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Bad Religion

Bad Religion: live in Los Angeleslive in Los Angeles (2013)
live show

Reviewer Rating: 4
User Rating:


Contributed by: daveyjonesdaveyjones
(others by this writer | submit your own)

I was prepared. I got up early. I sat at my laptop with a cup of hot black coffee and proceeded to click refresh again and again. And again. 9:58...9:59...10:00 a.m. A couple more clicks later, I found myself one of the lucky few with two tickets to Bad Religion's show at the Echo in Los Angeles (Ca.


I was prepared. I got up early. I sat at my laptop with a cup of hot black coffee and proceeded to click refresh again and again. And again. 9:58...9:59...10:00 a.m. A couple more clicks later, I found myself one of the lucky few with two tickets to Bad Religion's show at the Echo in Los Angeles (Capacity: 400). The last time I had seen the band in a place this small was for their record release party for The Process of Belief at the Whiskey A-Go-Go in Jan. 2002. It was also the last time I'd seen Brett perform with the band (He only does so for Southern California dates, and even then not always).

After securing a motel room online a few blocks from the venue, I was ready to travel to L.A. to see one of my all-time favorite bands. I remember clearly the first time I saw them in December, 1994 at the Santa Monica Civic Auditorium. 1993's Recipe for Hate introduced me to Bad Religion, and it was a high school favorite. Since then, I've seen them probably well over a dozen times, from Warped Tour stages to large halls to mid-size venues. But nothing prepared me for this. Myself and my better half and 398 of our closest friends.

Upon arriving at the venue, I spotted bassist Jay Bentley calmly standing out front near the entry line, chatting with a Starbucks coffee in hand and sporting a new grey beard. Some old punk friends of his from Back In The Day huddled around. I was wearing an Into the Unknown t-shirt and Jay immediately spotted it and began making cracks about the album's fabled status as a creative failure. He quipped that they pressed 6,000 copies and 7,000 came back returned, and then proceeded to recount how a flooding in his basement destroyed several boxes of them.

We made our way inside soon after and were shocked at the size of the place. The square footage was similar to the Bottom of the Hill in San Francisco, with a back smoking patio of picnic tables akin to Thee Parkside (also in SF). All black walls with a disco ball in the ceiling. No barricade, no security, and a stage a mere two or three feet off the floor. Also, as we were delighted to learn, no opening bands. Doors were at 8 and BR was planning to go on about 9. By the time they finished their last song it was 10:30.

After a beer and a smoke we made our way towards the front and secured a spot two people deep from the edge of a stage so small that barely all the band's equipment fit on it. Finally the lights went down and the members of Bad Religion made their way up one by one. Brooks Wackerman barely had room to crawl around to his drum kit. Everyone had assembled but the lead man, to which Jay announced "Dr. Graffin to the stage please." After a bit of banter in Greg G.'s classic, self-effacing way, the band launched directly into "Suffer" and "We're Only Gonna Die…" A one-two punch from the old school. The crowd went ballistic. Everyone close to the stage was chanting along and pointing at Graffin as he gesticulated his ever-present lyrical interpretations in tandem with his voice.

From there, the setlist evolved as predicted; a Greatest Hits approach with new songs from True North sprinkled throughout. "Wrong Way Kids" was the only tune played off their decidedly mixed last effort, The Dissent of Man. As expected, nothing off the Atlantic albums, save "Punk Rock Song." Off True North we were given the title track, along with "Vanity," "The Past is Dead," the lead single "Fuck You" (which probably got the largest and most enthusiastic crowd response), "Robin Hood in Reverse" and "The Land of Endless Greed." My favorite of this crop, however, was "Nothing to Dismay" which Graffin introduced as a "sing along," inviting the crowd to contribute the "nos." The vocals were spot on with how it sounds on the recording, the chant of the title chorus phrase direct and in-your-face.

The band seemed at ease and having fun with such a small venue. Several times crowd surfers made their way onto the stage and then dove back off, something that you rarely see at a BR show with security barricades. Hetson seemed crowded over on stage right and had to play behind a large post most of the time. No one appeared to be just going through the motions, except for Mr. Brett who just seemed, well, tired. He's the band's oldest member (at 52) and it really shows. He played no lead guitar parts at all, not even his solo for "Sorrow" (which he DID play to great effect at aforementioned Whiskey show in 2002). Brett hardly moved at all, and his performance came across as pedestrian. A few times I requested that he play the new track "Dharma and the Bomb" (the first BR song to feature him on lead vocals) but Mr. B. just wasn't having it, although he promised they'd play it at their show at the Hollywood Palladium in March.

This show should have easily been a 10 but I give it two points off for one reason only–the disappointing setlist which left nothing to chance and featured no surprises or rarely-played fan favorites. I was looking forward to, I don't know–"Marked?" "All Good Soldiers?" "Entropy?" Something. It was a tiresome retread of the most obvious choices–with the exception of one pivotal moment. A guy close to the front on stage left (in front of Brian Baker and Jay) kept shouting "Anesthesia!!!!" over and over and over again between EVERY song break. It got to be a bit much. But you know what? The band took it to heart. Eventually about half way through, Jay responded and the band conferred about whether everyone was up to speed on the song's parts. Brett expressed skepticism. Hetson and Baker seemed game. Dr. Graffin was amused but also weary, and he opened with an apology for "butchering this next one." However Wackerman really made it something special by hewing closely to Pete Finstone's original drum outro on Against the Grain.

The band wrapped up with no encore, closing out with the heavy hitters: "Sorrow," "American Jesus," "21st Century Digital Boy" (for which Hetson stepped up to play his original solo, not the Stranger Than Fiction version that Brian Baker usually plays on tour) and "Punk Rock Song." And like that–they were gone.

All in all, despite my gripes about the setlist, this show–given its intimacy–will remain in my top ten list for years to come. It was a truly special evening with one of Southern California punk rock's most enduring and inspirational icons.

 

 
People who liked this also liked:
Bad Religion - True NorthBad Religion - SufferThe Menzingers - On the Impossible PastThe Clash - London CallingNOFX - Punk In DrublicBad Religion - New Maps of HellBad Religion - No ControlBad Religion - Against the GrainAlkaline Trio - GoddamnitRefused - The Shape of Punk to Come

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Fine Print: The following comments are owned by whoever posted them. We are not respon sible for them in any way. Seriously.
wallofyouth (February 2, 2013)

http://www.youtube.com/watch?v=HK_vHFs-Tz0

i still think they are one of the best bands ever

cpp_ (January 31, 2013)

I saw the Toronto show on Sunday, there's nothing like seeing Religion in a small club with 300 people, no security or barricades. It was the same setlist at the Toronto show except they ended up playing Latch Key Kids by request which was really awesome. Greg was making fun of a french club owner or promoter or somthing who apparently yelled at him for throwing water into the crowd. Just thought i'd share.

slymer (January 31, 2013)

sounds like an awesome show!

daveyjones (January 30, 2013)

I manages to track down the actual setlist from someone who grabbed it from the stage, if folks are interested in the order. Also, I forgot that they played Dept. of False Hope. Huh.

Suffer
Past Is Dead
We're Only Gonna Die...
New Dark Ages
True North
Robin Hood in Reverse
Fuck You
Supersonic
Los Angeles Is Burning
Wrong Way Kids
Vanity
Dept. of False Hope
Nothing to Dismay
Anesthesia
(Originally not on the setlist, but someone from the audience kept shouting for it, so they played it)
You
I Want to Conquer the World
Modern Man
Epiphany
Dearly Beloved
Heroes & Martyrs
Sorrow
American Jesus
Punk Rock Song
21st Century (Digital Boy)

FelixT (January 30, 2013)

Jay left the band during the making of Into the Unknown, so what does he know? And in the interview on their last live DVD, he even said jokingly that he should have stayed in the band for Into the Unknown.

daveyjones (January 29, 2013)

indeed, that is the quip he made. i believe he said the same thing on the live at the palladium DVD. it must be an old joke; he's an old dude.

Problematiclogic (January 29, 2013)

Good review, sounds like a good show!
Did Jay really say those things about Into The Unknown though? They look suspiciously like quotes from the Wikipedia page.

daveyjones (January 29, 2013)

Recipe for Hate was originally released on Epitaph. After BR signed to Atlantic, it was reissued (and remains theirs).

rightcliqificus (January 29, 2013)

I'm 87% wrong. I accept this.

rightcliqificus (January 29, 2013)

American Jesus is technically an Atlantic song, but yeah.

Alien (January 29, 2013)

this is a great review. I would LOVE to have the opportunity to see them live.

ivano (January 29, 2013)

Nice review, and sounds like a really cool concert as well. I agree with the setlist complaint, and I'm afraid it's the one issue I have with all their gigs. Always the same endings, rarely a surprise.

Still, just bought the tickets for june.

nocontrol (January 29, 2013)

"Robin Hood In Reverse" and this review are both outstanding.bravo.

donovanjames (January 29, 2013)

Truly a great fucking review and OH MY GOD THIS SHOW SOUNDS AMAZING.

BarleyPat (January 28, 2013)

Great review

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