Nodes of RanvierThe Years to Come (2005)Facedown
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Everything that can be said about Year has been said over and over again in the past few years. The playing is proficient but lacks noticeable creativity and is thusly unchallenging. The screams are sub-par and the vocal melodies are cheesy or worse (see the forgettable “Grave”). The guitars chug alongside the unobtrusive drumming in similar patterns throughout all the songs. To be fair, there are moments that might satisfy on the first few listens (the title track has some) but the dynamic is so predictable its replay value is completely lost. As for energy level, the screams are too muffled and boring (I can’t forgive the overwhelming Atreyu similarity) to build much of anything, and the singing can be too whiny or misplaced. The problem is the album is merely proficient in a style that has worn out its welcome through the last few years and nothing that could be considered new or noteworthy is even considered.
It’s difficult to even write reviews for this stuff anymore. We’ve all seen too much of it come and too much of it go (hopefully more of the latter). Nodes is not the worst out there, but they certainly aren’t the best either. They reside in a middle ground of apathy, where all anyone does is go through the motions with little regard as to what it means and why they do it. Greenberg called this “Alexandrianism;” well, I’m not quite as nice as Greenberg, and this is just boring.