Posted by kira on Friday, December 14, 2012 at 6:00 PM (EST)
It's Friday, y'all! If you're thinking, "I wish Punknews would let the reader's make a Best of 2012 list", you're in luck, because we do! Every year we compile a list determined by the ratings you give the reviewed albums on the site. So if you haven't rated anything yet this year, you should probably do that right after you take a look at the favorites albums of 2012 from Steve Brooks and Andrew Elstner of Torche, Tobias Jeg of Red Scare, and Tom May of The Menzingers. Have a good weekend and we'll bring you more next week.
Steve Brooks (Torche)
Best Albums of 2012
Bob Mould - Silver Age: A new classic from Bob. So good!
Van Halen -A Different Kind of Truth: They heard I missed them, they're back! The record they needed to make to get our attention again. Thank you!
Om -Advaitic Songs: Om puts me in a trance every time. Brilliant!
Swans - The Seer: The most powerful and heaviest band in the world. Nothing comes close. Enough said.
High on Fire - De Vermis Mysteriis: They fucking nailed it. It's a toss up between this and "Surrounded by Thieves" for my favorite HOF release. Just like the year "SBT" was released, I can't stop listening to this new one.
Andrew Elstner (Torche)
Best Albums of 2012
Big Business - Battlefields 7" : Love the band, love the dudes, love this single as well as the cover of Siouxsie and the Banshees, "Into the Light."
Tilts - Self titled: Man, you heard these guys? This shit rules! I heard one of these dudes is in Torche.
Com Truise - In Decay: As a child born in the 70's, raised in the 80's, I go in big for the 80's new wave/retro-futurist stuff when it's done on this almost fetishist scale. No nausea inducing, ultra-compressed house beats, no dance club tendencies, just a bunch of Roland Jupiter 4's blazing a path of glory in the land of Naked Eyes, Human League, Ultravox and Tangerine Dream.
High On Fire - De Vermis Mysteriis: Brutal rhythm section, punishing but memorable riffs, dark/fantastical lyrical content. It's everything I love about metal. I feel like I'm 13 again listening to this record.
Van Halen - Different Kind of Truth: This is how a band of living legends is supposed to sound. Disagree? Listen to that fucking Chickenfoot album again and tell me it's good.
Tobias Jeg (Red Scare Industries)
Favorite 2012 albums (not on Red Scare). Also known as, "Holy shit, are music dorks STILL raving about Fiona Fucking Apple?!?" or "I tried liking Japandroids, Frank Ocean, and Cloud Nothings, but it just didn't happen."
*I still haven't seen The Hobbit, The Raid, Chasing Ice, or Cloud Atlas.
Tom May (Menzingers)
This is my top 12 of '12, in no particular order:
Title Fight - Floral Green: I couldn't wait for the release of this record. The release of "Head in the Ceiling Fan" before the record came out left my head spinning. I must have listened to that track thirty times in two days. The record itself spins and stitches an emotionally and musically cohesive all purpose covering to shelter oneself from the monotonous yet often stressful and harsh experience. That goes without taking into account how perfectly it was recorded. Best served without distraction through a pair of your favorite headphones. Fuck what a fucking record. Listen to "Head in the Ceiling Fan" when everyone stops talking for a couple of minutes on a long car ride and just seem to be thinking and looking out the windows.
The Sidekicks - Awkward Breeds: Down 71 these harmonious heroes doth tread in an exodus from the cacophonous Cleveland cold shore to the euphonious euphoric fields of Columbus. Their most recent battle against the scourge of mediocre and artless music was an absolute victory. These brutes bleed melody and eat rhythm. Listen to "Grace." Right now. Really, I'm not kidding.
Cheap Girls - Big Orange: A fantastic record. It's not very often a three piece can have such a locked in and unique sound. This is mood music. It's mood music for the majority of the emotional spectrum. The way this record flows along to a constant pace is perfect. The pace is somewhat upbeat in its own way. This is contrasted, or as I'd like to think 'complemented,' by a pervasive and healthy sadness to the lyrics. It's more of a comfortable sadness that ones feels after riding the train home buzzed after a fantastic date, or sitting on a bench on a beautiful day. But you know, still maintaining a level of bad-assery of course (THEM CHOPS!). Listen to "Cored To Empty" in the car alone.
The Front Bottoms - S/T: This record came out in 2011 where it matters. However this gem wasn't released in Europe until 2012. We toured with them in Europe this year and it was one of the highlights of my life. This fucking record is fucking perfect fucking music fuck you. Not one song has a boring formulaic set of melodies, rather the melodies develop themselves on a winding and cohesive path as if they were maturing. The driving, dancey, and articulate drumming compliments the urgent, profound, and even kind of snotty vocals. It's perfect. The lyrics paint the pictures that have been hanging on the walls of the bedrooms, kitchens, and basements that we've become ourselves in over the last several years. The production is unique and delicious to the ears. God I love this record. Listen to "Maps" in your headphones while walking home from the bar.
The Holy Mess - Cande Ru Las Degas: The Holy Mess's first LP for Red Scare Industries is as catchy and poignant as all of their previous releases and then some. It is darker and heavier than their previous efforts, which makes the emotional and thought provoking lyrics hit even closer to home. Sadly one half of the vocal team, Rob Malloy, left the band shortly after releasing this. What a hell of a send off. The rhythm section falls right into the pocket and the guitars cut and carry like Ed Gein on a meth binge. I can't wait to hear what comes next with their new singer/axe man Jeff Riddle. Listen to "Half That and Dublin" at a barbecue with your friends on Sunday Funday. Then listen to "Asleep in a Room Full of Dog Shit" when everyone leaves and you're half in the bag.
Luther - Let's Get You Somewhere Else: A new addition to the Philly scene, these boys have brought their take on indie/rock/punk to a higher level with "Let's Get You Somewhere Else." It's probably the record that has been stuck in my head more than any other this year. Their chord choices and accompanying melodies are unique and contagious. The vocal delivery somehow manages to be reflective, observant, complacent, non-complacent, urgent, and as sweet as the chops that carry them through. The driving drums and bass frame the entire thing into the incredible collection that it is. Listen to the entire record.
Regina Spektor - What We Saw from the Cheap Seats: Regina Spektor is my favorite song writer alive today. What started out as a few songs on a mix from a friend has turned into a several year long obsession. This was the album of 2013 I was anticipating the most. As with all of her albums, this one took a good amount of time to grow on me. Now that it has, it won't be going anywhere. Listen to "Ballad of a Politician" while reading the lyrics. Then get high and listen to "No Me Quitte Pas."
Bouncing Souls - Comet: This was the soundtrack to the greatest summer of my life as of yet. Everything that got me into The Bouncing Souls, and subsequently punk rock, is on this record to bathe your hearts and ears in. Far from contrived and not formulaic, this record if put together perfectly. From the urgency and self sufficiency inspired from the anti-authoritative "Static" to the heart touching and relatable reflective "Coin Toss Girl" this record has me every time. Listen to "Coin Toss Girl," with your friends, unless of course your wounds bleed blue.
Baroness - Yellow and Green: This is the first album that I have heard by this band. I now love them. It's recorded in such a fascinating way. I'm not used to listening to music in this style be it metal or whatever the fuck. But that is the thing, it's not metal. It has such a morose vibration to it yet the melodies are infectious. I find myself humming their guitar parts as frequently as their vocal melodies. Oh, and it's a double album. Fantastic. Listen to "March to the Sea" while thinking of an old friend who went that route.
The Gaslight Anthem - Handwritten: When I listen to The Gaslight Anthem I feel things and remember times that I'm unable to do on command. It's getting close to the holidays and we've been off tour for a bit so I've been incredibly fortunate to spend a lot of time with the friends and family that I love. Listening to "Handwritten" is one of the closest things I've felt to sitting around with my siblings and friends while drinking and talking shit. It's an incredible record. Listen to the entire record at a lower volume in the background of someone's parent's kitchen while you all sit around and try to figure out how in the world you all made it this far.
Propaghandi - Failed States: Propaghandi have come back again to show exactly just how unfuckwithable they are. They've absolutely killed it with their arrangement, their lyrics, their incredible playing and their sheer intensity. One of my favorite parts of coming upon a new Propaghandi record is the education and exposure to perspective that inevitably comes along with it. Listen to "Devil's Creek" while crying because you suck at playing..
Hot Water Music - Exister: As you can probably tell from listening to my band, I adore this band. I was a little late to the party. They had already broken up when I got into them. The news of them putting out a new record made an amazing day. They have returned with a record overflowing with everything that attracted me to them in the first place, and so much more. Listen to "Drag My Body" when you're done listening to "Grace" by The Sidekicks.
Glad to see "Comet" make a list, as it's my favorite of the year.
Yeah, my taste sucks, right? No, YOURS does. Spaghetti is shit-food, and "blue" is a ridiculous color. You're a fucking moron for liking spaghetti and the color blue.
See how much sense it makes to insult someone else's tastes? Yeah. After a very long conversation with myself, I've finally grown up and come to that realization. From here on out, you will never, EVER, see/hear me making fun of someone else's preferences. If you do, you have permission to take my life.
I had this planner in like middle school that told me blue was an unappetizing color and had a photo of a hamburger dyed blue...so if someone says they like blue spaghetti, I think you can criticize their taste.
You can insult my taste all you want. I don't give a fuck if you think my taste in music is good or not -- I've got more important shit to do than worry about pleasing people on the internet. Hell, I'd say you should continue to make fun of my tastes, it makes the internet more interesting when every asshole has an opinion and isn't afraid to let it be heard.
Since punknews refused to post this story I submitted (too busy reporting about Attack Attack! and The Devil Wears Prada), I thought I'd post it in the comments. For Ramones fans, CJ Ramone is releasing a new album through pledgemusic, here's the link... http://www.pledgemusic.com/projects/cjramone
I'd agree with that, to some extent. Comet is absolute dogshit. Exister took me a bunch of listens; it's good some strong moments, but at best, they're not what I'm looking for from HWM.
I love how Torche (Steve in particular) goes on and on and fucking on about how he doesn't like metal, doesn't play metal, fuck metal - the guy hates on metal any chance he gets - yet HOF is his #1 album?
And, the new album sucks. Nice. And the new single sounds like your old shit. Keep it up, dudely.
Read any interview with Steve Brooks. "We're not a metal band, we just rock." "I only listen to old school metal, and Cheap Trick." "Kiss me bearded dudely."
Juan made Torche awesome. Now they are a mediocre heavy rock band, and when they're not "phoning it in" they're regurgitating old ideas.
Jesus dude, that took like 5 minutes. They say it in damn near every interview.
Also, I was going to say the same about the Swans when you were talking about them. I don't consider them metal at all. They're one of the heaviest bands out there and a lot of metal heads love them but I've never thought of them as "metal." That said, you should definitely check out The Seer. Just make sure to block out 2 hours to be able to soak it up. It's a punishing album and you may need patience to get through it but I find it to be an extremely rewarding listen. I love it.
However, I do take issue with sandwich boy up there about Steve "hating on metal any chance he gets." They tour with mostly metal bands, High on Fire came out with his favorite album this year, etc. He just doesn't consider Torche to be metal and some of his biggest influences are not metal at all. Pretty simple. Maybe if interviewers weren't constantly asking him the same stupid questions over and over then he wouldn't be talking about it so much.
You just sound mad that it isnt just like their first album. They haven't really sounded line that since that album. The new one fucking rules and, stylistically, far from a stretch. My #1 for the year.
Big fan of Tom for stating reasons why he loves his albums, gotta agree with most of them, Bouncing Souls, Cheap Girls and Gaslight Anthem especially, yeah sure not musically perfect but kept me going through the year for different reasons, along with his own album.
Toby's favorite two shows this year crack me up, so different from each other. On the other hand, my favorites were probably Riot Fest and Rush, so I'm a little in the same boat.
I just completed my Top 15 three nights ago, but since I like how that picture of Tom May makes him look like failed comedian Chris Wylde, I'll check out his picks later tonight.
I totally agree, the new nofx was definitely one of the best of the year and I haven't seen it on anyone's list yet. Nofx gets more hate on this site than anyone. Everyone wants to pretend they outgrew them or something, it's just not cool to actually like a punk band you have to say you're into punk but only listen to pretentious hipster bands.
seems to be the way of things unfortunately. The same people will tell you the police were amazing and bad religion sucked after suffer so its whatever..
They get more hate than anyone? Are you kidding, or have you just never seen a Gaslight Anthem post? In the time between American Slang and Handwritten that band lost ground QUICK.
Also,there's just not a whole lot very extraordinary about NOFX. They're pretty average.
lots of people say that but i always find nofx records fun and interesting. the sudden dislike for gaslight didnt suprise me too much cause slang was a very forlorn but pop friendly record where the bands sound changed distinctly. still, orphans is one of my favorite gaslight tunes and i really dig handwritten.
I always go for the bands Fat Mike ends up signing more than anything he's involved with. Kinda like with new Green Day. He may not make music I'm super stoked on, but Billie Joe has an ear for good bands.
I enjoy American Slang for what it is. I've been thinking that it's weird that it came out BEFORE Handwritten, as Handwritten sounds way more like an in-between album than AS did.
Oh no, not at all. But I feel like American Slang is much more commercially minded, and it seems like the kind of album they should have made after they got more mainstream success.
I really don't care for the song "Here Comes My Man", though. It's way too dad-rockish for me.
I think a lot of people grew up on NOFX, but just don't get the same joy out of listening to them anymore. I know I don't really ever put them on anymore, theres way more bands I'd rather listen to. I never talk shit about them though because they were an introductory punk band for me and they'll always have a place in my heart. Know what I'm sayin?
i do, theres only a couple friends i have that still get stoked over new nofx, lagwagon etc..most of my pals have moved on from it. I buy alot of new music every year but i always end up playing the shit outta old favorites..
I started weird. I started with the Sex Pistols, Crass...and Green Day. So I never really got the introductory appeal of NOFX, and by the time I got into modern punk I dunno...I had already discovered more interesting bands.
i started with the clash and got big into two tone, ska, and oi!. my buddy left white trash by nofx over my house one night and it slowly grew on me, that was my introduction to nineties punk.
That's me. I started to pretend that I outgrew them 10-15 years ago even though I actually still really like them. I just don't want anyone else thinking that I like them.
At least I can still listen to them at my house without anyone else finding out about it.
I wouldn't say I "outgrew" them, but it's the same thing as Pennywise. They made some albums I liked 12-15 years ago, and they're still making albums that sound pretty much the same. I can listen to new NOFX (and PW) and not get angry that it exists or whatever, but I still get the feeling of "why should I listen to this when I can listen to White Trash... (or Full Circle, or whatever)?" Self-Entitled isn't by any stretch an album I'd be ashamed to get caught listening to, I just can't see any reason to listen to it in the first place.
You missed the point entirely. I don't give a shit about which band you think is better (you're right, though). The point is that both bands haven't done anything different or interesting in at least a decade. They both work a formula, and neither have made any changes to it in a very, very long time. Self-Entitled and All or Nothing are both rehashings of better albums both bands put out a long, long time ago. I wouldn't say I outgrew NOFX, or that I hated Self-Entitled, but there is no way I could ever put that album in a "top 10 albums" list when I'd rather be listening to Punk In Drublic.
I agree with Toby about the Teenage Bottlerocket, Nothington, Masked Intruder at Now That's Class in Cleveland being the best show of the year. Fucking awesome time.
now, what kind of person who likes HWM got "into" them after they had already broken up? so he hadn't been exposed to it til like '04? POSER!!!
and a bitch and a half
I got into them after they broke up. It was my junior year of High School, I think. I bought "Caution" used at an FYE in Altoona because I'd recognized the name.
ya, i think its all good. I was lucky to hear caution almost six months before it came out cause my friend pete was working for a lable in boston and got an advance copy he gave to me. Hes actually the bass player for great lakes usa, love their new record btw.
Props for Toby putting Classics of Love's self titled on the list. That album is fucking incredible and you all need to check it out if you haven't already
What's with getting at someone for not being into a band from the minute they record demos in their living room? I knew i liked HWM for a good year after I heard trusty chords on a sampler, but I buy CD's when I can afford them and when they aren't £12, If that means having to wait for a while before I pick up a CD that's what happens.
My Top 10 albums of 2012 (in no particular order)
10. Joey Ramone - Ya Know?
09. Forgetters - Forgetters
08. Make Do And Mend - Everything You Ever Loved
07. Glocca Morra - Just Married
06. ĘGES - The Bridge
05. Torche - Harmonicraft
04. The Bouncing Souls - Comet
03. Dave Hause - 7" series
02. Gaslight Anthem - Handwritten
01. Hot Water Music - Exister
Van Halen...yeah...