Vinyl File: Gilead Media and upcoming releases

You're the lucky reader of the 23rd edition of the Punknews.org Vinyl File. This column aims to keep you informed with upcoming releases as well as spotlighting interesting releases, your favorite band's own collections and labels with an history of vinyl releases worth talking about. As always, Vinyl File is brought to you by Ben Conoley.

mewithoutYou's latest album Brother, Sister saw the band's fan–base swell to sizes that longtime fans always knew they were capable of reaching. Gilead Media has taken this opportunity to introduce those new fans to the band's first to records in our much beloved vinyl format, both 2004's Catch for us the Foxes and 2003's A–B Life. Vinyl File was excited to jump on the opportunity to talk to Gilead founder and owner Adam Bartlett about his brief yet accomplished career as an independent record label owner.

If that isn't enough, we've also got word on vinyl releases from Reel Big Fish, The White Stripes and more.
Click Read More for the interview.

THE VINYL FILE SPOTLIGHT
Gilead Media is still a relatively new label - tell us about your
experiences in independent/punk music before you started the label.

Being from an area where hardcore was more or less unheard of, it
was relatively impossible for me to find any like minded individuals
when I was younger & I was first getting into independent music. The
closest city that any bands would stop on tour was Milwaukee, roughly
90 miles away. Even then, the majority of them would only hit Chicago.
I started checking out a lot of local Milwaukee bands. Luckily the
Milwaukee scene was an explosion of amazing bands… 7 Angels 7
Plagues, Seven Days of Samsara, Endthisday, Forever Is Forgotten, etc
etc etc.

My first bigger hardcore records were, of course, Victory releases.
Hatebreed, Snapcase & Buried Alive were some of my favorites. Man, to
this day I still think Buried Alive's "Death of Your Perfect World" is
one of the best, most pissed off hardcore albums I've ever heard.

While those Victory bands helped me discover independent music…
there are three records that, to this day, changed my outlook on music
thereafter… Dillinger Escape Plan "Calculating Infinity", Botch "We
Are the Romans" & Converge "Petitioning the Empty Sky." They easily
stand out as the definitive albums. After that it was just a rabid
crusade to discover any heavy & intense music I could find.

After a few years of working at a record store in town, turning kids
on to the music I loved, I took a job in sales at an independent music
distributor. Seeing how independent music worked from behind the
scenes was eye-opening, that's for sure.

What made you decide to start a label?

Working at the music distributor, I learned a lot about the
mechanics of running a label. I was also, of course, in a band at the
time. I decided there was no better situation in which to run a label
and release a CD. The first two releases were relatively disastrous,
and a lot of mistakes were made. Apparently I wasn't nearly as
prepared as I thought. I learned from those, lost a ton of money and
moved on. Aftwards I decided the label was going to be my outlet for
releasing groundbreaking & innovative music.

2008 seems like it's off to a very busy start for Gilead, tell us a
little about it.

I feel like I'm a bit out of my mind with all the releases I have
scheduled. But they're all killer records and I'm beyond stoked to be
working with these bands. I don't take any paychecks from the label at
all, every dollar I make goes right back into pressing records. So the
label has finally become self sufficient. Finding time to assemble all
of the vinyl, ship pre-orders etc, is the hardest thing to do.

One of the early releases, the mewithoutYou back catalogue seems to
have people talking - can you tell us about how that came about and
what fans can expect from the project?

I initially got in touch with Tooth & Nail over two years ago
looking to do this project, after a year and a half & many many many
emails… we were finally able to get things ironed out on the legal
end. After that there were problems galore between the lacquer cutting
company and the pressing plant. This resulted in over 6 months of
delays with the records. Stress city!

Now that things are all over it has been more than worth it. I think
the records sound, and look absolutely fantastic, and fans should be
more than stoked on the finished product. I've been receiving a slew
of emails from mailorder customers that are all beyond pleased with
the final product… feels good to know the hard work was worth it and
others appreciate it.

Your first vinyl release was Appleseed Cast's Low Level Owl
Volume I+II and it was a triple LP. What made you decide to start
off with something so ambitious?

At that point I had really not had much experience running a label,
but I knew I wanted to start doing vinyl licensing. At the time, the
distributor I work for was carrying Deep Elm's catalog exclusively, so
we talked about it and worked it out. What better place to start
right? It got people's attention, that's for sure. It was actually the
LEAST problematic vinyl project I've done to date, somehow. The
initial investment was just overwhelming.

Do you collect records personally? If so, what bands/labels are you
into?

I had been a rabid record collector since I started working at a
record store when I was 17. Just this past year I decided to ebay most
of my vinyl in order to fund some releases for the label. It was an
emotional hill to get over, as most vinyl collectors can attest to,
but worth it in the end. I almost feel like I'm starting over fresh,
building a brand new collection. Whereas I was sort of burned out on
buying records before. It's a lot more fun for me to buy records again.

I'm not necessarily dedicated to one specific band or label as far as
collecting records go. If a band releases a great album I'm all over
it. Some recent favorites I can think of include the new Earthless LP
on Tee Pee. Killer, heavy-duty jacket w/metallic spot color… hot,
the record sounds STUNNING, and the layout just rules. All of the
Simply Vinyl re-issues always look and sound really nice. Old Impulse
vinyl is great, too. Seeing a bunch of Impulse releases all lined up
is a fun time… with the similar spines.

As a small one-person label, do how do you feel about the
traditional label's future in music?

I guess it depends on what sort of label you're talking about.
Obviously anyone can see the traditional major label model is failing
miserably. Paying tons of folks to do ridiculous jobs that a small
number of dedicated people could do equally as efficiently, great
idea. But that is my point of view from how I run my label… I will
never do this as anything more than a hobby, so it's hard for me to
put that situation into perspective. It's unfortunate that everything
is moving in the digital only direction.

I guess the traditional indie-label model is changing too… luckily
folks who run those sorts of labels are adaptable enough to figure out
where things are going and what they can do to survive.

Do you think that vinyl is going to play a significant role on the
success of independent labels in the future?

I think it's already playing a large role in the success of indie
labels. Labels like Robotic Empire who are releasing LP+CD releases
instead of just CDs all the time… something I'd like to adopt for my
exclusive releases. Of course there are labels like Southern Lord &
Hydra Head who have really been feeding the vinyl frenzy for the past
few years. Additionally, I see a lot of bigger labels that are jumping
on the vinyl band wagon lately, making life harder for small guys like
me who thrive on licensing their vinyl rights.

You've released a pretty varied collection of music. How do you
decide what bands you want to work with?

It's more or less a matter of my love for the band. Obviously If I'm
doing a vinyl piece, I'm hoping they've sold enough copies on CD to
make it feasible for me to break even. But there are a couple releases
I've done prior to any CD sales information that turned out great…
solely because they're so incredible, the Minsk 2xLP and the Mouth of
the Architect 2xLP. I was originally suppose to do the newest
mewithoutYou album as well, but a communication issue nixed that.
Otherwise I just sort of look through my CD collection, think about
the records I really think stand out as something special,
groundbreaking or innovative, and go forward to contact the label and
band to see if they're interested in working with me.

Are there any vinyl projects coming up in the future that you're
excited about?

If you're talking about my stuff… Oh man, I'm always excited about
my upcoming projects! The Indricothere LP is going to be epically
brutal. I'm also finally doing a vinyl version of the Of Sinking Ships
CD I released in 2005. Aside from that, I'm trying to work with
Curlupanddie to get their two companion EPs put out on a single LP.
All labels and CUAD are 100% down, just have to get the art adapted
etc. Those are two of my favorite metalcore recordings, so I'm fairly
stoked. Also suppose to re-issue some old Buried at Sea material, we
will see how that comes along.

Now if you want to talk upcoming releases… one big thing I can't
wait to see is Neurot's pressing of the newest Buried at Sea album
Ghosts, released last October. That's up there as one of my favorite
records. I also am hoping there will be a domestic pressing of The
Reminder by Feist. I have a real soft spot for that album.

Are there any albums that haven't been printed on vinyl that you'd
love do be able to release?

There's plenty I'd love to press or re-issue. In the indie world…
I've always loved the 7 Angels 7 Plagues Jhazmyne's Lullabyrecord.
It's sort of dated, but was incredible & was one of my favorite
albums. Or if we want to talk totally unrealistic? The ultimate? The
records I would release and just shut my doors because life could
never be better? Rush 2112 180 gram gatefold LP, or a Yes Going for
the One or Close to the Edge 180g vinyl release. I REALLY wanted to
do the Fountain soundtrack, too… but no one gave me the time of day
on that one, I think doing vinyl for soundtracks w/a great collection
of custom composed music would be a blast, too. Sort of like that
Goblin Dawn of the Dead, LP I just read about someone finding that on
the deadformet.net boards recently… Jealous.

As a record collector, are there any albums that are out of print
that you'd like to see reprinted?

I don't think there is necessarily anything I'd like to see re-
pressed. Except for perhaps the Neurosis Times of Grace 2xLP, which
Relapse is working on I think.

Besides your own, of course, what labels do you think do a good
things with vinyl?

Some that I've already mentioned here… Southern Lord, Robotic
Empire, Hydra Head. Second Nature has done some great vinyl releases,
too. He really knows what it means to package a record… picture
sleeves, gatefolds etc. Good stuff. Even if I'm not a fan of some of
these label's releases, they still bring great things to the vinyl
community table. I'm sure there's a lot I'm forgetting that people are
going to make comments about.

THE PUNKNEWS.ORG VINYL FILE

Time is running out to jump on board for Volcomn's upcoming Vinyl Club. The one year subscription will get you six split 7"s from 12 bands including the first record from Turbonegro and Year Long Disaster. More information, including ordering details can be found here

Alternative Tentacles has a few vinyl releases on the go right now including The Eat's It's Not the Eat, it's the Humidity and an Amebix repress.

I Hate Rock n Roll Records have just released their first album, a split LP between Darker My Love and Moccasin.

Chinese Telephones' self-titled released is now available from It's Alive Records. The record come on on both clear and black vinyl, although the clear is likely out of print by now.

Juliette & the Licks are back with another album. Four on the Floor is being released on vinyl through Vinyl Summer and is available in both pink and sea foam green vinyl, each limited to 250 copies.

This Will Destroy You's 2006 album Young Mountain has received a repress from Magic Bullet Records/

Sky Blue Sky, the latest from Wilco is available on vinyl as a 2x 108g LP. Each copy of the LP also comes with a free CD of the record.

On a recent tour, Reel Big Fish were selling vinyl copies of their 2007 album Monkeys for Nothin’ and the Chimps for Free. There is no word on whether it will be available for sale to the general public at any time in the near future.

Deathwish will have a few pre-orders coming available shortly. The first is Life Long Tragedy's Runaways LP, which will be followed by a 7" from Reign Supreme entitled American Violence. The label is promising pre-order packages for when they launch later this week.

The White Stripes have a new single available from their most recent full-length, Icky THump. Three different 7"s are available for the song 'Conquest' with each version backed with a different exclusive. B-sides include 'Honey, We Can't Afford to Look This Cheap' and 'It's My Fault for Being Famous.'

LCD Soundsystem have released a vinyl-only EP to follow their successful 2007 LP Sound of Silver. Confuse the Marketplace contains three tracks previously unavailable in North America.

Rivers Cuomo, best known for fronting the insanely popular Weezer recently released his first solo work, Alone - The Home Recordings of Rivers Cuomo. It will be released on vinyl on January 8.

Canadian indie-rockers Black Mountain are set to follow up 2005's Black Mountain with In the Future, which will be available on January 22.

If you have anything you would like to see featured in an upcoming Vinyl File, email ben (at) punknews (dot) org.