O'Doyle RulesNo Place Else To Go (2004)self-released
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The musicians never appear to leave a comfort level above reclining, and comfort is most certainly the mantra of this band. There is not one risk taken anywhere, which leads me to ask: what is it that they’ve taken away from Billy Madison except a tagline as their moniker? I ask this question because what makes that movie work is the complete dedication to the bit; it can be stupid, nonsensical, irrelevant, or even cheesy but you have to attempt and follow through all the way. Charm, dear readers, comes out of the idea, the effort, and the commitment; suffice it to say, the most charming are the most daring and not the most sanitary. Adam Sandler took what he thinks is funny and kept the integrity of the idea and followed through. He has his voice, and he tried it out, and was successful because of that. In rock and roll it is almost always about the charm, not the skill, but if one tries to rock without standing and without stretching out of bounds, it’s just boring and boring ain’t charming. Even a cover of the foolproof “Punk Rock Girl” in the hands of O’Doyle and company comes out bland. Is there a voice to O’Doyle Rules? There has to be, but as of now, No Place Else to Go is a familiar cry that we’ve all heard before, and if the record title is any indication, this trio will continue to deliver more of the same (just in a slightly duller atmosphere).
This band does not play poorly and they seem to know the pop song formula, but guys, try for once to speak with your voices; think about the penguins, get wild, and please stop being dull unless of course that is y'all's speaking tone, and if so, then maybe rock and roll isn’t the career path for y’all. Stop looking at me swan and get to work, that’s my challenge as a listener. I hope O’Doyle Rules can step up and be daring, the other alternative is for them to continue peddling a cheap product on people and I don’t wish that on anybody.