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Two Hand Fools - Two Hand Fools (Cover Artwork)

Two Hand Fools

Two Hand Fools: Two Hand FoolsTwo Hand Fools (2013)
Messy Life Records

Reviewer Rating: 4
User Rating:


Contributed by: powerbaitpowerbait
(others by this writer | submit your own)

War drums leading a slow march toward a new era. As "Spaghet" builds and eventually explodes, we're treated to an angier Fools experience. Previous 7-inches had hinted at a more complex sound that comes to fruition on this album. Gone are the days of folksy, boy girl pop-punk of their earliest relea.
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War drums leading a slow march toward a new era. As "Spaghet" builds and eventually explodes, we're treated to an angier Fools experience. Previous 7-inches had hinted at a more complex sound that comes to fruition on this album. Gone are the days of folksy, boy girl pop-punk of their earliest releases. Gone is the dichotomy of optimism and bitterness prevalent on House Parts. All we're left with is rage and regret. Oh, and drugs. Lots and lots of drugs.

I would argue that this album doesn't have the standout tracks of House Parts, but it is their most cohesive album yet. Where that album reached highs that aren't quite attained here, it never falters. The production is much stronger, the songwriting is much stronger and the songs are diverse, but not so much that any track feels out of place. "Crestfallen" calls to mind Rebellion-era The Riot Before and "The Ballad" is Devo-esque, but both songs are still very much Two Hand Fools.

"I've Felt Love" is the probably the most accessible track on the album, but it highlights one of the album's few flaws, especially compared with the original version from a split they released last year. New bassist Sean Clark is talented, but the band lack the vocal dynamics that were present with Molly Lape. Ryan Johns has a distinct vocal delivery and it works well with their music, but the vocal harmonies she provided and the songs she sang provided a great diversity. A little of the folky element that had defined their sound was also lost, but that could easily be attributed to Ryan Johns' development as a songwriter.

While we get a few "typical" Fools songs (the aforementioned "I Felt Love," "Love" and "Possessions"), Johns and company go places that were obviously out of their comfort zone and it tends to pay big dividends. The biggest payout is the "Anger" duology. "Anger Don't Wait Up For Me" might be my favorite song I've heard this year. It really focuses the album on the potent anger throughout, but also on how damaging that anger can be. There was obviously a lot of angst around Johns' parents divorce on their last album, but going through that fire has lead to a reborn and much more mature artist. When the gang vocals kick in, it it's goosebump-inducing and easily one of the strongest moments on this album.

It bears noting how prominent drummer Adam Paduch and guitarist Tyler Sickles are on this album. The fact that these guys have been playing and writing together for years is obvious. There are flourishes and touches that can only come from time spent harnessing your craft together. You can feel every note is deliberate and works to make the whole better.

There has been a strong swell of bands harking back to the '90s, if not an outright aping of the '90s radio rock scene. Very little of this would fall into any alt-rock category. This is an album that would have hung with some of the college rock big boys in the '80s. It isn't quite on the level of the classics, but I can picture it being a mainstay in 1987. This is very much a modern punk rock record, but with so many bands striving to capture that "'90s sound," it is refreshing to hear a band that truly is alternative rock.

I struggled with what score to give this album, I don't have the emotional attachment to any of the songs that some of their earlier works had, but objectively I realize this is the best work they have created. And, were I to pick an album to start someone with, it would be their self-titled. As Clark gains more band mileage, I think we'll be treated to a timeless album. While it will be one I keep in constant rotation, and likely be one of my favorites of the year, I think we're still in store for more and better from this band.

 

 
People who liked this also liked:
Two Hand Fools - House PartsThe Lawrence Arms - Buttsweat and Tears [7 inch]Austin Lucas - A New Home in the Old WorldBomb the Music Industry! - VacationThe Hold Steady - Heaven Is WheneverMixtapes - MapsSpraynard - FuntitledThe Riot Before - Rebellion [12 inch]Snowing - Fuck Your Emotional Bullshit [7 inch]Dear Landlord - Dream Homes

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Fine Print: The following comments are owned by whoever posted them. We are not respon sible for them in any way. Seriously.
greg0rb (July 17, 2013)

I haven't written em off completely, but it didn't exactly make me want to listen to their music. Maybe I'll give it another shot now. Water under the bridge.

jvoland (July 17, 2013)

greg0rb - don't let that sour you on this band. I mean, that's definitely a bummer but sometimes shit happens. They're a great, hardworking band and the members do a LOT for the DIY scene in Cleveland. Just give this album a spin and see what you think!

powerbait (July 15, 2013)

That's unfortunate, they are pretty killer live.

greg0rb (July 13, 2013)

Was supposed to play The Grog with this band when I was on tour in 2010, but then one dude shows up and says he forgot to tell the rest of the band in time and they couldn't make it. Played a mediocre solo set. Sucked cuz I liked their tunes, also sucked for the turnout of the show. Not a great introduction to the band for me.

quickattack (July 13, 2013)

One of my favorite locals FOR SURE. Great album.

IanIsSuperRad (July 9, 2013)

Nothing but love for this album. Ohio bands are straight KILLING it this year.

Babrook (July 9, 2013)

Liar.

powerbait (July 9, 2013)

If I could review Babrook, he would get a 1.

Babrook (July 9, 2013)

Really though.

jvoland (July 9, 2013)

Damn near perfect.

Babrook (July 9, 2013)

not punk

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