Shellac formed in Chicago, Illinois, in 1992 as an informal collaboration between guitarist Steve Albini and drummer Todd Trainer. Former Naked Raygun bassist Camilo Gonzalez sat in on early rehearsals and even played on one song on Shellac's first single before permament bassist Bob Weston, formerly of Boston's Volcano Suns, joined.
Shellac have a distinctive, minimalist sound based on unusual and urgent time signatures, repetitive heavy rhythms, an angular guitar sound, and Albini... (more)
Shellac formed in Chicago, Illinois, in 1992 as an informal collaboration between guitarist Steve Albini and drummer Todd Trainer. Former Naked Raygun bassist Camilo Gonzalez sat in on early rehearsals and even played on one song on Shellac's first single before permament bassist Bob Weston, formerly of Boston's Volcano Suns, joined.
Shellac have a distinctive, minimalist sound based on unusual and urgent time signatures, repetitive heavy rhythms, an angular guitar sound, and Albini's surreal, bitingly sarcastic lyrics. Songs typically do not have traditional verse/chorus/verse structure and the arrangements are sparse, to the point where some describe them as "amelodic". Shellac's signature sound is often associated with their enthusiasm for vintage Travis Bean guitars, a rare brand of aluminium-based instruments. Albini is also known to use copper plectrums and unique guitar straps that fit around the waist rather than over the shoulder. The band prefers the intimacy of smaller clubs, and live appearances are sporadic.
Both Weston and Albini are renowned recording engineers, and use their preferred methods with Shellac: Albini prefers a very clean, analogue recording sound with little or no overdubbing, and he is meticulous about microphone placings and equipment - this is reflected in Shellac's no nonsense approach to their own music, both in the studio and live.
Shellac are also renowned for their unconventional modus operandi. Touring is often an excuse for the band to take time away from their day jobs (Albini and Weston are both recording engineers; Trainer works at a commercial photographer's studio in Minneapolis) instead of being used to promote a recent record or even for financial gain. Indeed, Shellac do not have a "fixed fee" for performances like most bands, instead preferring to take the door charge minus expenses such as promotion, running costs and venue fees. They have also been known to ask venues to remove ticket charges they regard as unnecessary.
An early claim from the band was that all of their songs were about two of Albini's favourite subjects: Baseball and Canada. In actuality, Albini and Weston's songs can refer to a broad range of topics, from the highly emotional to examinations of everyday minutiae. However, regardless of the subject, each song is presented in the same deadpan, occasionally violent manner. An example can be found in the concluding tracks from the band's most recent album 1000 Hurts. Although both songs have a title referring to a mundane household object, these items are in actuality symbolic of a larger theme. Weston's "Shoe Song" deals with the realisation of love and its subsequent loss, whereas Albini's "Watch Song" details irrational anger and aggression.
Shellac are known for their mercurial nature, which has produced some interesting records and events. Most notably, they recorded an instrumental album known as The Futurist for a modern dance troupe. Unwilling to grant what the band considered a sub-par recording a wider audience, they pressed approximately 700 vinyl LP copies of the music and gave them away as gifts to friends. The front cover was a list of the recipients, with the relevant name encircled. Shellac also played a Halloween show as The Sex Pistols, featuring former The Jesus Lizard and Scratch Acid singer David Yow as Johnny Rotten. Both of the aforementioned can now be found on several file sharing networks.
In 2002, the band was also responsible for curating the All Tomorrow's Parties festival in Camber Sands, England. Amongst fans of independent rock, these weekends have achieved legendary status and featured performances from some of the world's finest groups. Knowing that most of the audience had come specifically to see Shellac, the band went on first every morning as an incentive for the festival-goers to be up in time to see the other acts. Other acts included The Fall, Will Oldham, Nina Nastasia, Rachel's, Mission Of Burma, Silkworm, Threnody Ensemble, Shipping News, High Dependency Unit, Arcwelder, Do Make Say Think, The Breeders, David Lovering, Blonde Redhead, Wire, Zeni Geva, Oxes, Flour, Smog, Cheap Trick, Danielson Famile, The Ex, and Dianogah. An album of live tracks from this festival was released on ATP Records.
In December 2004, Shellac recorded a final BBC Session dedicated to their longtime fan John Peel. Peel had been an ardent supporter of the band and his death earlier in the year came as a great shock to the independent music community. In 2005, Shellac were recorded playing "Steady As She Goes" in an abandoned house as part of the second installment of a film project called Burn to Shine, organised by Fugazi drummer Brendan Canty and film-maker Christoph Green. This is the only available recorded video footage of the band playing live that has been officially released.
Shellac have not released any new music since 1000 Hurts in 2000, but several unrecorded tracks have become the mainstay of their live-shows. These include "The End of Radio", "Paco", "Steady as She Goes", "Be Prepared", "Lulabelle", "Boycott", "Repeat The Lie" and "Hang On". There is also a much older song known as "Spoke", which may also be featured on the upcoming album. At other live shows the band has confirmed that the album will be released on Touch and Go Records and the title is apparently Excellent Italian Greyhound - a reference to Todd Trainer's faithful Italian Greyhound Uffizi. The release date of "Excellent Italian Greyhound" is set for June 5th, 2007.
Source: Wikipedia
