AFI

Very Proud of Ya (1996)

Mike

AFI was, for many years, one of the most prolific bands

around. From 1995 through 2007, they were not only the East Bay’s most

recognizable band, they were also its most active one. And so with that

heightened activity, AFI went through a very real and progressive metamorphosis.

With each record, a new sound was continually being developed. Their sophomore

record, Very Proud of Ya, was their debut for Nitro Records, a great

representation of the East Bay sound, and their big splash onto the national

underground scene.

Very Proud of Ya was a great demonstration of the California

skate-punk hardcore style. While it harnessed the streetwise aggression of East

Coast hardcore elements, the record also rocked along with the more melodic

sensibilities of the California sound. And this musical marriage is evidenced

in nearly every chorus on the record. The sixth track, “Advances in Modern

Technology,” exemplified how naturally AFI connected these sounds. The song

moves along with the speed of a hill-bombing skater but also has great choral

breaks that at once showcase their ability to layer melodies and to craft great

sing-alongs. “Perfect Fit” also aptly presented this sound. It rushes forward

with great horse-hopping guitars only to break into a harmony-laden chorus that

I defy the listener to not want to sing along to. And all tied together with cleverly

approachable lyrics like, “I won't be sedated, I won't be sedated. Give me a

little taste and I know I won't want more. I won't be sedated, stability is

overrated. Give me the disorder I adore.”

The record was also the last in which Davey Havok penned

lyrics that had a more direct delivery. In subsequent albums, he certainly

upped his poetic and metaphoric style, but Very Proud of Ya showed lyrical

content that was both straightforward and thoughtful. The record’s opening track,

“He Who Laughs Last,” covered typical punk hardcore fare: friends and betrayal.

Yet, Davey wrote about it in a far more crafty way than many of his peers.

Consider the opening lines, “No trust can be given freely. It's a valuable

commodity, but obviously this is something you've never learned.  Faith is something that you put in friends,

and had I excess morals to lend, I'd let you borrow them, but my trust you

haven't earned.” Now for sure there was a bit of sophomoric hardcore junk going

on there, but there was also ingenuity to those lines. For me, that lyrical ingenuity

certainly made AFI more compelling. And it elevated this album as more than

just another catchy release from another East Bay punk band.

Very Proud of Ya was, and remains, a great bridge between

the Rancid/Pennywise style dominating the East Bay and the Sick of

It All/H2O style dominating the East Coast in 1996. The record also

marked the end of the decidedly skate punk style that AFI first offered on

their debut full length, Answer That and Stay Fashionable. For with future

releases, AFI would travel down a distinctly darker, heavier, and more

experimental path, to say the least. And that doesn’t take anything away from

Very Proud of Ya. It was a great record for not only the time, but also for

punk and hardcore at large. It was a bridge between subgenres and certainly

helped open up a variety of listeners to a diversity of influences.

That bridge was best demonstrated when I caught AFI open up

for Snapcase, VOD and Sick of It All in New York City in support of Very Proud

of Ya. They totally blew me away in both live presence and musicality. And what

was better, was that amongst the hordes of kids moshing for Sick of It All was

a young Davey Havok, wearing an old Refused longsleeve, moshing it up for SOIA

himself. There was something really genuine about that and it’s stuck with me

since. Similarly, Very Proud of Ya, while a far cry from the AFI of the modern

day, is also entirely genuine. It’s more than worth checking out and is a great

record in its own right.