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Best of 2012 - Joe Pelone's picks (Cover Artwork)

Best of 2012

Best of 2012: Joe Pelone's picksJoe Pelone's picks (2012)
staff picks

Reviewer Rating: 5


Contributed by: JeloneJelone
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[Joe Pelone is the Reviews Editor. Blame him for this mess.] SNAKES ARE CHARMED 2012 has been too good to me, and Punknews was (sometimes) a part of that. Against my better judgement, I still loves ya, Org. For all the snarky comments and questionable musical choices, it's been a blast s.


[Joe Pelone is the Reviews Editor. Blame him for this mess.]

SNAKES ARE CHARMED

2012 has been too good to me, and Punknews was (sometimes) a part of that. Against my better judgement, I still loves ya, Org. For all the snarky comments and questionable musical choices, it's been a blast serving as Reviews Editor (along with getting married, starting a family, and moving up in a company that I believe in over at my "real" job). Some of the nicest folks I met this year were because of this site, and that's something I appreciate greatly. I know some detractors want to get all scene police on us, and if I were a little younger I might engage more, but honestly, all you need to know is summed up by this X lyric: "We're having much more fun." Now let's talk records.

Top 20 Slobberknockers

20

Teenage Bottlerocket: Freak Out!

Fat Wreck Chords

Every time I think I'm done with pop-punk, I realize that pop-punk isn't done with me. Do you people realize that Teenage Bottlerocket might yet best the Ramones' discography? This is dawning of a new era shit right here.

19

The Menzingers: On the Impossible Past

Epitaph Records

On the Impossible Past bums me out. It's a concept record about not getting the girl and drinking too much. Me, I got the girl, and she doesn't let me drink enough. But the Menzingers remain, as always, my boys, and I cannot deny the huge hooks ‚??n' guitars that power this record.

18

Luther: Let's Get You Somewhere Else

Chunksaah Records

Here's a novel concept: Write a bunch of catchy rock songs and develop the chops to back them up. Luther is a throwback to early '90s alt acts like the Lemonheads. Coincidentally, I love the Lemonheads, so you can imagine my sheer, unadulterated glee when Let's Get You Somewhere Else proceeded to make with the hits.

17

Bob Mould: Silver Age

Merge Records

2012 was the year I obsessed over Bob Mould. Loved his autobiography. Loved the Sugar reissues. I even finally picked up H√ľsker D√ľ's Warehouse: Songs and Stories (and liked it). But while I've enjoyed exploring his past, I'm quite content to sit with Mould in the present. Silver Age is a rip-rocking good time. Perfectly timed with the Sugar reissues, it finds the hardcore/alternative veteran is still very much kicking out the jams. Please don't ever stop.

16

Screaming Females: Ugly

Don Giovanni

Marissa Paternoster, you are my guitar goddess, and I am so glad your band's latest record highlights that. I love the shredding and the pounding and the roaring. You are P.J. Harvey. You are Jimi Hendrix. You are a jet engine thundering overhead. Other Guys in the Band, you're cool too.

15

Swearin': Swearin' [12-inch]

Salinas Records

I missed the boat on P.S. Eliot, and I still haven't heard Waxahatchee. But I back Swearin' hard. Writing my review for the record actually took twice as long as normal because I kept drifting off into it sweet indie rock vibes. Recalling bands like that dog, the Rentals and the Breeders, Swearin' is all about warm hooks and lo-fi rockin'.

14

OFF!: OFF!

Vice

OFF! is my favorite Keith Morris release since Black Flag's Nervous Breakdown. Dude is still pissed off, and he's got the band to back up his anger. I consider all of the albums on this list to be filler-free, but when you get as a bare bones/bone-breaking as OFF!, that description means something else. There are tons of angry hardcore bands doing this style, and critics have been right to question OFF! getting the stamp of approval from hipster tastemakers. That said, they're also wrong for questioning fucking OFF!, ya dig?

13

Jack White: Blunderbuss

Columbia / Third Man

Even when he's just tossing off songs about eating crackers and piss takes how he may/may not miss Meg White, Jack White is still a compelling rock ‚??n' roll songwriter and performer. I always wince when people get called Dylanesque, but the way White mixes truth and bullshit on his first solo record can't go by any other name.

12

High on Fire: De Vermis Mysteriis

E1 Music

Snakes For the Divine was solid, but High on Fire cranked up the sludge and the sweetness a couple notches on follow-up De Vermis Mysteriis. More room to jam, more room to lay down the noise, more room to just be awesome. While the divide between HoF and Sleep shrank this time around, I ain't complaining.

11

Deftones: Koi No Yokan

Reprise

Did Deftones just write another White Pony, a.k.a. my favorite Deftones record? Sure, why not. As sad as it sounds, Chi Cheng's health problems have given the band a new focus; they haven't been this productive since the '90s. Koi No Yokan goes way more metalgaze than Diamond Eyes, but rallies enough aggression to still satisfy all needs. RIYL the Cure's Disintegration and Quicksand's Slip in equal measures.

10

The Mountain Goats: Transcendental Youth

Merge

A more consistent record than All Eternals Deck, Transcendental Youth finds John Darnielle still on a hot streak. He's also still very much in love with desperate people at their worst, but hey, it makes for compelling storytelling.

9

Fang Island: Major

Sargeant House

"Fun" indie bands sometimes get pigeonholed and die, but Fang Island managed to keep the good vibes going without ripping themselves off on Major. A little more musically diverse and vocally driven, it's an enthusiastic romper stomper on par with the group's older work. And it's hella-fun to witness live.

8

Cat Power: Sun

Matador Records

Chan Marshall kind of went crazy for a little bit there, right? But man did she rally hard. Cut through her shenanigans, and Sun turns out to be yet another stunning record from Cat Power, even if it totally reboots her sonic style in favor of early '80s Joni Mitchell with a dance beat fixation. Damn girl, where ya been? How can I get there?

7

forgetters: forgetters

Too Small to Fail

Considering I thought they'd broken up, forgetters gave me the most surprising album of 2012 by default. Also surprising: the record rips. Pulling in psych/garage rock and the occasional dance-punk beat, forgetters is an idiosyncratic record. That it also recalls a rawer Jets to Brazil at times simply makes it more enticing. I have an aversion to band tattoos, as the older I get, the more heroes I manage fall out with. But every year, I get a little madder at myself for not getting a Jawbreaker f-cross tat already, because Blake Schwarzenbach just keeps blowing my mind.

6

Matt Pryor: May Day

Nightshoes Syndicate

I grew up, perhaps a bit too painfully at times, with the Get Up Kids. When they emerged as a credible indie band last year just as I transitioned from man-child to straight up man, it meant a lot. For frontman Matt Pryor to then turn around and drop this intimate, acoustic, insanely catchy solo record right after that is just mind-blowing. After the layered There Are Rules, May Day is a refreshingly stripped down reset. Just to spell it out: The guy who wrote Something to Write Home About is just now really hitting his stride.

5

Horseback: Half Blood

Relapse

Usually once I review a record, I put it away to focus on more new music, but something weird happened after I reviewed Half Blood: I couldn't stop returning to it. Part metal, part Americana psych folk, Half Blood soundtracked so many nights at home and on the road. I fell in love with a few metal bands this year; the atmospheric touches of Alcest and Horseback are the ones I value most.

4

Bruce Springsteen: Wrecking Ball

Columbia

Welp, I did not see that coming. Somehow, Springsteen rallied back and made his most cathartic album since The Rising (2002)‚?¶and his best album since quite possibly Nebraska (1982). Wrecking Ball has some of his most rocking tunes in quite some time, like "Death to My Hometown" and the emotional title track. There's a strong folk influence on "Shackled and Drawn" and "We Are Alive." And that rap song, "Rocky Ground?" Actually one of album's highlights. This deep into his career, you wouldn't think Springsteen would experiment with electronic and hip-hop music, let alone successfully. But you'd also be wrong.

3

Torche: Harmonicraft

Volcom

Oh man‚?¶Torche brought the sweet, sweet sludge this year. I'd like to call shenanigans on sites like Pitchfork for being underwhelmed with this record. Harmonicraft might be the band's effort yet, continuing the melody of Songs For Singles while honoring the sludge roots of Meanderthal. Screaming "TORCHE!" at my friends is a perfectly acceptable means of communication, so great is our love.

2

Alcest: Les Voyages De L'Ame

Prophecy Productions

Considering it's been banging around my ears since January, Alcest's Les Voyages de L'Ame technically defines my year more than any other album on this list. French metalgaze/folk/black metal that sings about pixie dreamlands is a tough sell, but mastermind Neige has combined all of these elements into a record that has consistently taken over me. This and Horseback were my ultimate headphone albums, droning over and through me as I traveled around the U.S. Anytime I needed to disconnect, this record took me away.

1

Baroness: Yellow & Green

Relapse

2012 was a year of intense ups and downs for Baroness. The band is pretty much on pause while they recover from a bus accident that almost certainly should have killed them, but they also dropped the best album of their career. Yellow & Green is easily the record I was most eager to hear this year. Staff writer Tori Pederson and I geeked out when Relapse sent us the promo. When I came back to Pennsylvania from California and found my deluxe edition sitting on my stoop at like 3 a.m., I threw that shit in my car stereo and blazed on over to Wawa, screaming the words to "Take My Bones" the whole time.

The rationale artists give for double albums is that they can create something for everyone. Baroness is one of the few bands to actually pull that off. Yellow's first half is a series of twisting, jammed out ragers, recalling the anthemic shift the band took on Blue Record while pushing that sound further. Green takes things to a more ethereal place, but it still throws in some mighty catchy tunes. It sucks they only got to tease the record in Philly by opening for Meshuggah, because I need to white guy dance all over the place to these tunes. No other band took bigger risks than Baroness in 2012, and no other band has reaped such massive rewards.

Top 10 Extended Plays

10

Alex Kerns / Mikey Erg: Split [7-inch]

Asian Man Records

It's like the sequel to the Lemuria/Ergs! split that stole America's heart!

9

Shoppers / Panzram: Split [7-inch]

IFB Records / Feeble Minds

It feels like just as I was getting to know Shoppers, I had to say goodbye. So it goes. They left us with this pretty neat-o lo-fi shredder of a split, a nice coda for their amazing full-length from last year.

8

The State Lottery: Fistfuls of Sand [7-inch]

Answer Key Records / Salinas Records

Anthemic, lumbering indie rock that remembers when the Shins were fun.

7

Vattnet Viskar: Vattnet Viskar

Broken Limbs Recordings

So crushingly heavy. Huge surprise when I saw these guys open for Altar of Plagues and the Atlas Moth; can't wait for a full-length of this sludgy, doomy treat.

6

St. Vincent: Krokodil [7-inch]

4AD Records

St. Vincent's full-length with David Byrne just reminded me that St. Vincent is in her prime right now. Krokodil hammers that home; here are some more dissonant, yearning, sexually devastating tunes with a post-punk rage.

5

Post Teens: The Heat [7-inch]

No Idea Records

TORRRRRRCHE SIDE PROJECT YESSSSSSS.

4

Lemuria: Varoom Allure [7-inch]

Bridge Nine Records

Pebble skewed post-punk (gloriously), but Varoom Allure finds Lemuria getting back to the indie rock/pop-punk mix that made us love them so. Regardless of the style, they always bring the hooks.

3

Restorations: A/B [7-inch]

Tiny Engines

Bear Trap PR sends us some of the best underground bands; now they're cutting out the middleman as Tiny Engines and just putting out the best records instead. Restorations have always held our attention, but in two songs they effectively reinvent themselves as catchy Gaslight Anthem song-slingers.

2

Desaparecidos: MariKKKopa [7-inch]

self-released

Look, I'm just glad they're back, OK? That they would take on Arizona's immigration issues (something near and dear to me), and do it with one of the best songs in their admittedly brief canon just makes the reunion that much better. I forgot how awesome Conor Oberst is when he's politically pissed off.

1

Dum Dum Girls: End of Daze

Sub Pop Records

Dum Dum Girls keep getting better. Their EPs in particular have shown a stellar cohesion each time. End of Daze finds the group going more ethereal, only breaking free of the darkness in time for closer "Season in Hell." This year they beat the Raveonettes at their own game.

The Very Honorable Mentions

The Menzingers: On The Possible Past [Cassette]

Epitaph Records

I actually prefer these acoustic takes to the final album. Call it the Nebraska effect.

My Bloody Valentine: EP's 1988-1991

Sony Music

Because it captures some of their best non-LP work. Because it throws in some unreleased songs. Because the remasters sound amazing. Because so few bands can bend noise like this.

Sleep: Dopesmoker [reissue]

Southern Lord Recordings

PROCEEEEEEDDDDD THE WEEEEEEDIANS... TOWARRRRDS NAZARETH! Look, this stoned out sci-fi concept album (by which I mean song) is so ballsy, so rewarding, so good.

Joe Strummer and the Mescaleros: The Hellcat Years [digital]

Hellcat Records

I put the Mescaleros right up there with the Clash, so having their whole discography get pumped up with a whole mess of bonus tracks was a huge boon for fans a decade after Strummer's death.

Sugar: Copper Blue / Beaster / File Under: Easy Listening [reissues]

Merge Records

While I've always been a fan, 2012 was the year I really started exploring Bob Mould's discography, and these Sugar reissues came at the perfect time for me. Loud 'n' poppy in equal measures, Sugar is something of a legend.

Top 5 Concerts

-The Promise Ring at the First Unitarian Church, Philadelphia [worked through some shit]
-Refused at Terminal 5, New York City [road trip, met Org folk, screamed a lot]
-Bruce Springsteen at Citizens Bank Park, Philadelphia [Took my wife and unborn son. Family tradition I got from my parents]
-Plow United/The Orphans/Iron Chic at the First Unitarian Church, Philadelphia [just a lot of fun]
-Ben Kweller at Union Transfer, Philadelphia [One of my favorites for a decade now, and he played the best set I've seen and shook my hand]

Potential Reasons to Choose Life in 2012

-Aosoth [METAL!]
-Kylesa [MORE METAL!]
-Rancid [EAST BAY FOREVER!]
-The Promise Ring rarities comp [IS THIS STILL A THING?!]
-Alcest [OH SHIT MORE METAL]

 

 
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Fine Print: The following comments are owned by whoever posted them. We are not respon sible for them in any way. Seriously.
milo210 (December 27, 2012)

That Hop Along record is really something. Thanks for the heads up.

Cthulhu (December 25, 2012)

Alcest, yeah!

exitflagger (December 25, 2012)

The third best staffer list. A few great selections amid some true shit.

cheesetits (December 25, 2012)

Alcest is my number one, great list.

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