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MidtownMidtown: Forget What You KnowForget What You Know (2004)Sony Music Entertainment Reviewer Rating: 3 User Rating: Contributed by: InaGreendaseBrian (others by this writer | submit your own) Attention advice seekers: Midtown is most inconsistent in offering such. Then again, if you're looking to pop-punk for life-saving tips, you might already be desperate. There was definitely a certain element of upbeat, sly cynicism present on the band's first pair of efforts, but with a transf. Attention advice seekers: Midtown is most inconsistent in offering such. Then again, if you're looking to pop-punk for life-saving tips, you might already be desperate. There was definitely a certain element of upbeat, sly cynicism present on the band's first pair of efforts, but with a transfer of major label support also comes a significant shift in mood. In an almost* Alkaline Trio manner of sorts, the now moody, darker Midtown simply suggests we forget what we know. That's it? After saving the world in favor of the girl and living well to exact our revenge, you must simply Forget What You Know on several different levels. First, note that their pop-punk sound is still essentially there. Although initial impressions will lead a listener to thinking the band has taken an entirely new "rock" focus, it's only a slight turn in direction towards the 'r' word. It's not a complete three-sixty, but rather a move of a few degrees to one side. Given several listens, you'll realize this. Second, their sneers have stretched. With the gang vocal chant of "so hard to believe you what you're looking for" in the introductory track that leads into Gabe Saporta's yelling of this little bite of doubt, you know full well skies are gray. This insistency on hopelessness and fear is all too consistent, with lines like "don't fall for mistake that I've made," "you could never understand the pain," and the pleading of "can you help me sleep again?" His Pinkerton-era Rivers Cuomo-esque laments (like his stern complaint towards sex in "Is it Me? Is it True?") come from a grown, maturing soul who had to have been oddly damaged by his relationship with a certain past label, likely a contributing factor to the new mood. Speaking of Gabe, his vocal styling has gone absolutely berserk. It almost sounds like he's trying to reach pitches he's incapable of making. It's sort of a throaty wail, a complete revamping that falls finely parallel to the turnaround in mood. However, "So Long as We Keep Our Bodies Numb We're Safe," the closing track, is a complete, total ripoff of "Goodbye Sky Harbor" as far as I'm concerned. Jimmy Eat World must've really brushed off on the band when the both of them trekked across Europe last year. Sure, it depends much more on a single vocal loop than its biggest influence does, but in the ten minutes it stretches on for, it becomes just how easily the comparison is elicited. As a whole, it's more fluid and energized than its Living Well… predecessor, but hardly as bold or invigorating (never mind the fact that it sounds like I'm describing a spice) as Save the World was. You'll sing along (assuming you're a fan), you'll probably remember the melodies (if you decide to give it a chance), but it could just definitely be more. * - I'm unarmed. Please don't shoot. PREVIEW THE ENTIRE ALBUM HEREPlease login or register to post comments.What are the benefits of having a Punknews.org account?
I use to be a fan of these guys but this album just blew ass... this was the worst cd i have listened to since mest destination nowhere or what ever that cd was called. they shoulda stuck with a smaller record label wow. i think you guys are being harsh on the ratings. i mean.. emo isnt about being a great band or having great music. and i think that midtown's music is heartfelt and theyve worked hard for what little they have. people should give them a chance. and i mean- theyr music is great. you just have to pay more attention to the lyrics and hidden meanings. you guys are basing scorings on how catchy the music is. were not music execs. were consumers. and i think this cd rocks becuz its not like what you expect punk to be. its original and even tho some may think its boring, alot of people will be able to relate to them. but hell - im an idiot. dont listen to me ranting on about this. This album is better than I expected it to be. The song Empty Like the Ocean is really good, although truth to be told, the oceans aren't empty at all..... The instrumentals are a bit lame, Juliana Theory-ish (which is the definition of pretension). Gabe uses the word 'alone' quite a bit. I like how he's apparently on some sort of philosophical/spiritual kick (ie: song titles The Tragedy of the Human Condition and Hey Baby Don't You Know that We're All Whores). Interesting. Anyway, better than expected, nothing mind-blowing, about 1/2 quality, 1/2 quantity. you babies are always so quick to point the finger at the major label if the band decided to go in that direction. grow the fuck up. I am disappointed.......May be their Major bring Midtown in a commercial circle...i don't like this cd....is hysteric Yeah I'm not arguing with you when it comes to lyrics on who is better, but I think there's a lot more bands that write a whole lot better than Thursday or Thrice. I don't know, i guess we all have different opinions when it comes to writing. This album is pretty bad at first but it gets better with each listen. In the end, I think it comes together into a good 'rock' album that can be used as driving music or whatever. The best songs are Is It Me, Empty Like The Ocean, So Long As We Keep Our Bodies Numb We're Safe, and Waiting For The News. The rest is mediocre but still very listenable and even possibly enjoyable. I get what you're saying, but I really disagree- I think both of those bands DO talk about death and stuff like that quite a bit- but I think you exxaggerate the level of violence in the lyrics. Thrice particularly writes very poetic lyrics- I mean, yes, we've heard "slit my throat" occasionally on a Thrice album, but for the most part, they write their dark lyrics in a poetic fashion. "Being a step up from Simple Plan or Good Charlotte doesn't make you a good lyricist, buddy. Midtown would shit their pants if they read a Thrice or Thursday lyric book. But, more of in terms of emo, Something to Write Home About by the Get Up Kids, which makes Midtown's lyrics look like the poetic works of a three year old." Being a step up from Simple Plan or Good Charlotte doesn't make you a good lyricist, buddy. Midtown would shit their pants if they read a Thrice or Thursday lyric book. But, more of in terms of emo, Something to Write Home About by the Get Up Kids, which makes Midtown's lyrics look like the poetic works of a three year old. I've been a midtown fan for a long time, and here's my honest opinion: Their lyrics suck? uhhh.... could you sound any more like every other emo...pseudo pop punk band... whats the difference between this shit and back street boys.... the "punk rock egde" please....... manufactured commodities.... thats what these boys have become..... "a three-sixty would mean going in the same direction jackass" Where's the new Vandals review??? I'm pretty dissapointed with the new Vandals cd. >:O "It’s not a complete three-sixty" Bye Bye major label. If Midtown doesn't break up they will release something "harder" on an independent. If your going to sell, out at least make it catchy. THey need to go to punk boot camp,they'll meet other bands there like the Ataris and Saves the Day. Honestly, I have no beef w/ pop punk, i enjoy it alot actually, and i'm not going to defend that by saying how i also love HWM, dillenger 4 blah blah blah (although i do listen to those bands). Forget what you know - Then remember it with a piano mixed in, and there you go, ohh and take away talent just a bit and then you have midtown's - forget what you know. This album is cliche written by an emo whore (GABE SAPORTA) who tries to live off the pain of others when he uses and abuses those closest to him. The lyrtics are cliche tenth grade philosophy sentiments that he probably ripped off from a poor twelve year olds emo fan's notebook! midtwon should forget what they know and concentrate on a new occuaption...gabe just become a model, you know you want to but your face is fat! "LIAR!!" Believe me this isn't the first band on this site who writes bad lyrics and they sure as hell wont be the last. About 85% of the bands mentioned on this site write stupid ass lyrics. "One more thing- "don't cry for me because I'm already dead" has to be the worst lyric I've heard all here." " wonder how long it will be until they get dropped from their label." One more thing- "don't cry for me because I'm already dead" has to be the worst lyric I've heard all here. "I really have no idea what the hell is wrong with most of you people. This album will, until Over It's full-length, be the best pop punk album of the year by far. The thing that separates Midtown from all the other pop punk bands is that they don't sing about the same thing over and over and over again (read: "wah wah, I lost my girlfriend, girls are dumb"). They put out music that has some kind of real, tangible meaning and they sound like they play their hearts out doing it. But apparently I'm the only one seeing this." I wonder how long it will be until they get dropped from their label. forget this band..... "Pop-punk bands are finally realizing how repeititous the genre is so they try to develop a more 'mature' sounding style. The thing is....it doesnt work for this band. They did the whole catchy power-pop/pop-punk thing really well. This CD sounds so forced and just isn't as fun as their prior 2 efforts." "I really have no idea what the hell is wrong with most of you people. This album will, until Over It's full-length, be the best pop punk album of the year by far. The thing that separates Midtown from all the other pop punk bands is that they don't sing about the same thing over and over and over again (read: "wah wah, I lost my girlfriend, girls are dumb"). They put out music that has some kind of real, tangible meaning and they sound like they play their hearts out doing it. But apparently I'm the only one seeing this. the post below me makes a lot of sense. midtown is awesome because they don't talk about girls. forget if it sounds good or not to you, as long as it doesn't talk about girls.. it's awesome pop-punk. pop-punk rules. I really have no idea what the hell is wrong with most of you people. This album will, until Over It's full-length, be the best pop punk album of the year by far. The thing that separates Midtown from all the other pop punk bands is that they don't sing about the same thing over and over and over again (read: "wah wah, I lost my girlfriend, girls are dumb"). They put out music that has some kind of real, tangible meaning and they sound like they play their hearts out doing it. But apparently I'm the only one seeing this. I like midtown, I'll admit it. I saw them with armor for sleep and i personally thought midtown tore it up (they needed to play more songs from save the world, but thats a different story)...This cd is not bad, and i think it gives them some seperation from the rest of the pop punk scene. My only MAJOR COMPLAINT, at the end of the last song, they repeat the same 3 sentences for over 6 minutes... just a LITTLE annoying. Overall the cd has some highs, and lows. overall a decent release. Poor choice of words, my mistake. "Midtown are far less generic than Good Charlotte and Simple Plan. They're all pop punk, but Midtown doesn't follow the 'let's get on TRL and promote not only our shitty music, but also the shitty clothing lines we whore on a daily basis to make crack money' motif. Everyone loves a pop-punk band until they're really popular. Well, almost anyone at least. I liked Save the World... and Living Well... so we'll see how this stacks up. Plus, its out for cheap now. Midtown are far less generic than Good Charlotte and Simple Plan. They're all pop punk, but Midtown doesn't follow the 'let's get on TRL and promote not only our shitty music, but also the shitty clothing lines we whore on a daily basis to make crack money' motif. Pop-punk bands are finally realizing how repeititous the genre is so they try to develop a more 'mature' sounding style. The thing is....it doesnt work for this band. They did the whole catchy power-pop/pop-punk thing really well. This CD sounds so forced and just isn't as fun as their prior 2 efforts. http://www.theataris.com/phpbb/viewtopic.php?t=23064&postdays=0& postorder=asc&start=0 Score is for the Michael Moore comment. He is a huge hypocrite. He goes and bitches at all these people about laying off workers and about how they're all poor. Hes makin money off all of their misfortune. He makes some good points but all in all hes a hypocrite. "I thought Save The World and Living Well were generic and insultingly poppy. I can see why some people liked those albums, but if you do like those albums, then don't act like you hate Simple Plan or Good Charlotte, because they aren't any less generic or catchy." Wow, when did reviews on this site start sounding like reviews from Pitchfork? "Three- where the hell are the three-layered vocals that made Midtown so special? Gabe Saporta is fine- I don't think he's terrible on this album, but there is way too much of him" "I say screw you guys. This band has gone through a lot of shit over the last couple years, and most bands would've just called it quits." I love when people make comments like, "this isn't the best they can do", or "they haven't reached their potential yet" Forget what you know. I take that as a sign that when listening/reviewing this album we should not refer back to the 'old' midtown. ALthough true in comments that this is no save the world or living well, this is a good album. Think of it as if this was the first effort by a new band. We should be so lucky as to have more bands who could have such efforts. i would like to point out (again!) that no one has yet to review the new Detachment Kit cd. It is really good, but no one has any idea. Review it! I thought Save The World and Living Well were generic and insultingly poppy. I can see why some people liked those albums, but if you do like those albums, then don't act like you hate Simple Plan or Good Charlotte, because they aren't any less generic or catchy. A good joke would be: good review. I'll pick this up eventually. This band isn't bad technically but suck when it comes to lyrics. I tried to like Save the World..., I tried to like Living Well... and I tried to enjoy this but I ended up bored. To their credit, it was a different kind of bored each time, but nevertheless bored. This Album isn't the Midtown we've all come to expect and love. Maybe they should not try so hard to be the anti-pop punk band who suffers from identity crisis. As I recall, they penned some well crafted pop punk gems on thier previous albums. If it aint broke, don't try and fix it!! Does anyone notice that the two times Gabe sings the word "salvation" on this album, in two different songs, mind you, that he sings it EXACTLY the same way? Thank you for pointing out the obvious with the Jimmy Eat World comment. I've said that to a bunch of my friends and for some reason they don't see it. Pretty decent album, but a lot less catchy melodies than I've come to expect from Midtown. Some of songs towards the end of the album are just as uninspired as the review. Or maybe I'm just sleepy. "I say screw you guys. This band has gone through a lot of shit over the last couple years, and most bands would've just called it quits." The big problem with this album? Lyrical quality, which was not terrific, but had some originality to it in the first album, and degraded in the second album, is totally missing here. Reading through the lyric book is enough to give me a headache. I'd never pay for their albums, but they put on a pretty rockin' live show. "change your life and the universe." I say screw you guys. This band has gone through a lot of shit over the last couple years, and most bands would've just called it quits. This album is amazing, catchy, and in my opinion it's just good song writing. I also think most of the reviews on this website are terrible. Whatever hype you heard was directly from jason tate. Which means you take it like a grain of salt as whatever band he likes/gives him money release albums that will change your life and the universe. nice review inagreendaze i've alwasy liked you in a nongay internet way. Say goodnight as they'll be dropped again in two years..if they're lucky to make it that long. Ehh not that great of an album and I wasn't expecting much in the first place. Pretty unoriginal. You would think this cd had the voice of God on it from all the hype I have been hearing. I'm being generous with my stars. |
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Really good album, I had to admit I thought it was pure horse shit when I first heard it but the more you listen to it the better it gets and I am loving the new midtown now. Only annoying thing is that the lyric "numb" is used in at least 4 different songs :s