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The Ginger Envelope - Invitation Air (Cover Artwork)

The Ginger Envelope

The Ginger Envelope: Invitation AirInvitation Air (2009)
One Percent Press

Reviewer Rating: 3.5


Contributed by: JeloneJelone
(others by this writer | submit your own)

Some of the best American music is coming out of Georgia right now, whether it be metal, indie or, in the case of the Ginger Envelope, country. The five-piece, aided by a few friends, crafted a solid alt-country album called Invitation Air. Calling to mind Mazzy Star's Americana cool and the quieter.
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Some of the best American music is coming out of Georgia right now, whether it be metal, indie or, in the case of the Ginger Envelope, country. The five-piece, aided by a few friends, crafted a solid alt-country album called Invitation Air. Calling to mind Mazzy Star's Americana cool and the quieter moments of George Harrison's All Things Must Pass, Invitation Air breezes by in an easy half-hour.

The record has a warm, homey feel to it. It's studio quality, but it feels like a live performance from a couple of friends. Patrick Carey's raspy, almost androgynous vocals match the mellow playing nicely, and his interplay with backing vocalist Page Campbell works well. This sort of folksy country is experiencing a comeback with the kids these days thanks to acts like Mumford & Sons–soaring harmonies, gentle guitars, and the presence of a banjo.

Unlike Mumford, though, the Ginger Envelope never attempt rocking out. Air moseys on by without much fanfare, which works for and against it. The record never tries on a disingenuous pose, but it also never deviates from its set path. Opener "Turn Into Tempests" gently rolls along. Middle track "Pinned Down" gently rolls along. Closer "Invitation Air" gently rolls along.

Still, it's hard to hate Invitation Air, simply because it's a beautiful record. The lyrics are pleasant. Matt Stoessel's pedal steel adds a shimmering layer to songs that are already pretty dreamy. This album is good for the beach and the bed in equal measure.

 

 
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MagnetBox (March 27, 2011)

My first listen left my unimpressed but I'm SLOWLY beginning to like it more with each play.

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