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I would like to take this opportunity to propose a new rule when evaluating hardcore, metal and other “heavy” releases. It is a simple little aphorism, but I feel it succinctly explains what really matters. And it goes like this: “You can scream in my face, but you can't make me care.

Sadly, all too many bands fail this simple test. Screaming, and playing very fast - or alternately, very slow and “sludgy” is often what passes for songwriting. A label uses a few archetypal adjectives in the biography like “intense” or “brutal” and we're off to the pressing plant. But in the end, a wonderfully packaged record with a literary, clever biography is still just a well packaged and marketed piece of plastic.

Charmer, the Jade Tree debut of this Louisville, Kentucky foursome has all the elements of an incredible record. The band includes a member of Black Cross and the underrated National Acrobat. They fuse elements of hardcore, crust and metal into a record approximating a melding of New Jersey's Deadguy and Seattle's Botch and boast superb production courtesy of Kurt Ballou.

And yet, while I'm sure - as many will point out - they're wonderful, kind people who care deeply about things and put on a great live show, the record itself fails to deliver anything genuinely moving.

From the opening track till the end, the band shifts through tempos and sounds, from discordant guitar noises, to thick dirty riffs; vocalist Steve Sindoni screams his lungs out and the band blasts through eleven tracks with some gusto. But despite a glut of transitions, and stylistic flourishes, there is little cohesion and instead of songs, you end up with a bunch of chunks of music which seem glued together at random.

Certainly the record might have impressed me more in the late nineties, but since then, we're seen how far the “noisecore” genre can be pushed. With the Botch and Coalesce's prototypical noise records We Are Romans and 0:12 Revolution in Just Listening boasting both schizophrenic and yet tight songwriting, Charmer just sounds dated and lacks the progressive elements and fully realized songs that justified those genre defining records.

In short, it's difficult to listen to not because of a lack of energy, or clever “parts” but because it never seems to go anywhere. And while I can appreciate the anti-climatic songwriting of a band like Neurosis, Breather Resist lacks the variety of elements that made them interesting. Clearly, the failure is in the transition from idea to execution. There is certainly no weaknesses in the performance or production, but simply in the lack of heft in the songs.





People who liked this also liked:
Fugazi - Repeater + 3 SongsRefused - The Shape of Punk to ComeDrive Like Jehu - Yank CrimeYoung Widows - Old WoundsThe Faith / Void - Faith/Void/FaithThe Draft - In a Million PiecesEnvy - Insomniac Doze108 - Creation. Sustenance. Destruction.Rocket from the Crypt - Scream, Dracula, Scream!The Hope Conspiracy - Death Knows Your Name



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    Posted by Anonymous on Tuesday, October 19, 2004 at 8:29 AM (EDT)
    My Score:

    qualcuno ha mai sentito nominare gli svedesi BREACH ?
    il contenuto di questo cd li ricorda davvero parecchio: una (discreta) audio(foto)copia di questi ultimi..
    cercate gli originali.. soprattutto "Venom" e "It's me god".
    PEACE & fu*k Bu*h

    Posted by funkisdead on 2004-10-13 21:13:32
    My Score:

    they took their name from a sick ass song by the band Hoover from DC on Dischord records, you should check them out because they rock more than 90% of the shit out there, it is all about odd time signatures and hard ass bass lines, hoover, faraquet, regulator watts, june of 44, etc.

    Posted by Anonymous on Monday, October 11, 2004 at 7:02 PM (EDT)
    My Score:

    Anonymous: Comments made by people who don't want what they say to matter.

    -BSD

    Posted by Anonymous on Monday, October 11, 2004 at 12:29 PM (EDT)
    My Score:

    BSD: Idiot made by people who shouldn't have procreated.

    score is for BSD

    Posted by AmericanIdle on 2004-10-11 01:45:23
    My Score:

    This score is for the state of Kentucky and the great punx who live there, especially in the town of Lexington.

    Posted by Anonymous on Sunday, October 10, 2004 at 4:40 PM (EDT)
    My Score:

    Its alright.

    This score is for these upstanding gentleman naming themselves after a Hoover song.

    -ObeyYourParents

    Posted by Anonymous on Sunday, October 10, 2004 at 4:27 PM (EDT)
    My Score:

    Noisecore: Noise rock made by those who don't listen to much music.

    -BSD

    Posted by soulbleed on 2004-10-10 13:32:01
    My Score:

    I can see how this might not be everyone's cup of tea, but it's not really average at all. It's pretty good.

    Posted by opivykid on 2004-10-10 00:18:45
    My Score:

    "I group them more with Everytime I Die (slower though), than Converge."

    A slower ETID? That sounds awful.

    Posted by Anonymous on Saturday, October 9, 2004 at 8:43 PM (EDT)
    My Score:

    I group them more with Everytime I Die (slower though), than Converge.

    Posted by Anonymous on Saturday, October 9, 2004 at 3:03 PM (EDT)
    My Score:

    This shit is alright but I don't know never really got into them.

    -I Hate The Kids

    Posted by dazed on 2004-10-09 14:27:54
    My Score:

    Yeah these guys were intense live.

    Posted by Anonymous on Saturday, October 9, 2004 at 1:59 PM (EDT)
    My Score:

    this record is amazing. im not going to argue with anyone, but i love it through and through. there is alot going on i think you just have to listen a little closer than most records.

    Posted by johnnydanger on 2004-10-09 11:40:32
    My Score:

    cool live band. haven't heard this yet. was a fan of "only in the morning" though.

    Posted by Anonymous on Saturday, October 9, 2004 at 10:31 AM (EDT)
    My Score:

    i see this as more of an evolution from the sound that coalesce, botch, and many others pioneered. this shit is heavy as hell, and sometimes that's all you need to hear.

    Posted by FortyMinutesWest on 2004-10-09 00:18:38
    My Score:

    "Forty - you serious? Definitely different than theif first release - songs are much more spaced out, far less CONVERGE like, slower, thicker, etc. It's heaviness is totally more calculated here, whereas the first disc just punishes for 20 minutes straight. I wish it sounded MORE like their first release..."

    Eh, I needed to be more clear. I haven't heard it yet, Aubin's review sums up how I felt about their older stuff.

    Posted by Anonymous on Friday, October 8, 2004 at 11:28 PM (EDT)
    My Score:

    Hey you can't give anything released on Jade Tree less than an 8!!!

    -Chinatown

    Posted by pastepunk on 2004-10-08 20:35:03
    My Score:

    Forty - you serious? Definitely different than theif first release - songs are much more spaced out, far less CONVERGE like, slower, thicker, etc. It's heaviness is totally more calculated here, whereas the first disc just punishes for 20 minutes straight. I wish it sounded MORE like their first release...

    Posted by Anonymous on Friday, October 8, 2004 at 8:14 PM (EDT)
    My Score:

    for the most part i'm going to agree. i like it a bit more than you do, but it kinds of leaves me with a "wouldn't i be better off listening to coalesce or botch or deadguy or black cross?" feeling.

    Posted by FortyMinutesWest on 2004-10-08 19:44:05
    My Score:

    Sounds the same as their last release.