Brand New / Glassjaw / Crime in Stereo

Brand New / Glassjaw / Crime in Stereo: live in Bostonlive in Boston (2009)
Universal Music Group

Reviewer Rating: 3.5

Contributed by: Uncle_Leoleafsacc
(others by this writer | submit your own)

Shortly before the release of their fourth record, Daisy, in September, Brand New announced what was by far the most ambitious touring plans of their career. Not only would they play the biggest clubs in cities across the country, they would play multiple nights in a number of these cities, and then.

Shortly before the release of their fourth record, Daisy, in September, Brand New announced what was by far the most ambitious touring plans of their career. Not only would they play the biggest clubs in cities across the country, they would play multiple nights in a number of these cities, and then finish the trek with a hometown stop at the massive Nassau Coliseum on Long Island. At first, I doubted the band's ability to pull this off, and was expecting a whole lot of half-empty venues.

My expectations were pretty far off. Despite Daisy's mixed-to-positive reviews, the House of Blues in Boston was sold out for the second straight night when Brand New stepped on stage November 18th. Having seen the band a number of times, I can honestly say that no two performances are ever the same, and this may have been the strangest, and at times most satisfying, I've witnessed from band.

The night began with a largely-ignored 25-minute set from Crime in Stereo. The band ran into the same problems I feel plague them on CD -- mainly the fact that it is difficult to hear lead singer Kristian Hallbert's vocals over the music.

Next up was long-dormant Long Island legends Glassjaw. Considering the band hadn't toured in nearly three years, I wasn't sure what to expect. I had seen them once before, and I must say they weren't nearly as impressive on this occasion. While they played their blend of aggressive yet melodic hardcore with near-surgical precision, they didn't seem all that interested to be on stage.

The quartet, who aligned themselves in a circle with bassist Manny Carrero facing away from the crowd, played a mix of songs from their two full-length records, as well as a few new tracks including "Jesus Glue." The set list had the crowd, at times, in a fury, and at other times in a state of confusion. Seeing that it was mainly the former, the crowd didn't seem to mind the band's relative indifference.

After an excruciatingly long 45-minute wait, Brand New finally took the stage and opened with the instrumental "Welcome to Bangkok." While the band had used an extended version of the track as an epic closing number on previous tours, this true-to-the-album version served as more of a warm-up than a showstopper.

The Long Island quintet would then get things rolling with "Sink" and "Degausser" before charging into the explosive combination of "You Won't Know," "Okay I Believe You But My Tommy Gun Don't," "Sic Transit Gloria (Glory Fades)," "The Quiet Things That No One Ever Knows," and finally "Mix Tape." This string of crowd favorites featured Brand New at their very finest.

After enigmatic frontman Jesse Lacey completed an eerie solo version of "Limousine," the band would showcase new material from Daisy. Much like the record itself, the results were mixed. While Brand New nailed the new, more technically challenging songs, the crowd's enthusiasm dropped through the floor, as those at the front suddenly fell silent and still.

The crowd finally snapped out of their funk later in the set when Band New ripped though two of their fastest and most energetic songs, "The Shower Scene" and "The Archers Bows Have Broken." These two were followed by "At the Bottom," the Daisy lead single which received the best response of any of the new songs.

Instead of leaving the stage before the encore, Lacey instead began to strum the tune to "Wild Thing," which he explained by saying "Sometimes this yellow guitar just wants to play 'Wild Thing,' what can I say." What would a Brand New show be without at least one head-scratching moment?

After over an hour and half on stage, the band would finally bring the show to a close by giving the fans exactly what they wanted: the combination of "Jude Law and a Semester Abroad" and "Seventy Times 7." While Lacey and Co. once refused to play these songs live, they seem to have embraced the Your Favorite Weapon classics as the perfect way to end a show.

Those at the front were throughly exhausted and made their exit completely content with what they had just witnessed. However, it was difficult to ignore the lukewarm reception to nearly every Daisy track. While the band seems to relish the fact their new record has polarized their fanbase, you have to wonder how much they enjoy a packed venue that suddenly goes still whenever they play a song like "Bought a Bride."

Reaction or no reaction, I'm sure the band isn't going to stray away from their new songs anytime soon. As Brand New has proven throughout their career, they aren't going to let the silence of spectators or changing trends affect what they do as a band, either in the studio or in a live setting.


Please login or register to post comments.What are the benefits of having a Punknews.org account?
  • Share your opinion by posting comments on the stories that interest you
  • Rate music and bands and help shape the weekly top ten
  • Let Punknews.org use your ratings to help you find bands and albums you might like
  • Customize features on the site to get the news the way you want.
Fine Print: The following comments are owned by whoever posted them. We are not respon sible for them in any way. Seriously.
usversusthem (November 30, 2009)

Saw this tour in Montreal. Never have cared for Glassjaw, that night only transformed my disinterest into fierce dislike when their set was way longer than necessary. Crime in Stereo, conversely, played a 20 minute set (apparently their drummer was not with them and they were using another guy to fill in) which was awesome but painfully, painfully brief. And Brand New were... Brand New. Great set, long, good song selection and album variety, and the projector visuals were pretty cool. Score is for the overall experience.

RYANGP (November 30, 2009)

I just saw this tour with Thrice at Nassau Coliseum on Saturday. Glassjaw fucking KILLED it

exthuse (November 29, 2009)

Glassjaw haven't toured in 3 years? I saw them in 2007 and twice in 2008. That's one year.

thepopeofchili-town (November 28, 2009)

My date got pushed back almost 4 months, this makes me even more excited for January 30th. I don't give a fuck about Your Favorite Weapon songs, though.

iamgodsongs (November 28, 2009)

it's not too strange to see Crime in Stereo playing with glassjaw at least, when i saw them on their winter 2006 tour, crime in stereo opened that as well. disappointing that there is no crowd reaction to the daisy stuff, bought a bride might be my favorite brand new song.

wearestillalive (November 28, 2009)

Brand New do whatever the fuck they want both live and on record, and I love them for it. When I've seen them, the majority of the crowd goes mental for their biggest singles, then calms down for my favourite songs off the newer records. It works out pretty well.

telegraphrocks (November 28, 2009)

Wow. Crime In Stereo actually opened this show?
That's pretty weird, but a big "plus" for them.

Marizo (November 28, 2009)

I will never understand why people are so enamored with their old material, especially "Your Favorite Weapon" which is such a weak album compared to their latter catalog of music.

When I saw Brand New play last year, the crowd was unanimously dead throughout, but only perked up when they played their older material

Also, the Glassjaw stuff sounds really intriguing.

Exclusive Streams


Newest Reviews

Punknews.org Team

Managing Editor

Adam White

Contributing Editors

Kira Wisniewski Brittany Strummer Armando Olivas John Flynn Chris Moran John Gentile Mark Little

Copy Editor

Adam Eisenberg Britt Reiser

Podcast Producer

Greg Simpson


Aubin Paul

ISSN 1710-5366

© Copyright 1999-2013 Punknews.org

Terms of Use Privacy Policy Contact Us About Punknews.org

Other Places to Go