Punknews.org is staffed by volunteers, writing when they have time and largely of their own individual motivations. There is no editorial mandate here, no bands that we collectively plan coverage of, and likewise none that we collectively plan to praise or pan in reviews. It's fitting then that this overall site list is first seen by most of the editors when the public sees it.
Thus this overall list is determined entirely by math, scoring the albums on the individual Punknews.org writers' lists and running the totals. Once again, we believe you'll find a nice cross-section of the tastes of the Punknews editors and reviewers here.
Of course, the real meat of our yearly retrospective can be found in the individual staffers lists. Make sure to check them out, there are quite a few this year. Also, don't forget the most important list of all, which is yours, the top 20 releases of the year as voted by the Punknews community. That list should be posted shortly.
From Jade Tree to Fat Wreck to Bridge 9, Strike Anywhere hasn’t lost a step and prove it on their latest LP. Melodic hardcore at its finest. GlassPipeMurder
Less dark than Fox Confessor Brings the Flood, the engrossing Middle Cyclone maintains Neko's ranking as my absolute favourite vocalist. This is classy, classic stuff that's going to age beautifully. Although I might be in the minority here, I enjoy this record so much more than its much-acclaimed predecessor. Neko Case is one of those artists that completely transcends my current listening habits and will likely be in my rotation for the rest of my life. Did I mention she's standing barefoot on the hood of a muscle car wielding a sword? Oh, and there's a song here from the perspective of a love-smitten tornado. Damn. (Adam
Post-reunion albums are supposed to be tired, hackneyed and embarrassing, so why are Dinosaur Jr. continuing to put out ever better albums and maximizing every one of their strengths? Aubin
17
Joel Plaskett: Three
MapleMusic
This is a triple record packed with 27 songs and each of them further proves the point that the former Thrush Hermit frontman is among the greatest songwriters that Canada has ever produced. Three is sprawling but it has a level of focus and sincerity that's just so inviting and captivating. Plaskett writes immediately likeable tunes, be they rock or folk, that are always clever and hook-laden and sometimes even quite funny. Yet for all the technical merits you could give Mr. Plaskett there's something deeper at play here, something that I doubt has any sort of resonance outside of this country. When I listen to Three I feel Canadian in the absolute best way possible, as if the identity of this land and the people have somehow been wrapped up in these simple little tunes. That may sound a little corny but I've made my peace with it, and there's nothing I've enjoyed more in 2009. Adam
I guess the guys in Polar Bear Club are human after all. Their debut EP and album were both unbelievably fantastic, and while this is still a good album, it's not the classics their previous releases were. Still, they did a good job of mixing it up as the highlight of this record might just be the stripped-down track "Drifting Thing." OverDefined
Go buy Collapser. Because it’s gonna be a while before those drunks in Dillinger Four drop another gravelly, Midwestern pop-punk masterpiece. This Minnesotan gang of band sluts’ Fat Wreck debut is arguably their strongest release to date. Sound engineers Jacques Wait and Dave Gardner buffed out the band’s rough edges a bit. Vocalist Nick Johnson still sounds gruff, but Banner Pilot doesn’t resemble the Lawrence Arms and Jawbreaker circa Unfun so much anymore. What’s left is not unlike D4 circa their Fat years -- catchy and rocking. The album opens with a perfect two-hit combo -- “Central Standard” and “Pensacola” – and then just keeps churning out hits. Jelone
Fake Problems make me feel 10 years younger, excited, and terrified of what the world holds for me. The band avoided becoming an Against Me! clone that many had pegged them destined to become. Instead, they've tirelessly crisscrossed the country as a hard-working band, and the dirt under their nails has worked its way into their songs, most of which are an off-balance mix of alt-country, punk and folk. Ben
"Mike, it's not that good." "Mike, it's too slow and pretentious." Don't give a fuck; this album rules. It's got influences coming from everywhere and in a world where the "album" is slowly dying, Blacklisted really establishes an atmosphere and mood throughout. You kind of need to listen to the whole album in sequence to "get it." mikexdude
The Swellers boast some serious symmetry on what one may as well call their major label debut; Ups and Downsizing tiptoes that line between the band's melodic skatepunk roots and the alternative rock landscape they may be destined for with stunning aplomb. Vocalist/guitarist Nick Diener somehow causes the saccharine from lines like "Don't fall asleep tonight, because I won't fall asleep tonight" in "Sleeper" to sap with some sincerity, yet the band mix those FUSE-pop jams amongst speedier, carefully technical material like "2009," "The Iron" and "Dirt." Brian
While a lot of people tapped into Supporting Caste right away, it took me a few months to get into it. Maybe it’s because I define the band so much with their first two records. But while I wasn’t that interested in Caste after the first listen, I did take away some choice picks -- “Dear Coach’s Corner,” “The Banger’s Embrace” and hidden track “Come to the Sabbat” are awesome. Over time, I found myself putting the record on more and more without really thinking about it. Caste became a natural pick for me a few months after its release, and right now I feel like it’s the best Propagandhi record of this decade. It’s got the best jokes. It’s got frontman/guitarist Chris Hannah’s best lyrics. And dang it all, it knows how to rock me. Jelone
If a fan of Teenage Bottlerocket knows anything, they know that the band is totally reliable. The flip side of that might be that they are totally predictable, which would be a fair complaint about most bands accurately described in such words. But who in their right mind would want or expect anything else from the best writers of Ramones-core since the Ramones? They Came from the Shadows is fun, fast and catchy as hell. Ben
While the Copyrights -- the best pop-punk band in America, for those of you keeping score at home -- didn't release a full-length this year for the first time since 2005, Adam and Brett (along with Brad and Zack, formerly of Rivethead) helped ease the pain with Dream Homes, a quick listen meant to be played loudly and snottily sung along to in the room of one's choice. Bryne
While it's become quite popular for members of hardcore and punk bands to pursue a solo project, few have approached it with the vigour and energy of Mr. Turner. The sentiments are genuine, the songs are rocking and the spirit is infectious. Aubin
It has taken their third full-length (and numerous EPs and splits in between) to allow Shook Ones to finally step out of the shadows of their influences and create a highly addictive melodic hardcore/pop-punk record. While songs like "Silverfish" make this album immediately enjoyable in with their catchy sing-alongs, the economical yet extremely thoughtful lyrics of songs like "Birds on Ice" and "They're Very 'Yes'" will be what makes this a record that you come back to time and again. SloaneDaley
Can anyone match the intensity of Kurt Ballou and Jacob Bannon alongside Nate Newton and Ben Koller? No one can. No one can even come close and that is a scientific fact. GlassPipeMurder
Those who have dubbed Jeff Rosenstock the voice of a new generation aren't as misguided as one might think. No one in the scene does poignant commentary -- be it personal, political or otherwise -- as well as Rosenstock right now, and it doesn't hurt that his compositions are always original, engaging and throughly interesting, not to mention catchy. Bryne
Toby was afraid his new albums wouldn't get reviewed. He sent us/me the new albums in question.
I listened. I was hooked.
Seriously, this takes everything good about life and condenses it into an album. And it doesn't sound remotely "punk rock" in any way that pigeonholes them into a genre. You would think that this is either a band's first album or their midlife crisis and it's neither. It's just a great band making great music without worrying about what everyone else is going to think. Punk fucking rock. Justin
Capital had played these songs live so often by the time this 7" was actually released I'd already known them like the back of my hand. Fair enough, though -- these tracks were originally recorded forever ago for a split with Crime in Stereo that never saw the light of day. The two originals here are well-conceived blasts of the band's signature gruff melodic hardcore, and their cover of Dag Nasty's "I've Heard" kills it every time. Brian
Transit's only been around for a couple of years, but they've already ascended to the top of the melodic hardcore heap with Stay Home. The title track is absolutely massive. Bryne
Instead of sitting around while the accolades for their full-length rolled it, the Pains kept working and expand their sound here with dancier, more keyboard-centric tracks and a couple expected and welcome blasts of distortion. Greg0rb
It feels weird raggedly shouting back "We ain't seen no Germans today" in a crowded furnished basement in 2009, but this is more or less the precedent Defeater is trying to set with their aesthetic. Lost Ground is a linear, cohesive tale of a World War I-era soldier backed by forward-thinking hardcore compositions, ranging the gamut from impressive, nearly mathy procedure ("The Bite and the Sting") to hoarse anthems ("A Wound and a Scar"). And the storytelling slant feels real -- all the while Defeater somehow sound more passionate than most hardcore bands singing about things they've actually experienced first-hand. Brian
I got this on a DIY CD-R in December of 2008, subsequently reviewing it and being blown away. I told everyone in that review that you could download it for free, but by that time, they had already gotten a deal with Panic. One of the most sincere live shows I've ever seen. Make Do and Mend, thanks for giving me a friend on one of the loneliest winter nights of my life. mikexdude
Some of the best melodies I've heard in ages came from the Menzingers' full-length, A Lesson in the Abuse of Information Technology and this EP. The opening harmonies of "Lillith Avi" are so flawlessly composed and performed that no pop-punk band this year even came close. Aubin
The Hold Steady didn’t drop anything major this year, so I’m glad the Lawrence Arms picked up the drunken anthems baton. I keep singing “The Slowest Drink at the Saddest Bar on the Snowiest Day in the Greatest City” like it’s a mantra, which would be sad if the song wasn’t so catchy. Jelone
Paint It Black has managed to cram both one of their heaviest songs in "Salem" and far and away their most melodic/poppy moments in "Bliss" into the same EP and still make it sound like it is the same cohesive album. The songs themselves are what the band is known for: bleak hardcore punk that recalls both '80s and '90s generations, and always thoughtful lyrics. Truly the highlight of the band's career. SloaneDaley
Disappointed by the lack of Baroness (honorable mention? Blue Record was fucking amazing!), PS Eliot, Punch, and Screaming Females for albums. RVIVR, John K. Samson, and STAPH released damn good EPs, but I can't argue with putting Amnesia at number 1.
Also, for curiosity's sake, when did my list stop counting? I know in 2005, 2006 and 2007 it was included (at least I assume so, since some of my blurbs were used in the final list).
'08. It was nothing personal. I just came to the realization that it would make more sense to only count the lists from actual, current staff.
I just listened to Bomb the Music Industry for the first time. Wow. Scrambles is awesome. I haven't liked something this 'punk' and hyperactive immediately in a looooong time. Maybe I need to listen to you young punks (and my fellow staffers...mike) more often. Must go buy this now.
Also, for curiosity's sake, when did my list stop counting? I know in 2005, 2006 and 2007 it was included (at least I assume so, since some of my blurbs were used in the final list).
Not that I care about Manchester Orchestra or anything at all, but how did they not crack the list when they were number 1 on two lists? What is the scoring system for this!?
Scott's list isn't factored in. He's not part of the current Punknews fold.
Not that I care about Manchester Orchestra or anything at all, but how did they not crack the list when they were number 1 on two lists? What is the scoring system for this!?
10. American Steel - Dear Friends and Gentle Hearts
9. Heartsounds - Until We Surrender
8. The Parasites - Solitary
7. Nofx - Coaster
6. Delay - Plain Language
5. Sonic Boom Six - City of Thieves
4. 20 Belows - For Better Days
3. Houseboat - The Delaware Octopus
2. The Lonely Island - Incredibad
1. Dear Landlord - Dream Homes
Decent list,I'm suprised at how high Banner Pilot,Teenage Bottlerocket and Dear Landlord ranked,but suprised in a good way. Not sure how I feel about The Sidekicks being #1 though.
The EP list is pretty much spot on,but I would of only put one Paint It Black EP in the list.
Damn good list for the most part. I'd never put Dear Landlord's album before Propagandhi's new one, though. That's just me. I love them both, but I don't think you can put that before Supporting Caste...
I'm not gonna lie, I really don't understand why Shook Ones placed so high on everyone's list. The music and lyrics are good, but the vocals are pretty difficult to listen to at times, even for a punk band. I kept trying to like it a lot and it did make my top 15, but I feel like you would have to be pretty tone deaf to place it at #6 or anywhere above Iron Front, which was fantastic and better than most of what is one this list. How that one only made #20 baffles me.
For all it matters, here is my top 20 of 2009 with a total disregard for format.
01-Propagandhi: Supporting Caste.
02-Baroness: The Blue Record.
03-Dinosaur Jr: Farm.
04-Strike Anywhere: Iron Front.
05-Banner Pilot: Collapser.
06-Paint It Black: Amnesia Surrender.
07-A Wilhelm Scream: Self Titled.
08-Dysrhythmia: Psychic Maps.
09-A Death In The Familly: Small Town Stories.
10-Russian Circles: Geneva.
11-Small Brown Bike: Composite, vol. 1
12-Buried Inside: Spoils Of Failure.
13-Passenger Action: Self Titled.
14-Stereotyperider: Songs in the Key of F and U.
15-Red Sparowes: Aphorisms
16-Isis: Wavering Radiant.
17-Architects: Hollow Crown.
18-Shook Ones: The Unquotable A.M.H.
19-Worn In Red: In The Offing.
20-Soul Control: Cycles.
BONUS: The Sober Dawn - Self Titled
Honorable mentions to: The Flatliners: Cynics, Municipal Waste: Massive Agressive, forgetters.: the bootleg, The Boy Will Drown: Fetish, Coalition: (Forus, Actionmen, Play Attenchon, Hero Of Our Time), This Is A Standoff: Be Disappointed, After The Fall: Fort Orange, Nothington: Roads, Bridges and Ruins, Sonic Youth: The Eternal, A Textbook Tragedy: Rain City State Of Mind, Bridge And Tunnel: Loss Leaders, Pelican: What We All Come To Need, Dig It Up: Magnets, Strung Out: Agents Of The Underground, Chuck Ragan: Gold Country, Trapped Under Ice: Secrets Of The World, Chris Wollard and the Ship Thieves, Irepress: Sol Eye Sea I, re-issues from Sunny Day Real Estate and Get Up Kids, Animals As Leaders, Another Breath: The God Complex, Dead Swans: Sleepwalkers, Caspian: The Four Trees, The Lawrence Arms: Buttsweat and Tears, Kraken, Downtrodden...
seriously, did no one else listen to the screaming females? Power Move was my album of the year... almost none of my other top records made anyone's list either... so many dynamos, besties, kissy kamikaze, wisdom in chains, meinhof, bernays propaganda, tokyo ska paradise orchestra, all or nothing hc, and flipper were all completely neglected...
for the most part, i thought the picks were pretty good albums, but they really didn't scratch the surface of great albums, imo
wow I'm really surprised about the top LP, I had it on my list I mean but from 2005 I could have predicted the top album somewhat. I guess the top EPs were more predictable this year.
I'm suprised that Paramore isn't in the list after so many of the staffers put it in their top 20. Its good to see the Defeater EP getting the thumbs up.
Dammit Jesse, you beat me with the least albums on the collective list!!! I thought my putting Cymbals at number 1 would skew the math enough to at least put it somewhere on the list (and mikexdude ranked em at 9), but then again I'm not very good at math.
Im a little upset that neither Frogball nor Last Lights made it onto your list this year, but Im glad Shook Ones was so high! I'm looking forward to 2010 with new albums from None More Black and A Wilhelm Scream.
![The Sidekicks - Sam [7 inch]](/images/covers/thumb/the_sidekicks-sam.jpg)
The Sidekicks
Useless ID
Gleam Garden
Shit Creek
Caseracer
Sonic Avenues
Burning Bridges
Authority Zero
Voodoo Glow Skulls
Primary
Machine Head / Suicide Silence / Darkest Hour
![Averkiou The New Imperative [7-inch]](http://static.punknews.org/covers/thumb/averkiou-the-new-imperative-ep.jpg)
Averkiou
Marc Strömberg
Shambles
The Mighty Mighty Bosstones
Tombs
Hidden Hospitals
Jaws
