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Bomb the Music Industry!Bomb the Music Industry!: VacationVacation (2011)Ernest Jenning / Really Reviewer Rating: 4.5 User Rating: Contributed by: mouseteethmouseteeth (others by this writer | submit your own) Bomb the Music Industry!'s sixth full-length may come across as an attempt to break away from the band's usual hit of spastically fun ska-punk with the occasional slow dose, but I see it as more of a step in the right direction for them. Jeff Rosenstock has grown immensely as a songwriter and lyrici.
Bomb the Music Industry!'s sixth full-length may come across as an attempt to break away from the band's usual hit of spastically fun ska-punk with the occasional slow dose, but I see it as more of a step in the right direction for them. Jeff Rosenstock has grown immensely as a songwriter and lyricist over the years, and it became more apparent on their previous LP, 2009's Scrambles. The three songs from Scrambles that really sounded the winds of change were "Sort of Like Being Pumped", "$2,400,000" and "Wednesday Night Drinkball". They are dreary, yet uplifting tunes that sprawl through a day in the life of the narrator. They also featured instruments not normally heard in BtMI! songs, such as classical pianos, banjos, and wurlitzers. One could only imagine what their next release could be like when considering this detour from their original sound.
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Easily the best BTMI record. Thumbs waaaaaaaaaaaaaaaaaaaaaaaaaaaaay down. I love this album more and more as I listen to it. In 10 years, people will look back on this as a classic To me this album is more of a piece of art than a selection of music, and that makes it rad. I think that Scrambles has a higher replay value, but the thought and effort that went into this record makes it immensely enjoyable. It's a new side of BTMI! that we haven't seen before and you can color me impressed. It makes me really sad when people don't take the time to listen to the slower tracks and let them sink in. My favorite songs on this album are the opener and the last three and a half songs as a whole. The chorus of Can't Complain gets caught in my head at least once a day since getting the album in the mail. Good album, but I liked Scrambles much better! Finally got around to this. Couldn't really get into Scrambles. I absolutely loved this shit out of Get Warmer. Fucking amazing. I was really stoked on "Scrambles" when it came out but upon revisiting it, I was less than impressed with the album as a whole. "Adults" restored my faith in the band but "Vacation" shattered all expectations and at the same time expands the band's sound to near-perfection. Music doesn't get much better than this. It took a few listens, but once I deleted the dreary, depressing tracks I enjoyed it. Felt Just Like Vacation is an absolutely perfect closer. As much as this album has its new influences, its at the same time still so true to their roots. It sort of reminds me of Three Cheers for Disappointment at points. Haven't decided if it is their best work yet, but its definitely fucking close. Wow. I enjoyed it so much, it became the first album I actually paid for when given the option to pay what I want. Also, after about 15 play throughs, this album is in my head every minute of the day. Can't get it out. Like water in my ear after a swim. But good. So good. ZappBrannigan: No, no you are not. Damn good album, nice review I read it, I don't disagree that it's better as a whole, but still think the way you originally wrote it, calling it "Hard to appreciate" unless it's absorbed as a unit, severely downplays how good those songs really are on their own. I thought your review was generally okay, but took exception to the way you put that. Is this your first time on the internet? Jesus Christ. this is fucking brilliant. dont imagine itll sit with me as well as scrambles though. Am I the only one who's favorite BTMI album is Goodbye Cool World? It seems like that album gets left out of every discussion. That said, Vacation may be second favorite of theirs, though Get Warmer is close too. Scrambles didn't grab me as much; it was good but not great. What's going on with the volume jumping loud and quiet in the middle of the songs sometimes? And I called it a classic dude, get real. "I haven't had a chance to listen to this yet, but I take some exception to the claim that no songs on "the Monitor" stand out on their own. Let's get a fucking grip, people." Adults... was kind of the breaking point for me where Jeff just got too depressing to listen to. An album like this came at the perfect time for them. I love it! "I haven't had a chance to listen to this yet, but I take some exception to the claim that no songs on "the Monitor" stand out on their own. Let's get a fucking grip, people." stoner ska....................................... Wow, I can't remember the last time I disagreed so strongly with the punknews community's assessment of an album. This is a great album, but I think it's a definite step down from their previous releases. I've only listened to it all the way through once so far, but it sounds to me like they're changing their style to sound more like what's popular among punk listeners these days--the folk-punk-inspired sound that's so invariably embraced these days by nearly everybody on the 'Org and beyond. I'm not saying they shouldn't evolve or change their sound--Scrambles is one of my favorite albums and it's a definite break in style from their previous work--but I think they should evolve in a more natural direction rather than catering to the sound they think their fans want to hear. I haven't had a chance to listen to this yet, but I take some exception to the claim that no songs on "the Monitor" stand out on their own. Let's get a fucking grip, people. Whoa whoa whoa. There's a bit of a gap between hate and don't like, right? I wish I could rate this higher than 5 stars. I;m not sure if this is btmi's best album, but I'm not sure that it is even relevant. This album is quite different than their previous releases and has some phenomenal harmony/ old school song chops. Probably their most unique release. Really good. love this band, this album and titus andronicus (which BTMI! turned me on to). but i dont hear much of a connection between BTMI! and TA shark-e, the falsettos are amazing. How you can hate them is beyond me. I'm going to quote shit that you hate so much in the next 6 months Been looking forward to this all year, avoided the preview songs (spoilers!) and I'm loving it album so far but really fell like i can't 'rate' it compared to the other until at least 3 weeks of listening ! reviews that appear on the release date are always too early for me! Only things I don't like about this record: Falsetto on "The Shit That You Hate", and no Laura Stevenson guest vocals. Are you fucking kidding me? I gotta admit that I'd never listened to this band until this release. Oddly I didn't get tipped off to them by good buzz or reviews on this album, but instead just decided I really wanted to hear it because I've been sick of a lot of the other newer music out there right now. I really, really, really like this album. To the comments below who brought up The Impossibles and "Vocal Coach," I thought of the same exact thing. That's so weird considering they've been broken up for awhile now and not many people bring up their name anymore. I'll definitely be looking into BtMI!'s back catalog after this. i love summer albums. this is exciting!!! I like The Impossibles comparison too. I was reminded of them at times while listening to this album, just like Weezer. It makes sense since early Impossibles have a lot in common with early Weezer while often being a lot more intense both on a sonic level and lyrically. The Brian Wilson influence really comes out alot on this album, but it was also present on scrambles. This is good , but i'm not feeling it as much as I did scrambles and Adults. Maybe I just need to listen to it a few more times. this is like an impossibles record that never was. incredible Brackjaw Every single Bomb record I get anxious because I don't know how Jeff is going to best his last record. He almost always does. But on this one... holy shit. Damn near perfect. Really good, but I don't get the Titus Andronicus comparison. And I'm not just saying that cause TA is a million times better. kids need to larn their Beach Boys, because this is all Brian Wilson, Instant classic in my book. But Titus Andronicus is fucking terrible. "Sick, Later" is my fucking jam. It's so rare that I love an album the first time I hear it, especially one by a band I'm not actually all that fond of. Good job. Is anyone else reminded of Blue Album era Weezer by "Vocal Coach"? I loved picking up vibes like that from this album. The sound of the song is really original in its own right, but I felt like certain parts of it really evoked that endearingly self-deprecating eagerness of early Weezer, and I really dig that. Some of his best work, awesomeeeee It's so satisfying to see a band grow with each successive album while retaining their original appeal. They're not just going through the same motions and following a formula with every album, but they're also not doing some kind of pretentious experimentation in an attempt to sound more mature and earn more credibility. This is simply a bold, yet natural next step in their evolution. It refines what came before, being simultaneously familiar and better in some ways. ridonkulously good album this But Titus Andronicus is fucking terrible. Forgot to score it. Best thing they've ever done. well written review as well very satisfying album, definitely well written. i do not however like the version of cant complain on the record. the demo was better, maybe cuz of the absence of the violins at the beginning. This is probably the best album from BTMI!. Glad Rosenstock is writing songs more like Elvis Costello, Weezer, and Fake Problems (I hear all of those in this album). |
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This record grew on me. Now, it's my favorite record Jeff Rosenstock ever was a part of.