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The Replacements - Hootenanny (Cover Artwork)

The Replacements

The Replacements: HootenannyHootenanny (1983)
Rhino

Reviewer Rating: 4
User Rating:


Contributed by: scientistrockscientistrock
(others by this writer | submit your own)

In 1982, the Replacements were Minneapolis' hometown indie heroes. There latest release, Stink, simultaneously lampooned and emulated much of the then-burgeoning hardcore scene of the time. But that wasn't really them. These four had too much classic rock in them for the hardcore scene, but too much.
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In 1982, the Replacements were Minneapolis' hometown indie heroes. There latest release, Stink, simultaneously lampooned and emulated much of the then-burgeoning hardcore scene of the time. But that wasn't really them. These four had too much classic rock in them for the hardcore scene, but too much snottiness to fit in anywhere else. And between October of 1982 and January 1983 they let it all hang out in some "a warehouse in some godawful suburb north of Mpls." The result of those sessions is Hootenanny.

This record must have been hard for fans in 1983. While there are still elements of the snotty punk rock of Sorry Ma, Forgot to take out the Trash ("Hayday"), and the tongue-in-cheek hardcore of Stink ("Run It," "You Lose"), there's a whole hell of a lot else on this record. There are the bluesier numbers: "Hootenanny" (where the band actually switches instruments for that oh-so-endearing sloppy "Mats" sound), "Take Me Down to the Hospital," "Mr. Whirly" (itself a bastardized version of the Beatles' "Oh Darling," the album crediting this track as "mostly stolen"), "Lovelines" and "Treatment Bound"." But there are also harder-to-place poppier numbers, like "Color Me Impressed" and "Within Your Reach." And then there's the even less classifiable (and perhaps the album's biggest fluke) "Willpower," with its ominously spacious bass track and strangely affected vocals.

The biggest flaw of this record is that it feels like a joke. The Replacements never seemed to take themselves seriously, which seemed, for the most part, a conscious decision to help avoid criticism. But here, they seem to not give a fuck at all. The story has it that they had spent so much time just fucking around in the studio, that by the time they were ready to get serious, they were out of time and that the version of Hootenanny we're all stuck with is just a bunch of drunken and cocaine-fueled (you can hear Paul huff two lines before launching into "Lovelines") fuck-offery. And it does show. This record is certainly the least focused of the Replacements' discography. But there is something to be said for it.

This record, unlike previous ones, shows the listener exactly where the Replacements were headed. "Color Me Impressed" is a wonderful taste of what was to come on the next two albums, and "Within Your Reach" (recorded by Westerberg alone on a synthesizer, guitar and drum machine [which, as Michael Azerrad points out in Our Band Could be Your Life, drops a beat in true Replacements' fashion]) comes from a place both songwriting-wise and musically, that the Replacements wouldn't return to until Pleased to Meet Me.

And of course, there are the B-sides. They tend to run along the same lines as the album, perhaps a little more "punky" than the proper album's offerings. The re-release would feel like a full album as far as cohesiveness with the included B-sides if not for the dumb "walking out of the studio" sound effect that Rhino decided to include in all of these reissues.

Overall, this album is the Replacements at their most Replacements. It captures all the teetering at the edge of chaos that the band was famous for. But musically, it's a transition piece from the snotty punk of the first two records, to the brilliant pop of the rest of their career, and they are doing the punk rock at their best, but haven't yet developed the chops found on Let It Be or Tim. This record, though, is a must-own for Replacements fans and anyone who wants to know their indie rock history.

 

 
People who liked this also liked:
The Replacements - Let It BeThe Replacements - Sorry Ma, Forgot to Take Out the TrashFucked Up - David Comes to LifeThe Replacements - Pleased to Meet MeThe Clash - London CallingMinutemen - Double Nickels on the DimeAlkaline Trio - GoddamnitJawbreaker - 24 Hour Revenge TherapyThe Replacements - StinkThe Replacements - Tim

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Fine Print: The following comments are owned by whoever posted them. We are not respon sible for them in any way. Seriously.
ollywood (October 4, 2012)

@sean,
Everyone is entitled to their own opinion Yours just happens to be wrong.

sean021122 (March 1, 2012)

The last worthwhile mats record. Avoid 'let it be suckage' and evertyhing else afterward and your ears will go home happy! This one was the first hints and signs of the sellout that was 'let it be suckage'. You have a few songs here that are still reminiscent of their' 'stin'k and 'sorry ma' records which were infinitely better.

scruffy (July 10, 2009)

Don't Tell A Soul is just as good as Tim. There. I said it.

DrGunn (July 9, 2009)

actually, big-ups to the reviewer for reviewing this (and having what i assume is a minutemen inspired screen name). i hadn't played this in a while and this inspired me to break it out again. it still rules.

my favorite quote from the 'mats section of our band could be your life is this one, says one of their roadies: "Those guys used to get together in the van and put their hands all together and then Paul would say, 'Where are we going?' And the band would go, 'To the middle!' And he'd go, 'Which middle?' And they'd go, 'The VERY middle!'"

Torgo (July 9, 2009)

Score's for how handsome the reviewer is.

lushj (July 8, 2009)

This, "Tim" & "Let It Be" ARE the Replacements for me.

Unfuckwithable!

Blackjaw_x (July 8, 2009)

Yeah it's weird that the sentence with the most advanced vocabulary also has such a simple and obvious grammatical mistake, and at the very beginning too:

"There latest release, Stink, simultaneously lampooned and emulated much of the then-burgeoning hardcore scene of the time."

DrGunn (July 8, 2009)

that should have been a 9.

DrGunn (July 8, 2009)

over the years i have grown to love this record. yeah, their tongues are definitely in their cheeks, but i don't think it's really a joke per se. they're not taking themselves too terribly seriously, but it doesn't detract from the quality of the songs. within your reach and color me impressed are two of their all time best songs, i will argue that run in is their best full-on punk songs, and even stuff like lovelines is really entertaining. it's just a fun, fun record, chock full of great song-writing.

SKAtepunk (July 7, 2009)

weird. i was just reading our bandd could be your life and im on the replacements chapter

nuclearboy (July 7, 2009)

You dont "huff" cocaine you snort it

GlassPipeMurder (July 7, 2009)

Good review, though In 1982 they were punk heroes...indie didn't really exist yet as a genre even though plenty of hardcore bands were putting out music on independent labels.

mikexdude (July 7, 2009)

I like the majority of what this band did. Score's for how handsome the reviewer is.

lostandclowned (July 7, 2009)

I'll give ya minimum effort for a minimum wage.

ashtraymonument (July 7, 2009)

hey, it's better than the post Tim stuff!

scientistrock (July 7, 2009)

Ugh. Fucking grammar, man. Score's for how handsome the reviewer is.

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