The first song conceived for West Texas originated in a moment of solitude while Jim Ward was waiting to soundcheck on what turned out to be the last At The Drive In tour. Fast forward seven years, and Ward is set to release a full length album chock full of Americana rock inspired by all things West Texas and influenced by the likes of The Old 97’s, Tom Petty and Bruce Springsteen. The songs explore different uses of rhythms, voices and moods, allowing Ward to be more diverse with the comp(show more)

The first song conceived for West Texas originated in a moment of solitude while Jim Ward was waiting to soundcheck on what turned out to be the last At The Drive In tour. Fast forward seven years, and Ward is set to release a full length album chock full of Americana rock inspired by all things West Texas and influenced by the likes of The Old 97’s, Tom Petty and Bruce Springsteen. The songs explore different uses of rhythms, voices and moods, allowing Ward to be more diverse with the compositions.

West Texas has a lot of strength and expansive depth, creating a sprawling, beautiful sound. The sounds of the instruments add to the reflective theme Ward hoped to explore. The final recording took place in a second-story loft with dome ceilings in El Paso— with Matthew Schmitz playing drums and recording the drum tracks over the course of a year or so. Ward recorded all the guitars, keyboards and pianos at his own home studio with Chris Heinrich, Gabe Gonzalez, and Ward’s father Jeff, rounding out the recordings on guitar, piano, and bass respectively (Heinrich-pedal steel/guitar, Gonzalez-piano Jeff Ward-bass). Additional musicians include 6-string guitar and farfisa by Ross Godfrey of Morcheeba fame with Maura Davis of Denali and Ambulette featured on “You Should Run,” and backup vocals on seven additional tracks. The record was mixed at Sonic Ranch with Justin Leeah at the controls.

From the opening notes of “A Broken Promise,” to the echoed chords of “Wasting My Time,” Sleepercar’s West Texas reflects the environment of its birth. From the soft vocal wave to the pulse-racing conviction of songs like the dynamic “Wednesday Night we hear all sides of what Ward is capable of. Propelled by an array of sonic styles and tempos, colored by heartfelt, adoring lyrics, the songs on West Texas are a declaration of love. “West Texas is my home, my land and my soul” says Ward.