band that’s a serious band that puts out records every year, every other year, and tours 10 months out of the year, and really puts their lives into their band – their entire lives – anything they can fail at- monetarily or relationship-wise, and they take breaks and it’s monumental – they get mad at each other and stuff. But the fact that we reverted in 2000 back to a garage band, and I think that keeps us together in this mentality that it’s not for anything except for fun. It’s kept the band together, but it hasn’t kept people from leaving. We’ve had a couple drummers in the last 10 years and a couple bass players, you know? I think after your 25 and you’re playing music, to keep a group of five people together, unified while they’re fucking up other things in their lives . . . I think one thing that keeps us together is this willingness- as horrible as it sounds – to lose a member that we’ve been with and toured with for years, Johnny - our last drummer. We have enough interest and love of doing what we do to actually continue and go on even without him. Other bands do it because they make money, they’re like ‘I can’t leave this, I’ve got a mortgage payment’ and stuff . Well, we can’t pay our mortgage on our band, so we’re actually pretty much doing it because we love it.
One last just for fun question - Considering your name can form a few different anagrams…between “I am Sam” and “Miasma”, which one do you like better? Or is there another one that I haven’t thought of?
Sergie: Well if anyone is gonna answer this question humorously and also truthfully, it’s Sean.
Oh good, well I’m glad you’re here!
Sean: We had the 10,000 person facebook Samiam anagram contest – there were no other anagrams other than “Miasma”, but one guy submitted the anagram from “Storm Clouds” of, I can’t remember exactly, something like “Old Crumbs” . . . anyway, that was the best one. Anyway, there are no other anagrams.
Sergie: Or we’re not intelligent enough to find them.
Yeah and which one did you prefer from those two? If you had to change your band name-
Sean: Wait there was two of them?
Sergie: “Sam I am” and “Miasma”
No, between “I am Sam” and “Miasma”
Sean: Oh, “miasma” is way better!
Sergie: Well I like “I am Sam,” but there was that movie, and that movie was really offensive…
Sean: But I liked the title of our first little thing, I am. Samiam – I am.
Sergie: That was a tricky little number we pulled.