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Epitaph Records -- Millencolin

The year was 2006. The album was self-titled. The response was terrific. Be your own PET had a hit, and the four high-school misfits were on the road to stardom. Most of the crew was satisfied enough to kick back, relax, and party like it was 1999 (the year most of them turned 12). But proverbial ringleader Jonas Stein wasn't content just sitting around on his musical ass waiting to write the next album. He was ready with new songs. So what do you do when half of your band isn't ready to record new material? You grab your brand new drummer, hire a bass-playing bud, and throw together a side project.

And Turbo Fruits was born.

Firstly, let me say that it's hard to review a side project that sounds so similar to the artist's main gig while remaining completely objective. Thus, be your own PET comparisons are inescapable.

That being said, Turbo Fruits really could be a be your own PET album. It has the same aggressive-yet-poppy edge that defined BYOP's 2006 release, but without Jemina Pearl's corrosive voice screaming obscenities in your face, the album feels a little less intense. So take PET's S/T release, dial it down about two notches, and you'll have Turbo Fruits.

With Pearl on the sidelines, Stein takes over vocal duties for the band. His voice is deep and hoarse (unless he's screaming), and much less confrontational than Pearl's. The guitar and drum work are what you'd expect from the Stein and BYOP drummer John Eatherly: PET-esque. However, Eatherly is willing to slow it down a little from the balls-to-the-wall drumming he does for most of PET's songs.

Lyrically, Turbo Fruits is pretty simplistic, and almost funny. Like the music, the lyrics are about having fun in the most illegal ways possible. Lyrical themes include using drugs, murder, having no drugs to use, trying to score with chicks, using more drugs, the munchies, and (logically) protesting the war in Iraq. Shit, the cover of the album is a giant picture of a volcano (and if you don't get that reference, you probably don't smoke enough pot). Still, you'll probably have a blast rocking out to the track "Volcano" while laughing at Stein's faux-baritone voice while he sings "wadda got when you get so stoned / you forget it's Christmas Eve? / volcano."

Overall, Turbo Fruits' Turbo Fruits is certainly addictive. The album opens powerfully, lulls a little in the middle, and then picks back up for a fun ending. After just a few listens, you will almost certainly find yourself shaking your ass and singing along to the album. And while the most listeners will make immediate connections to be your own PET's first full-length, Turbo Fruits do rock distinctively.

One sentence summary: Buy Turbo Fruits' album if you love garage rock but hate the Strokes, if you want to shake your ass to fast-paced music, or if you liked be your own PET's self-titled release.



People who liked this also liked:
Saves the Day - Through Being CoolSocial Circkle - I've Got Afflictions [7 inch]Mental - Planet MentalBlack Lips - Good Bad Not EvilFeist - The ReminderBrutal Knights - Feast of ShameLifetime - LifetimeShook Ones - Facetious Folly FeatHave Heart - The Things We CarryFucked Up - Hidden World



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    Posted by SilentStorms on 2008-02-26 13:17:00
    My Score:

    Well, if I had to choose, it was the way that this band is regarded:

    :Like the music, the lyrics are about having fun in the most illegal ways possible. Lyrical themes include using drugs, murder, having no drugs to use, trying to score with chicks, using more drugs, the munchies, and (logically) protesting the war in Iraq."

    I'm extremely against most of the things spoken about, but if the music's good then it can sway me. I just think punk should be smarter than stupid frat boys trying to score, which is what punk has become in the last 3 years. Score is for what I believe, (not the reviewer)

    Posted by douglas_is_rad on 2008-02-06 13:15:33

    be your own PET are THE DEFINITION of internet hype band. Blogs go crazy for them and hipsters adore them... for a good reason too. Their 2006 s/t release was on just about every major music critic's top 50 list. I'm kind of surprised that you regularly read this site without seeing their name dropped at least once or twice.

    Basically, it is super fast and super immature garage punk. Think about the Yeah Yeah Yeah's first release, make it less artsy and more fun, and add a little teen-age aggression. You'll have BYOP.

    What sounded so horrendous about my review? Do you just not enjoy garage punk (the genre), or were you lost because there are too many BYOP comparisons?

    Posted by SilentStorms on 2008-02-06 00:00:13

    Wow, from this review this particular cd sounds fucking horrendous. I haven't heard of BYOP so I don't even really know what this sounds like. Weak.

    Posted by Biped_Casserole on 2008-02-05 15:39:23

    i tend to wretch whenever i'm forced to listen to a band on ecstatic peace, but i'll give this a chance.
    then again, that's what i've said with every other fucking ecstatic peace group. their album covers are all loud and psychedelic and i hear the bands themselves are fucking noisy and rockin' as hell, but then they just suck.

    Posted by branden on 2008-02-05 11:48:35

    really sweet cover art, still havent listened to this though.

    Posted by i-type-poorly on 2008-02-02 17:27:00

    I don't really get it; I love BYOP, but this was.... not good. Maybe it's his voice, but the whole album sounded like a really bad John Reis impersonation. All the groundwork for gold ol' garage-punk is here, but the songs themselves just bored me.