Killswitch Engage - Killswitch Engage (Cover Artwork)

Killswitch Engage

Killswitch Engage: Killswitch EngageKillswitch Engage (2009)
Roadrunner Records

Reviewer Rating: 4
User Rating:

Contributed by: JGylesJGyles
(others by this writer | submit your own)

It must be tough to be in a genre-defining band. Along with the success of each album comes the pressure to outdo yourself with every release. With that said, Killswitch Engage is an ambitious record which finds the band of the same name stretching their boundaries -- with decidedly interesting resu.
iTunes StoreAmazon

It must be tough to be in a genre-defining band. Along with the success of each album comes the pressure to outdo yourself with every release. With that said, Killswitch Engage is an ambitious record which finds the band of the same name stretching their boundaries -- with decidedly interesting results.

The most obvious change is KsE's decision to bring in outside producer Brendan O'Brien (AC/DC, Rage Against the Machine and the Offspring fame), having shredded through four albums with engineer/producer/guitarist Adam Dutkiewicz at the helm. Although this may insinuate a change in sound, rest assured: KsE retains many of the familiar characteristics of previous releases. Standout tracks like "Starting Over" and "Reckoning" (aptly the first to be featured on the band's MySpace) are sure to please die-hard fans and newcomers alike. As in past releases, the band excels in balancing intricate, heartfelt melodies with aggressive breaks. Singer Howard Jones continues to alternate between aggressive screaming and clean, hooky choruses which quickly infect the listener.

Now come the differences. In past albums, the band managed to perfect its own blend of American metal, hardcore and European influences. The new release finds KsE fully embracing the influence of their Swedish brethren (the riff-laden intro to "Save Me" is eerily reminiscent of Soilwork's "Figure Number Five" and the beginning of "A Light in a Darkened World" could be a B-side from In Flames The Jester Race). One can also hear more subtle influences (the chorus melody in "Starting Over" bears a striking resemblance to that of Brand New's "Millstone"; for comparison's sake, try singing alternate lyrics "take me out tonight" to the former).

Other points of the album find KsE making old new again by revisiting their work in previous projects. In opener "Never Again," Howard's harsher, lower-pitched growls hearken back to his days in hardcore act Blood Has Been Shed, yielding some impressive results. Similarly, the guitar work in "I Would Do Anything" reminds the listener of Adam D's lesser-know days in MA hardcore/metal act Aftershock, and bassist Mike D. is unable to suppress some of his signature bass work from MA legends Overcast. The band also treads new ground in some of the backup vocals -- namely in "The Return" and "Forgotten," where atmospheric choral harmonies complement the music. Although the production is slightly better than previous releases, these new elements blend seamlessly with the familiar Killswitch sound.

Perhaps some of the less-successful moments are when Jones attempts to add melody to heavy underlying riffs, which at times seem misplaced (the uninspired verses in "Lost" make this one of the weaker tunes on the album). At times, Killswitch's formulaic screaming/singing combination and open-chugging simply seems tired and repetitive. Compared to the successful singles "Starting Over" and "Reckoning," the choruses in "Take Me Away" and "I Would Do Anything" fall somewhat short. One can only hope the riffs that comprise the first 45 seconds of "The Forgotten" were written tongue-in-cheek.

Lyrically, there isn't much new to report, with Jones tackling the usual themes of lost love, broken hearts and painful memories. Although well-put together, KsE lacks some of the obvious flow of The End of Heartache and Alive or Just Breathing. But after four albums in the same genre and only so many combinations in the rock repertoire, one must give credit where credit is due, and the casual listener should be able to find something identifiable in the mix. (What is the story with all these "The" song titles, though?)

Overall, Killswitch Engage succeed in creating yet another powerful addition to their legacy as one of the premiere acts in American hardcore/metal. With a new producer on board and an ever-expanding legion of fans, the band shows no sign of slowing down. One only hopes that this "self-titled" release does not signify any conclusion to this talented band.


People who liked this also liked:
Cave In - Planets of Old [12 inch]

Please login or register to post comments.What are the benefits of having a Punknews.org account?
  • Share your opinion by posting comments on the stories that interest you
  • Rate music and bands and help shape the weekly top ten
  • Let Punknews.org use your ratings to help you find bands and albums you might like
  • Customize features on the site to get the news the way you want.
Fine Print: The following comments are owned by whoever posted them. We are not respon sible for them in any way. Seriously.
fallenangel (August 25, 2009)

i love them and i saw them in Georgia this summer at Rockfest Mayhem which is the most rocking concert that i have ever been and they sung my favorite songs My last serenade, and number six on the album.

russe11 (August 24, 2009)

james - the poster was familiar with the "words cannot express" meme, read his comment again. he was simply confused by "fuck" being substituted with "no."

and i'm pretty sure it's universally agreed upon that this band was a shit ton better with the first singer.

jamespastepunk (August 24, 2009)

Posters not knowing "words cannot express" and complaining about how good KsE was with the first singer?

Comments like this make me feel old, kids...

messyblumpkin (August 23, 2009)

actually it is the art for the new cd

tenwestchaser (August 22, 2009)

So you've released two good albums with a good singer and now you have to go and further spoil the good bits by using the same title from one of them. I do like how this review points out why Jone's lyrics are so shitty, too, without really inferring at how bad they suck. But goddamn was this band fucking amazing when Jesse was still around.

LeightonESmith (August 22, 2009)

Hugely disappointing.
Doesn't deserve the score.

Misanthropee (August 22, 2009)

Beyond weak. But at least the existence of bands like this helps keep the tweens and meatheads out of Kylesa shows.

Generic melodic metalcore is an even more annoying fad than ska.

DethrockSteve (August 21, 2009)

Yeah like the one guy said, this is the cover art for their first S/T CD, not the new one.

T-Rock (August 21, 2009)

To the guy below me - a combination of both.

friokir (August 21, 2009)

to the guy below me - is this a new meme or did your left brain hemisphere stop functioning correctly for a second?

well written review, but the record is just all over the place for me.

T-Rock (August 21, 2009)

Words cannot express how much no this band.

Dante3000 (August 21, 2009)

I just decided to check this out on their Myspace. I think everything of this album can be summed up by the first two lyrics on the song "Yeah" "c'mon!".
I'm not sure what happened or why.

apocalypsewow26 (August 21, 2009)

Wrong cover art, ass.

misterspike (August 21, 2009)

The appeal of this band continues to escape me. I've seen them live on several festival bills (as well as on smaller tours with Slayer and Mastodon), and I'm always pissed that I arrived Too Early, if you know what I mean.

colin (August 21, 2009)

lol wut

Exclusive Streams


Newest Reviews

Punknews.org Team

Managing Editor

Adam White

Contributing Editors

Kira Wisniewski Brittany Strummer Armando Olivas John Flynn Chris Moran John Gentile Mark Little

Copy Editor

Adam Eisenberg Britt Reiser

Podcast Producer

Greg Simpson


Aubin Paul

ISSN 1710-5366

© Copyright 1999-2013 Punknews.org

Terms of Use Privacy Policy Contact Us About Punknews.org

Other Places to Go