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In Pieces

Lions Write History
2005
Escape Artist

In Pieces - Lions Write History (Cover Artwork)

Review by: Anchors
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Published on July 8th 2005

A lot can change in just three years time. The Enron scandal and molestations by the Catholic church were at the top of the news world, "Chicago" was being billed as movie of the year, and Alicia Keys was still famous. It was amongst that mess that In Pieces released their 2002 album Learning To Accept Silence under most people’s radars. Well, at the midway point in 2005, Kenneth Lay is not quite as well off as he was during his tenure as Enron’s CEO, I still want to have sex with Catherine Zeta Jones, and I can no longer name a single Alicia Keys song, In Pieces, however, have come rampaging back into the scene with a new sound, and a new record, Lions Write History.

With new vocalist Dan Barrett at the helm of this ship, the band has hoisted new flags, changed course, and beefed up their range and artillery. This is a whole new war. Equally in tune to senses of harmony and rage, Barrett shifts sonic climates along with his bandmates and glides along the delicate balance between subdued melodies and harsh screaming. Don’t be confused, however, by that description; this isn’t a band to be put in league with Story Of The Year and the Used; those bands are Little League, and In Pieces are playing in the majors. The band has a renewed sense of what they’re able to accomplish, and they push boundaries and song structures farther than they ever would have attempted three years ago. They’ve ditched the formulaic verse and chorus approach in light of more experimentalism. These songs are layered, and these songs are refined, never losing their sense of melody; they can, in a moment's notice, rage against the balance they had built up to that point.

Lions Write History achieves that balance that bands hope for, and tip-toes that highwire that countless bands have fallen from. The guitars give out lush, rich tones one moment, and gritty, overbearing power the next, but it’s all absolutely seamless. That seamlessness gives this album a lot of the atmosphere it’s fueled on, but can also give out a good bite when it needs to. The flow of an album can really be the determinate factor on whether it’s enjoyable or not, and the flow here provides most of its best moments.

Neither side of the band's personality dominates the other, and neither side ever seems out of place as often happens with singing and screaming combinations. Since Barrett handles both singing and screaming, he can control the amount of both, so neither side can overtake the other. “Night Of The Long Knives” shows the band's softer side, as Barrett crafts his voice perfectly around the instrumentation, and his words sound sincere. Just as sincere are Barrett’s words while screaming, and fortunately, he picks his spots on this record as far as the screaming is concerned. “No Letter, No Note” seems to have a fairly relaxed vibe to it, but it’s also got a fair amount of punch when the guitars really kick into gear and the screaming begins. “Age Of Oceans” is the standout track here, and is sandwiched right in the middle of the record. It shows In Pieces at their most cohesive state, balancing the melodic guitars and the more fast-paced moments, ending amidst some of the album’s strongest screaming. This is also one of the strongest songs lyrically, with some solid lines that really just fit at the time they’re sung, such as the music halting for Barrett to say “The age of oceans…has passed,” and the repetition at the end of “we all get what we deserve, of men.”

"True And False Guilt" closes things out, the most bi-polar of the tracks on this album, transitioning between sing and scream at will throughout its course, until slowly building up and unleashing in a fit of fury at the end, an excellent way to end things.

In the three years since Enron went down faster than Anna Nicole Smith on 85-year-old penis, In Pieces has been changing their lineup, changing their sound, and putting out one hell of a record. Album of the year thus far still goes to Funeral Diner, but this album is leaps and bounds ahead of anything else in the band's discography, and I can only see them further progressing for the better from here on out.

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Posted by Anonymous on Monday, July 11, 2005 at 9:12 PM (EDT)

Saw them with outsmarting simon recently. Hadn't heard much about the band but saw them and they blew me away. Bought the CD, and it is great! Hope they are back in Florida soon.

Posted by Crookedsuperhero on 2005-07-11 13:06:13

"Yeah you're right, text isn't really the best way to convey sarcasm.

Oh well, I'll probably continue to do it regardless."

Amen.

Posted by Anchors on 2005-07-11 02:49:35

Yeah you're right, text isn't really the best way to convey sarcasm.

Oh well, I'll probably continue to do it regardless.

Posted by rkl on 2005-07-10 22:57:55

my bad, i didnt see the sarcasm, because, well, its text. voice inflections are difficult to grasp. did i mention that im an alcoholic?

Posted by Anchors on 2005-07-10 22:19:29

"looks to me like theundergroundscene's written a couple of reviews. then again, punknews could be lying to me."

I know he's written some, I was being facetious because I haven't seen anything he's written in a long, long time.

That's what the joke was supposed to be inferring.

Posted by Anonymous on Sunday, July 10, 2005 at 9:57 PM (EDT)
My Score:

Great freakin record... it's far from punk rock but for a straight up rock record with some psychedelic leanings it is top notch, and stands up to just about anything else treading similar waters. They are a killer live band too...

Posted by rkl on 2005-07-10 21:35:47

looks to me like theundergroundscene's written a couple of reviews. then again, punknews could be lying to me.

Posted by Anchors on 2005-07-10 15:33:14

"and dumb pop-culture similies are OUT."

No offense buddy, but when I take constructive review criticism, I take it more into account from people that actually write them.

Posted by Anonymous on Saturday, July 9, 2005 at 2:19 PM (EDT)

Since I feel no need to review this great big ball of cliche In Pieces call a record (or probably "CD", in their case)

fucker

Posted by Anonymous on Saturday, July 9, 2005 at 10:01 AM (EDT)
My Score:

A beautiful album that has everything going for it. I highly suggest that you pick this one up, or at least check out a song or two on their Myspace page: www.myspace.com/inpieces

my favorite album of the year so far

Posted by punkcorekid on 2005-07-09 03:40:36

the old stuff was good, i haven't heard this. don't they (or didn't they) share some members with With Honor?

Posted by stevejonestherealbones on 2005-07-08 17:32:11

wait so i dont get it...these guys were involved in enron or something?

- jones the bones

- stevejones8770@yahoo.com

Posted by Anonymous on Friday, July 8, 2005 at 1:29 PM (EDT)
My Score:

Haven't seen these guys play out before but this album its fucking great....the vox need some work but damn I really like these songs....

Posted by Inspection12e on 2005-07-08 11:46:09
My Score:

My favorite album of 2005.

Posted by Anonymous on Friday, July 8, 2005 at 11:39 AM (EDT)
My Score:

Wow, how fucking weird is it to see your friend's band reviewed on punknews?

Posted by slippy on 2005-07-08 11:14:59
My Score:

Anchors you are a machine.

Posted by Anonymous on Friday, July 8, 2005 at 9:47 AM (EDT)

"i hate that premature conclusion shit."

I had that problem. But I went to see the people at the Boston Medical Group & I was back to my normal self that night!

Posted by theundergroundscene on 2005-07-08 07:41:58

i found this album sinfully boring

and dumb pop-culture similies are OUT

Posted by Anonymous on Friday, July 8, 2005 at 5:36 AM (EDT)
My Score:

My Review, not Anchors':

Bands are like food. Some can sustain shelf life for a long time, while others seem to sit there for years, well dated and rotting. This shit reeks of a dog bath past its prime soaking in the smelly glories of olden times.

They should have called it quits a while ago; Of that, this is proof.

In pieces are the 2% milk of punk rock and underground. This shit has lumps, and I'm not chewin' it!

Since I feel no need to review this great big ball of cliche In Pieces call a record (or probably "CD", in their case), I'm going to tell you my favorite food that doesn't go stale right away: Hot Pockets.

What's with those things?

Posted by Anonymous on Friday, July 8, 2005 at 1:40 AM (EDT)

seriously, why does it seem that every other fucking review i read ends with something like "it could be the album of the year," "this is the album of the year," "it will definitely make my top 5," etc.? fuck! it's july! i hate that premature conclusion shit. in this case, there's a "so far" implied, but i'm just so fucking tired of these weak-ass conclusions that take NO effort.

Posted by Anonymous on Friday, July 8, 2005 at 1:39 AM (EDT)

I didnt even know they were still together. This is terrific. I can't wait to listen to this.

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