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| SublimeSublime [Deluxe Edition]2006 Geffen
Review by: Anchors See others by this writer Only registered users can post comments Published on March 9th 2007
One good thing about music, is when it hits you -- you feel no pain.The late Bob Marley is admittedly not the first person I’d think of to pen such a profound observation, but that quote is always one I’ve held very close to my heart. Fitting, then, that those words found in “Trenchtown Rock” preface the 10th Anniversary Edition of Sublime, an album that has a hell of a lot more style and soul than most people in the underground community give it credit for. The fact of the matter is that Sublime was, and is, unique. Their style, broad and far-reaching as it was, is not for everyone. For those not too high and mighty to enjoy the California blend of punk, reggae, ska, and dub, this collection is certainly not one to pass up. In addition to the original album, there’s a second disc with acoustic versions, alternate versions, remixes, instrumental versions, and some videos as well that encompass all of their most well-known material. That first disc is what started it all, though, and with the incredible collection of 18 tracks, it’s really not that difficult to figure out why. Bradley Nowell had soul, you could hear it in his voice and you could hear it in his guitar playing. It’s undeniable. One listen to the wildly-popular "Santeria" should let you know just why that’s the case; it’s the perfect blend of laid-back and gorgeous guitar playing with Nowell’s unique and effortless delivery. That smooth style can also be found in “Pawn Shop,” a six-minute track that doesn’t even feel like half the time. A laid-back song heavily influenced by reggae, "Pawn Shop" relies foremost on the flow to generate a laid-back and rhythmic atmosphere. The smooth basslines and squalling guitar solos at the beginning set the stage well for Nowell’s eventual foray into the track, for which he is the centerpiece. Cool as the other side of the pillow, he’s able to make about four lines' worth of lyrics stretch into those six minutes without ever coming up empty. His six strings tell more of the story, and they still never miss a beat. But this is 2007; everyone has heard Sublime. Everyone knows what they sound like, and everyone’s got an opinion one way or the other, so why should you buy this re-issue? Remember that second disc I mentioned earlier? Yeah, that’s why. "Doin' Time" alone is remixed five different ways, and everything from instrumental to a more funked-out Wyclef Jean rendition sounds good enough to have been on the original album. They may not have all fit the flow, but the style and quality is never lacking. The instrumental versions of "Caress Me Down" and "What I Got" are also extremely enjoyable, and it’s pretty interesting to see what some of the most popular songs of the `90s sound like without any vocal inclusion. The live videos and 15 songs' worth of additional content make this collection worth the sticker price alone. It’s tough, because there’s genuinely nothing to say about this band that hasn’t been said by every other music critic for the past ten years. What I do know, is that Sublime was unique in vision and unique in style, and it’s a shame their career was cut so short. At least with music, when it hits you -- you feel no pain. Please login or register to post comments. What are the benefits of having a Punknews.org account?
great band, great sound, great songs. Holy shit, Will and I agree on something! Yeah I never liked these guys, and I always thought they were overrated. Score is for Sublime. Wow another gem from Will. God I wanna suck your cock so bad. oh my god, I love this album. It reminds me of spring break, when I used to smoke that sweet chiba and go surfing every day...and then me and my frat brethren would rape underaged teenagers. "Played-out, populist criticism." I hate Sublime. I am one of the first to say that their money-grubbing efforts post-Brad's death are worse than what John Lydon has done with the Sex Pistols. Frat music. Frat music. love sublime, dont like how sometimes people get a bit to greedy and try so hard to cash in every few years thats why i aint buyin it..just sayin Thanks SuperRad...here is the link to that interview....http://girlpunk.net/website/content/view/35/2/ so the second disc is essentially second-hand(now third, or maybe fourth, or eighteenth)smoke again? It's about the money which makes it sad. Let sleeping dogs lie. They were a good band, I have several of the Cd's, saw them in concert, etc but let it go. The energy of the band is dead. Leave re-mixes to rap music. Sublime sucks. sublime sucks. fuck that band. and fuck white guy reggae wanna=be bands. yes, Pepper and Slightly Stoopid, I mean you too. Daaaamn Kill_Whitey, where'd you get that interview? I'd love the source. Seriously, nobody should be going to warped and supporting Kevin Lyman. I really can't believe what I just read. god i hate myself so much. sometimes i just want to curl up into a little ball and die. life is so fucking hard. if one more sublime review gets fucking posted i'm checking out for good. Stop reviewing this shit band. They were shit when they were around and they are still shit. Left Alone? Fuck you guys, Dead American Radio deserved at least an 8. louie dog died..."Following Nowell's 1996 death, Lou Dog was cared for by Skunk Records co-founder Michael "Miguel" Happoldt. Lou Dog died on September 17, 2001."- from wikipedia...and i saw a vh1 show about sublime a few years back that said the same thing i wonder where louie dog is. Sublime was a really nice band... (so is Long Beach Dub Allstars) but i agree with the last post... they should stop with all these remixes and re-releases... In response to the Elvis/Left Alone...i hadn't heard about this before...so i did a little research...i came across this interview with the girl...the whole thing is really fucked up...it seems that all you would need to do to clear your name is to give a DNA sample...you should have done this back when there was an investigation if you were really innocent Lables always kill the bands taht are dead. Look at all the Nirvana shit that's still coming out. Or the At the Drive-in disc. And how Fearless then RE-released half of their collection with 'new' booklets... which i guess meant putting their new logo on it instead of the 'eyes'. There's nothing THAT unique about any of them, it's just a money scheme... but i'll still probably buy this. i can't wait for a review of sublime's double album, 19 greatest tracks as picked by their european fans. it's coming out next year and will be followed by a special remix version of sublime's 15 greatest tracks as picked by bradley's neighbors. a dvd with an exclusive behind the scenes look behind how these people went about picking the songs along with 2 rare, never before heard, unreleased tracks of slightly stoopid, kottonmouth kings and gwen stefani doing acapella and hip hop versions of the ground breaking smash hit santeria is also in the works. should be rad. :I yes, they've been milked to death I like this album for what it is but Brad plays almost the same solo on What Happened? and Date Rape. I know that everyone thinks that I'm the guy responsible for raping Calentura's singer at Warped last year, but someone in the comments section of the review of our latest split said that, actually, the rapist was "Sobe" of Volcom Entertainment, and that he's been tried and "locked up." Can anyone confirm the validity of this statement? Anyone? They really have to stop with all the Sublime crap. This band was so awesome and they're really killing it with all those re-releases and remixes. |