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Hair: Chicago Punk Cuts
2006
Thick

Various - Hair: Chicago Punk Cuts (Cover Artwork)


Review by: KirbyPuckett
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Thick Records (Logo)

Published on October 3rd 2006

Many people claim that digital music downloads, both legal and pirating varieties, have killed the celebrated compilation record. Label samplers are generally an item of the past, Punk-O-Rama has jumped ship, and despite their plumpest lineup ever Fat Wreck has not reminded us collectively how overweight they are. Don’t even get me started on an all un-released material record either -- I’m almost tempted to start a campaign so that Bush can be elected a third time just so Fat Mike churns out another fantastic Rock Against Bush disc!

So if it’s true that the wide spread of music availability over the Internet has destroyed the compilation album, then how can Thick Records pump out two startling assemblages of unreleased music without traveling outside the Chicago, IL region?

Hair: Chicago Punk Cuts is a sequel, if you will, to 2004’s Oil: Chicago Punk Refined. The fine folks at Thick have lumped Chi-town’s most talented musicians in a room and, presumably through torture methods, forced them to churn out their best work to date. After all, it worked on Oil for Rise Against, Alkaline Trio, and Bob Nanna, as they all wrote their preeminent songs to date.

Who helps make Hair the tour de force it is? In order of appearance: Allister, Much the Same, the Killing Tree, Cougars, Holy Roman Empire, Split Habit, Explode and Make Up, the Methadones, Colossal, Horace Pinker, the Bomb, Ryan’s Hope, Break the Silence, and the Felix Culpa.

Allister's “Walking the Plank” is the biggest surprise of the record. Remember when they were a generic pop-punk band and covered the "Fraggle Rock" theme song? This song takes a vital Alkaline Trio influence and mixes it with a bit of classic Green Day in a huge step up for these guys.

Ever get a haircut and have the barber jam the clippers into your head, slicing off part of your ear? “[The Killing Tree] Is Dressed to Fuck” is that brutal and light years ahead of their previous material. The guitars are heavy and will make your ears quiver, while Mcllarth’s vocals on the track make his voice in Rise Against seem pubescent. Female vocals from Holy Roman Empire's frontwoman glazing the leisured chorus are a significant layer of the song, adding another element of intensity to an already intricate recording.

Not enough folks care about Cougars, and in the post-Rocket from the Crypt era it is a shame. The horns are the driving force behind “We Blog the Hardest," but it’s the way they congeal with the drumming that makes the song so prevailing.

To me, Colossal always been one step away from a truly great song, but everything comes together full strength on “Give Me a Tropical Contact High." The track is soft and the brass parts allow the song to glide as if it were a soft ocean wave greeting the shore. Despite being a mellow track not a single moment is forgettable, partially thanks to the jingly guitar hook.

Punknews Records' most recent signing, Ryan's Hope waste no time in picking up where their debut album, Apocalypse in Increments, left off on "Condemning Race." A swift guitar driven track crashing between metal and punk blended with Terry’s throaty vocals and catchy clapping parts highlight why these Joliet boys are straightforwardly one of the most endowed bands in modern punk rock.

Dan Precision played a pivotal role in Chicago’s legendary 88 Fingers Louie, as well as aiding in the creation of Rise Against’s best album (The Unraveling). His newer audible canvas in Break the Silence shares the intensity of his two former acts, but the comparisons halt quickly. Screaming and melodic vocals braid "Face Down" into two directions, but captivating guitars, specifically the basslines, tie this song into a whole.

Out of the 14 tracks I can only hear one dud in the bunch. Last year I raved over Split Habit’s debut as a really fun pop-punk record. Unfortunately, their song “West Palm Sand” does not share that up-beat charisma as it fizzles away unknowingly in the background.

When I go to the barbershop I always sit around and wait for one specific barber. A good barber is one who always delivers a quality haircut and his talents and trust cannot be easily replicated. Thick Records are that barber I would patiently wait for on a Saturday afternoon. Always coming through with the perfect haircut and even going the extra step by shaving the back of your neck with warm shaving cream and touching up your sideburns. An excellent service to the public cannot be matched and Thick acknowledges that by supplying one of the best compilations records in years.



People who liked this also liked:
Voice In The Wire - Signals In TransmissionLess Than Jake - Hello RockviewHot Water Music - A Flight and a CrashSinking Ships - DisconnectingLifetime - LifetimeThe Suicide Machines - Destruction By DefinitionKid Dynamite - Cheap Shots, Youth AnthemsThe Suicide Machines - War Profiteering Is Killing Us AllOperation Ivy - Operation IvyWeezer - The Blue Album



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    Posted by theonetruebill on 2006-10-09 04:15:59

    God help me, I think I actually like the Allister song on this comp. It's so sick and catchy.

    Posted by Anonymous on Wednesday, October 4, 2006 at 3:58 PM (EDT)

    I've finally found my new email signature!
    xo
    Zak
    THICK
    "Proving Chicago punk is lame, year after weary year..."

    Posted by Anonymous on Wednesday, October 4, 2006 at 2:18 PM (EDT)

    Magnetic Curses was better than oil and hair put together.

    Posted by Anonymous on Wednesday, October 4, 2006 at 2:25 AM (EDT)

    The Oil comp was waaaaaaay fucking better. Seriously, is the Chicago scene this stagnant these days?

    Posted by Anonymous on Wednesday, October 4, 2006 at 12:17 AM (EDT)

    Thick Records' motto should be "Proving Chicago punk is lame, year after weary year..." At least the fucking Blue Meanies aren't on there.

    Posted by Anonymous on Tuesday, October 3, 2006 at 9:15 PM (EDT)

    I think Kirby goes to a "stylist."

    Posted by Scruffy on 2006-10-03 20:41:04

    Revolutions Per Minute is the best RA album. The Unravelling is boring and clearly showcases a band not yet mature. RPM will be hailed as a classic years from now. Mark my words.

    Posted by Anonymous on Tuesday, October 3, 2006 at 5:41 PM (EDT)

    what the hell is the guy below talking about. theme? there's no theme. it's a title.

    Posted by salsashark on 2006-10-03 16:34:37

    Good review as far as the pity for the lack of new compilations goes, but really bad as far as the "hair" gimmick went. The "pizza" theme for the Pizza EP worked, but this one really doesn't.

    Posted by Anonymous on Tuesday, October 3, 2006 at 4:02 PM (EDT)

    man, that horace pinker song is great little number.

    Posted by Anonymous on Tuesday, October 3, 2006 at 2:28 PM (EDT)

    precision didnt play on that song, they added some homo who looks really nu metal, im guessing why this song is strikingly worse than anything they'd ever done, (which is saying a lot)

    Posted by Anonymous on Tuesday, October 3, 2006 at 2:12 PM (EDT)

    solid solid solid CD. totally worth my $5.98

    Posted by Scruffy on 2006-10-03 12:12:55

    I don't even go to the barber. I just shave my head, wait six months for it to grow out, and shave it again.

    Posted by Anonymous on Tuesday, October 3, 2006 at 10:18 AM (EDT)

    Colossal releases new track>everything on this compilation.

    Posted by sickboi on 2006-10-03 08:49:01
    My Score:

    Kirby is full of shit. I know he goes to Great Clips. Don't even try to front...

    Score is for the Killing Tree track.

    Posted by jockmcbored on 2006-10-03 04:26:42

    "When I go to the barbershop I always sit around and wait for one specific barber. A good barber is one who always delivers a quality haircut and his talents and trust cannot be easily replicated"

    ya great puff. i bet you wear tight jeans too

    Posted by Anonymous on Tuesday, October 3, 2006 at 3:09 AM (EDT)
    My Score:

    the killing tree's full length is just biblically satisfying, but their follow up EP is pretty much not even worth listening too. In terms of recording, the EP sounds like a badly mixed demo.

    Thick records gives chicago a good name. definately a label that finally placed a decent label in the midwest, and doesn't fuck around with useless compilations.

    wyzo

    Posted by JonDaley on 2006-10-03 01:57:52

    I really enjoyed this review I have to remember to check out The Killing Tree now, I know they have a couple of record.

    Posted by punkinohio on 2006-10-03 00:53:56

    Omg wheres fall out boi?

    Posted by gladimnotemo on 2006-10-03 00:39:31

    I like a lot of Chicago bands...too bad this compliation has none of them. Chronic Seizure, Punch in the Face, Repos (more or less), all the Latino punk bands I can't remember (Sin Orden?)....

    oh and lawrence arms omgomgomgomgomgomgomgomgomgogmomgom1!!

    Posted by coldwaffles on 2006-10-03 00:23:47

    precision left that band i think.

    Posted by dusticles on 2006-10-03 00:13:17

    i just looked this up on interpunk and I had no idea Split Habit was still around

    Posted by Mute98 on 2006-10-03 00:07:30

    chi-town punk is mostly bad, this comp has a ton of weak bands, much the same, methadones, larry arms, falcon and the copyright are the main great chi-town bands

    Posted by inagreendase on 2006-10-02 23:58:41

    Oh yeah, and Explode and Make Up pretty much sounds like Strike Anywhere's "You're Fired" here, but goddamn, it's so good.

    Posted by inagreendase on 2006-10-02 23:58:04
    My Score:

    Come onnn, that Break the Silence song is totally this thing's dud if anything. It's straight nü-screamo; I'm embarrassed for Precision.

    Most everything else on this though is pretty solid. I actually kind of like the Holy Roman Empire song, the Much the Same / Ryan's Hope songs are definitely their standouts and both memorable, and the Killing Tree track obviously rips. Definitely one of this year's better comps.