Punknews.org
The Sea, Like Lead / Belegost - Split (Cover Artwork)

The Sea, Like Lead / Belegost

The Sea, Like Lead / Belegost: SplitSplit (2006)
Electric Human Project

Reviewer Rating: 3.5


Contributed by: InaGreendaseBrian
(others by this writer | submit your own)

The Electric Human Project label is one that makes it a mission to ensure that bands performing sounds that can only be found a bit off the beaten path are heard. And thus, we're given solid releases like this, a split release between them and Hard Travelin' Records featuring a pair of instrumental .


The Electric Human Project label is one that makes it a mission to ensure that bands performing sounds that can only be found a bit off the beaten path are heard. And thus, we're given solid releases like this, a split release between them and Hard Travelin' Records featuring a pair of instrumental acts (of the post-rock/experimental variety, of course): the Sea, Like Lead, and Belegost. And at 3 tracks and a total running length of 41 minutes, it's hard not to use "epic" ad nauseum.

The Sea, Like Lead is up first, serving the anti-climactic (Iin a very desolate but beautiful way) but appropriately titled and seven-minute-long "Anticline/Syncline." It begins with a heavy rock base akin to Godspeed You Black Emperor!, with these big riffs eventually giving away to slow, methodical churning of skittery, bell-like chords (think Explosions in the Sky here, as lazy as a comparison that might sound). The rising and falling action here is minimal, but TSLL apply a very interesting aspect to the action with spoken word distorted so harshly with a walkie talkie effect that it's hard to make out the words; and while it does sound like it's vaguely philosophical babble at best, it creates an excellently spacey vibe. The same type of speech is employed to the band's other contribution, the 12-minute "Twilight of the Gods," even more incomprehensive but very minimally used. Regardless, the heavy guitar distortion is used effectively, introducing to the truly "floating in space" aura moments of sudden discovery, as if planetary clusters are passing by. Before you know it, all the elements of the song have layered themselves upon each other; the transition really is so subtle it's hard to pinpiont exactly where it takes place. This ends up in a climax that's reached in a very moving, distant way.

While the same of that latter song can be said for Bellegost's sole contribution, the 23-minute-long closing track "Nightwalker/Deergod," it captures the effect of this method in an even greater manner. The first five minutes are somewhat uneventful, simply meandering by, but then some standard drumming comes in, and heavy, commanding riffs pound every few seconds to take charge of the song. When this starts to let up, the mid-tempo, modest parade starts to take shape. One guitar is manipulated to craft atmospheric whimpering in the left speaker, while the second, in the right speaker for its first few times, offers a quick, strangely descending Zeppelin-esque riff. Just under halfway through, the song suddenly picks up a cheerful tone; assumingly the Deergod has now come into play. Four or five minutes later, things get really interesting. You can tell the riffs are quickly beginning to really build toward something, and the tempo is shifting into moderately faster territory; the chords become more urgent with every second, and everything begins to beg for a layered, chaotically beautiful explosion of light and sound. And that's exactly what we're given, as the drums are rhythmically pounded and guitars continue to fill the soundscape with their squeals. Chimes can be lightly heard tapped in the background, providing a gentle distraction. Not to mention, this entire, nicely drawn out experience is one that lasts five minutes. The last minute and a half, everything converges and shakes together into one pretty ball of noise disappearing into a musical black hole.

The Sea, Like Lead and Belegost craft some swell post-rock instrumental with their split here, and while it's packaged in a 100% recycled arrigato pack, the music inside is hardly disposable.

 

 
People who liked this also liked:
The Ataris - So Long, AstoriaBigwig - Unmerry MelodiesFairweather - LusitaniaBandits of the Acoustic Revolution - A Call to Arms5¢ Deposit - We Have Your Daughter!Scraps and Heart Attacks - Still SickNo Trigger - The World Is Not A StageCapdown - Pound for the SoundVarious - This is Solid State Volume 4No Motiv - Daylight Breaking

Please login or register to post comments.What are the benefits of having a Punknews.org account?
  • Share your opinion by posting comments on the stories that interest you
  • Rate music and bands and help shape the weekly top ten
  • Let Punknews.org use your ratings to help you find bands and albums you might like
  • Customize features on the site to get the news the way you want.
Fine Print: The following comments are owned by whoever posted them. We are not respon sible for them in any way. Seriously.
Anonymous (April 19, 2006)

tsll is from the title of the juno song.

Anonymous (March 13, 2006)

Yawn.

Snobby Roboto-rock.

Anonymous (March 10, 2006)

did "the sea, like lead" take their name from the juno song "the sea looked like lead"? or is that whole lead/sea thing from something else entirely?

kirbypuckett (March 10, 2006)

Pittsburgh!

xrobotcorex (March 10, 2006)

I was suppopsed to go to this release show at Roboto but had to work. TSLL is awesome.

Anonymous (March 10, 2006)

Belegost is incredible live. they opened up for Mono in Philly.

Anonymous (March 10, 2006)

Anyone else catch that the title of Belegost's track is an overt homage to Hayao Miyazaki's 'Mononoke Hime'??

colin (March 10, 2006)

i love stuff like this. and that packaging is absolutely gorgeous.

Exclusive Streams

Newest Reviews

Punknews.org Team

Other Places to Go