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DoomtreeDoomtree: No KingsNo Kings (2011)Doomtree Reviewer Rating: 4.5 User Rating: Contributed by: Dante3000Dante3000 (others by this writer | submit your own) Doomtree, the Minneapolis rap crew/label, is celebrating 10 years with the release of No Kings which is either their second, third or fourth full-length as a crew, depending on who you ask (and depending on how much you believe the rumor that Doomtree recorded one that will never be released). Howev.
Doomtree, the Minneapolis rap crew/label, is celebrating 10 years with the release of No Kings which is either their second, third or fourth full-length as a crew, depending on who you ask (and depending on how much you believe the rumor that Doomtree recorded one that will never be released). However, even with a seemingly limitless talent pool, many of Doomtree's crew albums have felt like less than the sum of their parts. That isn't to say they haven't been good. Portions have been great but with a crew that is fully capable of releasing great albums on their own (as witnessed by P.O.S.'s Never Better, Dessa's A Badly Broken Code and more recently with Sims' Bad Time Zoo), the crew albums felt like little more than getting everyone in a single place and compiling the results into an album. Doomtree's first official, self-titled full-length had sparks of brilliance but tipped the attention scale at 21 tracks. Their last release, the frustratingly great False Hopes XV EP, lacked solid unity, featuring a single whole crew track and solo tracks by P.O.S., Dessa, Mike Mictlan and Cecil Otter over eight songs. With No Kings Doomtree takes all the progress they've made individually and as a crew and crafts it together in a single, unified message. It's the most cohesive and impressive piece the crew has put out and it shows what 10 years in the game has earned them. Please login or register to post comments.What are the benefits of having a Punknews.org account?
I felt that this record had a very unique production to it. Something about it struck me as odd but in a very positive way. Though I generally do prefer the label's solo records over their collectives, the collectives are still more than worth the listen. I strongly support this album as the best of their collective records and though it may not be A Badly Broke Code, Never Better, or Rebel Yellow, it is better than Ipecac Neat, False Hopes (Sims), or False Hopes (Mike Mictlan and Lazerbeak.) more excited about the week of solo shows coming up in MPLS and seeing P.O.S. in the tiny 200 capacity joint than this record, but it's still pretty great. What ever happened to Turbo Nemesis? Haven't heard it yet, but I have full support of this. There isn't a member of this group I don't love. Funky buttlovin', this is so good. the cool part of the album is that they collectively worked on beats, I like that aspect, the aspect I don't like is that they kind of got together in a cabin and wrote it quick, their solo efforts are much stronger, not to say this is a bad record at all, it just seems solo Doomtree crushes, on a group record they make a great album it's just not as mind blowing but is still better than most rap/hip hop records, I don't know maybe I need to listen to it again, liked how much P.O.S. brought to the table too, his line it's freezing but your all just chilling really stuck out This is one of the best written reviews I've read on this site. Well done! Driving down to Portland tomorrow, might buy this for the ride. cover = pennywise full circle I need to check this out, sounds much better than I remember the Hieroglyphics albums being where I thought it was be full collaborations and it ended up being a collection of solo, more or less, tracks loosely bound together into an album This might be rap album of the year for me. And it is the best one they've done because of how cohesive it is. |
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If you guys think this is good then try listening to Death Grips