Punknews.org
Someone Still Loves You Boris Yeltsin - Pershing (Cover Artwork)

Someone Still Loves You Boris Yeltsin

Someone Still Loves You Boris Yeltsin: PershingPershing (2008)
Polyvinyl Records

Reviewer Rating: 4.5


Contributed by: greg0rbgreg0rb
(others by this writer | submit your own)


iTunes StoreAmazon


I remember first hearing about Someone Still Loves You Boris Yeltsin. It was purely related to the band's ridiculous name, and I never listened to ??em. So I missed their debut Broom on the first pass. Their name started popping up again in blogs and whatnot; apparently they had a new album on the way. I checked out a tune. Then I watched a clip, something that appeared to be a homemade promotional vid for the new album (here). I was intrigued by the young band's enthusiasm, shenanigans and the video's DIY aesthetic, not to mention the catchy-as-hell backing music. Plus that baby in there is awesome. I had to have this album.

Seems the band was named as a joke in '99 when Yeltsin resigned as Russia's president, back when Phil Dickey and Will Knauer were in high school in their proud hometown of Springfield, Missouri. The band materialized in 2002 when Dickey met John Robert Cardwell in college. Broom, recorded by the band and originally released on the Generic Equivalent label (the band's made-up label) in 2005, found its way around the internet and in 2006 the band signed to Polyvinyl who re-released the album.

SSLYBY bring a pop-rock sound not much unlike Weezer's less fuzzy fare. Think "Island in the Sun" and keep the cheery feel-good sonics and subtract the formulaic structure that Cuomo fell into post-Pinkerton. "Glue Girls" opens the album with Cardwell and Dickey trading lines, yet they break a basic pop rule: They don't beat you over the head with the chorus. Instead, the tune forays into first a cowbell-and-bass driven bridge, then a tom-heavy bridge, then a powerful more fuzzy and vocal-layered outro. They only give you the sweet chorus ("Maybe if I lay low / Love will fall around my door?") one-and-a-half times! Guess I need to listen to it again, huh?

That kinda sums up this album, but don't stop there. It's chock full of simple pop songs that are sneakily not-so-simple, going many unexpected -- yet satisfying -- directions within 3½ minutes. I've had "Think I Wanna Die" lodged in my brain since this album arrived in my mailbox in its bubble-padded vessel. This song is like crack. Deceivingly depressing in title and with some bizarre lyrics (see "Marimbas made from the bones of our relatives" and "you dreamt of sex with tigers"), it's basically about girl troubles and is my current frontrunner for ??Catchiest Song of the Year.' And while it has a Ramones-light bit with fun ??hey's and verses that find Cardwell attacking with a tone not far from Vampire Weekend's Ezra Koenig, in the end it's just the best pop song Ben Kweller wishes he penned.

While Broom was gloriously lo-fi, Pershing is still self-recorded but smoothes out the proceedings while keeping the no-frills approach with the vocals rightfully at the focus. They add some new textures, so whereas their debut was a very dry unaffected album, the bridge of "The Beach Song" finds a fluid reverb-heavy sound on guitars and a bit of echo on the vocals.

I read many reviews for Broom that compare it to full-band Elliott Smith and I think I could see that, with its acoustic guitar focus and whispery vocals. But with Pershing, they shed that comparison completely. First, electric guitar takes over and the vocals gain some confidence in their hooks while maintaining a tad of the soft-edged tone on Dickey's end. "You Could Write a Book" even finds Cardwell jumping for high notes in a James Mercer fashion ("I'm alri-i-ight") and employs some tasteful vocal recording effects. The music gets pumped up too, like in the dancey disco hihat of "Modern Mystery," something the band was perhaps too shy for on their debut. Now don't worry too much about that acoustic guitar because the nylon-string ditties still make an appearance, most notably on Dickey's charming "Dead Right," which could fit right back onto Broom, and on "Some Constellation" which is drum-less yet has a cool buildup with bass and flamenco-style acoustic guitar swells, and there's also the beach breeze of "Heers." However, the upright piano that dominated Broom's artwork and songs has vanished. Moving the recording operation from Will's house to his aunt and uncle's maybe forced the piano to be left behind.

"Oceanographer," while the longest song found here, seems to be built on the least substance. They wanted to try out a riff that recycled on a 2/4 measure, and they wanted to see what they could rhyme with the title (map topographer, court stenographer, news photographer) and they wanted to throw in some trashy retro guitar leads and a "woo!" or two. It's fun, but doesn't stick like the rest. That might be the only problem I have with the album. And that's being picky as hell.

I wish I hadn't first ignored these guys for their unwieldy moniker. Now I play catch-up by listening to both albums alternating almost daily. I had to dig for a reason to not give Pershing a ten. It's an early contender for ??Feel Good Record of the Year,' for your ??Summer Jamz ??08' mix, or hell, don't even narrow the field or dismiss it for its poppiness; keep it in mind as a straight-up ??Album of the Year' finalist.

 

 
People who liked this also liked:
Murder By Death - Bitter Drink, Bitter MoonThe Clash - London CallingBeirut - The Rip TideSaves the Day - DaybreakCymbals Eat Guitars - Lenses AlienBlack Lips - Arabia MountainMock Orange - Disguised as GhostsAndy D - Songs in the Key of MagicFucked Up - David Comes to LifeLaura Stevenson and the Cans - Sit Resist

Please login or register to post comments.What are the benefits of having a Punknews.org account?
  • Share your opinion by posting comments on the stories that interest you
  • Rate music and bands and help shape the weekly top ten
  • Let Punknews.org use your ratings to help you find bands and albums you might like
  • Customize features on the site to get the news the way you want.
Fine Print: The following comments are owned by whoever posted them. We are not respon sible for them in any way. Seriously.
rocktopus (May 19, 2008)

Score is for "Think I wanna die". Awesome song.

rocktopus (May 19, 2008)

Score is for "Think I wanna die". Awesome song.

greg0rb (April 16, 2008)

Correction: Generic Equivalent was not the band's made-up label. Someone has informed me that it did indeed exist outside of SSLYBY and was a Springfield MO label that had about 25 releases before going under in 2005.
-Greg

blanktapesemptybottles (April 11, 2008)

these guys are awesome I preordered this but haven't listened to it yet, I do have faith that it will kick ass though

paris_in_flames (April 11, 2008)

Not bad, but I liked Broom more

Problematiclogic (April 11, 2008)

You've definately got me interested in these guys!

Bipedcasserole (April 11, 2008)

score's for review. superb job, sir. i loved Broom, and thanks to your review, i'll definitely be picking this up too.

names (April 11, 2008)

Decent record. More poppy, has more overall quality, but Broom has more interesting, high points. Good effort.

victim (April 11, 2008)

I haven't loved any Russian leader starting with Kruschev although I guess the Brezhnev doctrine was something.

Jaromir Jagr used to be one of my favorite players until I found out his number 68 was in remembrance of the "Prague Spring". Which is probably unfair of me, since it was a virtual lock he would see it that way. Dubcek can go fuck himself and Haval too. And Eastern European "intellectuals" in general (which goes double for Slovaj Zizek)

But I'm rambling here, sorry.

Exclusive Streams

Sponsored


The Fest 13

Newest Reviews

Punknews.org Team

Other Places to Go