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Epitaph Records -- Millencolin

The Robocop Kraus

They Think They Are the Robocop Kraus
2006
Epitaph

The Robocop Kraus - They Think They Are the Robocop Kraus (Cover Artwork)


Review by: Anchors
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Published on September 8th 2006

“Genug von diesem Tanzmüll!”

Translated to English: “Enough of this dance garbage!”

As it turns out, that statement is unnecessarily pre-emptive in this instance, as the Robocop Kraus don’t play what I’d consider to be “dance garbage.” They’re no Polysics, that’s for sure. What they are, instead, are a German synth pop act that’s more cleverly crafted hooks than the brute force usually associated with the German culture.

Stereotypes aside, while it’s not normally my bag, these guys do quite a few things well. They’ve been playing the style since the late `90s, giving them plenty of time to hone the craft, with finely cultivated vocal melodies and just the right amount of instrumentation. The quirky sounds that permeate through almost every single song make sure that the music is taken for the playful nature that it does have, and the synth that so many bands misuse to overbearingly annoying levels is tactful, only included to enhance the sound and rhythm of a song that may be lacking in it.

More a victory than anything else, is the fact that so many of these songs have a strong sense of individuality. It starts in the rhythm. “You Don’t Have to Shout” has some very sharp rhythm changes, and an easily memorable and catchy chorus of, you guessed it, “You don’t have to shout!” Even the handclaps play into the lighthearted nature of it all. It’s hard not to get swept up in how much fun this album actually becomes, further proven by the following track, “In Fact You’re Just Fiction.” It's just plain infectious, there’s no way around it; the staccato synth work is sure to have your foot tapping and head bobbing before you’re even aware of what’s going on. By the time you even know it, the last track is on. “There Are Better Lights in Hollywood” begins with the simulated sounds of an organ, until a quick drum roll kick things up a few notches, bringing back that infectious feel that so many of these songs have. Thomas Lang’s deep-but-not-too-deep vocals accent this song even better than most, closing the album out, much to my chagrin.

So, I’ve been duped, I’ll admit it. But I dare you to try to listen to this album and not have a goddamn good time doing it.



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    Posted by elguapo on 2006-09-11 12:39:58
    My Score:

    score is for Autobahn

    Posted by Anonymous on Saturday, September 9, 2006 at 11:48 PM (EDT)

    yah, dey theenk day are the robocops kraus, yah. es no good, yah.

    Posted by Anonymous on Friday, September 8, 2006 at 5:54 PM (EDT)

    I liked their earlier stuff better. More attitude.

    Posted by feeeding5000 on 2006-09-08 16:44:23

    Seriously, though...fuck Epitaph. They suuuuuck.

    Posted by feeeding5000 on 2006-09-08 16:43:56

    "brute force associated with German culture"...Ha. I have a fun afternoon planned for saturday: ANNEX POLAND!

    Posted by Anonymous on Friday, September 8, 2006 at 3:48 AM (EDT)

    ein, zwei, polizei!! das boot ,u96,!!! das is gud techno ja? we germans like to listen to our techno. part man, part machine. comme si bitte und listen to kraftwerk. ja!!

    Posted by branden on 2006-09-08 01:02:28

    polysics fucking RULES

    Posted by Mute98 on 2006-09-08 00:58:00
    My Score:

    this isnt branching out, its just sucking.. i thought anti- was the perfect "branching out" part of epitaph records

    Posted by Phantom_Maggot on 2006-09-08 00:05:52

    I am all for Epitaph branching out and I am sure this band is acceptable to some people but man I miss when they put out a buncha bands that I loved and not German-synth pop. Now I sound like a pissed off old man talking about the days of yore. Maybe I'll just go join Guttermouth.