Drug Church are a glorious contradiction. They’re an unabashedly aggressive band that writes hooks you can’t stop humming--too poppy for the heavy crowd, too heavy for the poppy crowd. Their frontman is a singer who rarely sings, delivering lyrics that revel in the darkest corners of the human condition but are just as likely to make you laugh as to make you flinch. The band loudly shouts uncomfortable truths we’d prefer to avoid but makes us want to shout along with them; they make serious music but don’t take themselves too seriously; they’re completely adverse to planning but have found accidental success. Now on their third full-length, Cheer, the band has doubled down on their Drug Church-iest impulses and somehow emerged with their most accessible album to date.
Over six years, several EPs, and two full-lengths, Drug Church--Patrick Kindlon (vocals), Nick Cogan (guitar), Cory Galusha (guitar), Pat Wynne (bass), and Chris Villeneuve (drums)--have earned a cult following by making outsider music that’s as thoughtful as it is hard hitting. Their sound is a crushing mix of hardcore energy, ‘90s alternative melodicism, and Kindlon’s signature sing-shout; if that doesn’t exactly fit into a convenient box, it’s because the most intentional thing about Drug Church is knowing the value of being unintentional. Kindlon says, “If I have any success I’d like it to be just because people like the thing, not because I sat in a dark room learning brand alchemy.” Adding a sardonic twist to the just-be-yourself mantra, he contends, “If you don’t lie then you don’t have to worry about maintaining the lie.” Drug Church are who they are, so why not lean into it?
On Cheer, this means recognizing the band’s strengths and amplifying them into something new. Whereas some of the band’s previous work had more clearly delineated heavy songs and catchy songs, Cheer combines it all to great effect. Galusha and Cogan’s riffs deftly move from pummeling to playful while Wynne and Villeneuve provide more than enough heft to compel the headbangers. Songs like “Unlicensed Guidance Counselor,” “Conflict Minded,” and “Tillary” are easily the most overtly melodic of the band’s career, and even Kindlon’s vocals take a more tuneful bent that often contrasts with his dark, cutting lyrics.
Kindlon’s words are a key part of Drug Church’s DNA. In line with the band’s less than methodical approach, he always waits to write until they’re in the studio, joking, “My brain seems to work very fast when I’m wasting other people’s money.” Kindlon’s lyrics are usually personal experiences mixed with off-kilter observations, striking a delicate balance between honesty, absurdity, sadness, and humor, and often engaging with life’s ugliness. “Avoidarama” is an anthem for antisocial tendencies that also tries to see consequences and multiple perspectives, while “Strong References” takes a deep dive into the seedy business of self-delusion for the sake of potential success. These vignettes of humanity’s less than appealing inclinations are painted with detail but not judgement--that is, unless his subject is doing the judging.
Movements/Boston Manor/Trash Boat/ Drug Church (US)
Drug Church/Single Mothers (EU and UK)
Drug Church: "Unlicensed Hall Monitor"
Drug Church: "Strong References"
Gouge Away: "Ghost"
Drug Church: "Avoidarama"
Drug Church: "Weed Pin"
Turnstile: "Real Thing"
The Adicts, The Spits, Drug Church added to Punk Rock Bowling
Every Time I Die/ â€™68 /Drug Church (Europe)