Punknews.org

The Stooges

The Stooges: Live in San FranciscoLive in San Francisco (2011)
Live show

Reviewer Rating: 4.5


Contributed by: JohnGentileJohnGentile
(others by this writer | submit your own)

Near the end of the Raw Power-era unreleased tune "Open Up and Bleed," the Stooges collapsed as the music morphed from fierce licks to roaring feedback. As Iggy Pop clawed across the floor, they collapsed some more. As Steve MacKaye blew discordantly on his saxophone, they collapsed some more until .


Near the end of the Raw Power-era unreleased tune "Open Up and Bleed," the Stooges collapsed as the music morphed from fierce licks to roaring feedback. As Iggy Pop clawed across the floor, they collapsed some more. As Steve MacKaye blew discordantly on his saxophone, they collapsed some more until finally, the band descended into a single squeal as bassist Mike Watt literally banged the strings of bass against a man-sized stack of speakers. At their Dec. 4 show at San Francisco, Calif.''s Warfield Theatre, the Stooges demonstrated through energy and cacophony that they're still as (musically) wild as they were in the '70s and still know how to collapse like the legends that they are.

Probably more accurately billed as the Stooges (jam) than the Stooges, the band was composed of members from throughout the band's history, including founding member and vocalist Iggy Pop (Class of 1967), saxophonist Steve MacKaye (Class of 1970), James Williamson (Class of 1971), Mike Watt (Class of 2003) and new comer Larry Mullins who was filling in for an ailing Scott Asheton. Although the band was composed of a wide spanning collection of members, they stilled gelled together like Classic Stooges, hitting hard notes as a solid mass, only to spread apart in discordance on the way back up the eighth note, and then once more, snap together and come slamming back down.

The first half of the show featured almost the entirety of Raw Power, played in a different order. Like last years Raw Power Live the band flew through rapid renditions of the tunes, but struck so that in speed, the tunes became heavier, shaking the theatre with their almost heavy metal take on the blues.

As the band spun from tune to tune, Iggy, despite being in his sixth decade, flung himself around with the energy of a man a third his age, at times collapsing to the ground, crawling like a dog, watusi-ing, stage diving, and perpetually doing the "Iggy-skip," which is a complex leap the requires a slender body and the ability to seemingly launch off on leg while crossing it over the other and crossing one's arms. So energized was Pop that he continued to dance and jolt his body when between songs, slapping himself.

Midway through the concert, Iggy invited any and all on stage, and the space was immediately filled with 50-some attendees who danced along with Iggy, taking turns wailing the refrains from Williamson-era classics. After the song had completed, Iggy, perhaps overwhelmed with the crowd's response, seemed dazed and didn't notice the difficulty that the security guards were having removing people from the stage.

The second half of the show spread tunes throughout the Stooges' other career points, with just a few songs coming from their initial run, post-Raw Power demos and The Weirdness. This part highlighted Watt's contribution to the band. Despite seemingly having his feet nailed to the floor in a single spot, Watt seemed electrified, throwing every tendon and muscle into his strings, generating a Black Sabbath-like heaviness that popped along with the speed of hardcore.

At the end of the show, Iggy once again dropped to all fours as the band broke into "I Wanna Be Your Dog." As he rolled around The floor blindly and howled out the ode to purposeful submission, Pop seemed unsure and unconcerned with where he would end up--something that could certainly act as a metaphor for the band's career, in the best possible way.

Random notes:
-It's been a rough year for the feet of the Stooges. Earlier this year Iggy had a foot injury. Scott Asheton had to sit out the show for a foot injury and Mike Watt had a severe limp when walking off stage.

-Yo, people, don't be shy to wear earplugs. In fact, sometimes, the music is so loud that you can only hear white noise, but with earplugs, the sound gets somewhat filtered and gives you a better sound.

-The second worst concert decision I made in my life was opting to see Rush instead of the original Stooges in 2007. Rush is awesome, but I can see them pretty much any time, as opposed to the original Stooges… well, you know how that unfortunately went.

-The first worst concert decision I made was to NOT go see Joe Strummer in 2001 …

 

 
People who liked this also liked:
OFF! - Live at Generation Records [7-inch]The Misfits - Static AgeOFF! - OFF!Riverboat Gamblers - To the Confusion of Our EnemiesNOFX - NOFXOFF! - 1st EPDanzig - The Lost Tracks of DanzigAmebix - ReduxHigh on Fire - Snakes for the DivineThe Bronx - The Bronx (2006)

Please login or register to post comments.What are the benefits of having a Punknews.org account?
  • Share your opinion by posting comments on the stories that interest you
  • Rate music and bands and help shape the weekly top ten
  • Let Punknews.org use your ratings to help you find bands and albums you might like
  • Customize features on the site to get the news the way you want.
Fine Print: The following comments are owned by whoever posted them. We are not respon sible for them in any way. Seriously.
eunomi (December 9, 2011)

Notes from the Tuesday SF show:
1. Night of firsts for me: That was the first time I've seen dudes in their 30s, 40s, and 50s pay $45 service fee so they can mosh at a show. That was also the first time I've ever seen an American Express booth at a punk show.

2. Note to moshers: do not--I repeat do not--bend at the waist and begin ramming people with your head! Especially do not ram a guy trained in martial arts where one is trained to drop an elbow on the back in a situation like that (the technique is taught to guard against tackles). (A) I shouldn't have to explain how moronic doing that to *anyone* in *any* situation is, (b) it's dangerous to you (see above, as well as crowd surfers), and (c) it's annoying to the person you're ramming. I mean, really, that's a new low, and I'm counting the guy that filmed Metallica on his iPad. I know The Stooges don't draw the sharpest tools in the shed, but, really dude?

(P.S. is Fugazi getting back together any time soon?)

3. Barely anyone in the crowd knew any of the Kill City/demos songs. For shame, people! Of course, this was actually awesome since my favorite Stooges song is Johanna, and with a vastly reduced moshing and number of people taking shitty video, it was really easy to enjoy the song. They followed this song up with "Louie, Louie" which the crowd went nuts for. Go figure. The song Kill City blew the recording of it away by miles and miles. Between those two songs, the band more than made up for the moshers.

4. The band wailed even if it was more an Iggy Pop circa 1975 show than a Stooges show (no Asheton, Alexander, or Ricca).

5. Le Butcherettes are fucking amazing. This was my second time seeing them, and they're a great, great live act. That singer is possessed. And this Mars Volta fanboy wasn't upset that it was Omar on bass.

discofucker (December 6, 2011)

Stooges are great live. This review was awful.

bensomewhere (December 6, 2011)

Mike had a knee injury earlier this year when he was touring with his Missingmen that he probably still hasn't completely recovered from. He was apologetic about it, feeling like he wasn't able to give the performance his all back in March. Sucks that he's still dealing with it.

Exclusive Streams

Newest Reviews

Punknews.org Team

Other Places to Go