The Blue Meanies, even while falling apart internally, still have made time to deliver a hilarious "Fuck You" message to their former label MCA Records, who released their effort "The Post Wave" last year. Read the whole statement below, it's great.
OPEN MEMO TO MCA RECORDS
Re: Blue Meanies/the Post Wave reissue
Dear MCA:
You might recall that our band, Blue Meanies, released a record on your label last year. That record is called The Post Wave. We thought that you might like to know that on August 7, 2001, we are going to reissue The Post Wave on our once and future home, Chicago's THICK Records.
Before The Post Wave came out, we had been a band for almost a decade, and had released six full-length records on indie labels. Our last studio record, Full Throttle, was released on THICK in 1997. For most of the time the Meanies have been a band, our music was loud, fast and discordant - the rumblings of an angry seven-headed monster. A lot of people liked Full Throttle for that reason, and bought it. We liked it too, but we have a short attention span, and by the time we met up with you all at MCA, we knew that we wanted our next record to be very different from Full Throttle.
Then someone at MCA decided to hire Rick Bonde, our booking agent and friend, to be an A & R scout for your label. And Rick asked us if we would like to sign with MCA. Blue Meanies saw the offer as a chance to make a different kind of record than people would expect us to make, and to bring our bizzaro punk sensibility to a corporate label and to a potentially larger audience. We had no idea whether or not it would work, but we were curious. And we wanted to take as much of your money as we could get.
Your only real advice to our band was 'write the best record you can.' So, we did just that, and we lived off of the money you gave us. We spent almost a year doing nothing except writing new songs. You gave us even more money so that we could put together our own project studio in Chicago. And then all seven of us in the band bought all new instruments and amps and drums and so on. That all came in handy!
When we were ready to record an album, we came across this crazy little man who produces records at a place called Studio 4, outside of Philadelphia. His name is Phil Nicolo, and he has worked with artists like John Lennon, Cypress Hill, Cibo Matto and Urge Overkill, to name just a few. You guys wrote Phil a hefty check, and we went to his studio and spent two months recording and mixing the Post Wave.
After we finished the record, you gave us more cash and we bought ourselves a new RV so we could tour in style. The new RV had a double bed, a refrigerator, stove, oven, two TVs, and a toilet. That was pretty sweet, considering our previous vehicle leaked water in the rain, let cold air in during the winter, had no A/C, and broke alternator belts every other day on tour.
But just a few weeks before MCA released the Post Wave, Rick Bonde and the president of your label had a falling out, and Rick decided he didn't want to work for MCA any longer. Rick had been the only real reason that a bunch of punks like us felt comfortable putting music out on your label. We knew that without Rick in our corner, we would become a 'tax write-off' for your company. You proved us right when you assigned us a 'product manager' to be our liason to the company.
After Rick left MCA it became apparent that you had no clue what to do with us, and preferred to ignore us until we went away. Blue Meanies decided that we would go away, but we wanted you to give us back our master tapes, the artwork, and especially all of the CDs that you had pressed.
We figure that from the time we signed our contract until we squeezed the last tour support check out of you, MCA spent about $500,000 for Blue Meanies to make the Post Wave. In other words, we stole a lot of money from you! It's as if we walked into the jaws of the dragon's lair, extracted its golden tooth, and walked away unscathed. Now we are right where we were two years ago, only we have a record that we produced free of charge, a video, a home studio, a few new computers, a pimpin' ride, fancy new equipment, plus various assorted toys.
Anyway, we just thought we ought to say 'thanks' for giving us a half million dollars that we don't have to pay back. That's a nice feeling, as you can imagine. Suckers.
Your pals,
Blue Meanies
Posted by scott on Friday, July 27, 2001 at 9:19 AM (EDT) Thick Records (10 comments)
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Someone (August 14, 2001)
I really hope for their sake that they do have the rights to re-release that album. For the rest of us, we'd get our asses sued off if we tried to self-rerelease anything we put out on a major label. You don't get that $500,000 for free; you have to sign a contract that states that the record label owns your record forever! That means if you want it back, you have to pay them for it.
Trust me, it's not fun. Everytime I want to sell more copies of some of our major label releases, I need to call up Reprise Records (with whom we've parted ways a long time ago) and buy more from them. It sucks. And once they are out of it, it's gone. We won't be able to press up more copies because we don't own it, and they won't press up more either cuz they don't care about us anymore.
This is why it is bad to sign to a major label. Because you don't own your
show rest of comment
pezboy (November 16, 2001)
I love it! Although I am still torn over the split of the Blue Meanies, I am so glad that they are bringing the "Hard" earned 500K with them! Please get over your diffences and make another "Full Throttle". Over even another "Post Wave" they both were great. | Features
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Haha... That's so cool it hurts... I read somewhere that some minor act artists can write off about £20,000 a year on 'makeup' and stuff like that, and the record industry spends like £100,000,000 on acts that 'fail'. It's just so good to see a band that deserves some of that cash, take their share. Now they gotta let people use that studio of theirs......