Over the past 10 years, Claudio Sanchez and his group, Coheed and Cambria have distinguished themselves as among the most gifted storytellers in rock. His The Amory Wars narrativeâ€”spun out across their five previous studio albums which together have sold over 2 million copies in the United States aloneâ€”is a good vs. evil science-fiction epic thatâ€™s become to Coheed and Cambria fans something like what The Wall and Quadrophenia were to previous generations. And the tale might soon reach an even wider audience, as Mark Wahlberg recently announced that he and Stephen Levinson of Leverage Productions will turn Sanchezâ€™s The Amory Wars into a big-screen live-action feature film.
Now, after nine months in the studio, Coheed and Cambria seize on the momentum this October with their release, The Afterman: Ascension, the first volume of a remarkable new double album collectively called The Afterman. Volume two, titled The Afterman: Descension, will follow in February 2013.
True to Coheedâ€™s restlessly exploratory nature, the nine-track Ascension finds the New York-based bandâ€” singer-guitarist Claudio Sanchez, founding guitarist Travis Stever, bassist Zach Cooper and drummer Josh Eppardâ€”staking out exciting new ground. â€œWith all of our older albums, my thing was always figuring out how to fit my life into the Amory Wars concept,â€ Sanchez says. â€œI knew where each one sat in terms of the story. Whereas with this one, I allowed my lifeâ€”my experiences and what I was going throughâ€”to frame the concept.â€
In â€œThe Afterman,â€Ÿ celebrated cosmonaut/astronomer Sirius Amory embarks on a journey in which he makes arguably the greatest scientific discovery ever known to mankind. However, the death of his wife upon his return causes him to realize what was truly important to him just slipped right through his hands; and his only mission now is to make amends.
The first volume, â€œAscensionâ€ charts Siriusâ€™ sci-fi journey into the stars of the alternate universe known well by Coheed fans as â€œHeavenâ€Ÿs Fence.â€ Upon entering â€œthe Keywork,â€ the blue gaseous energy force that powers these worlds, Amory stumbles upon the Afterlife. In his first confrontation with a soul, â€œDomino the Destituteâ€ possesses Sirius, who is forced to relive the frenetic events that had occurred in Dominoâ€Ÿs waking life. The second volume, â€œThe Descensionâ€ follows Siriusâ€™ return to his home planet after a long absence and the negative effects that follow.
The singer points to a specific catalyst for the two discs: the death of a close friend of his wifeâ€™s. â€œShe found out about it through Facebook, which is the most impersonal way to receive this intensely personal news,â€ he remembers. â€œLater that night, I sat down and just started writing a songâ€â€”it became the albumâ€Ÿs title trackâ€”â€œfrom the point of view of her experience. Everything else followed from there.â€
So we see that Ascension, while shrouded in this epic tale, is really about Sanchezâ€Ÿs personal life outside the concept. As in â€œSubtractionâ€ he describes the challenges posed by a touring life in which â€œIâ€Ÿm always going away for long stretches and coming back home,â€ and Sanchez even admits â€œDomino the Destituteâ€ was subconsciously written about the recent departure from Coheed of former bassist Michael Todd.
Self-produced by the band with Michael Birnbaum and Chris Bittner (who both helmed the bandâ€Ÿs first three albums), Sanchez credits the expansive musical vibe of the albumâ€”which moves from the lullaby-like strains of â€œThe Hollowâ€ to the driving, riff-heavy â€œMothers of Menâ€ to the deeply funky â€œEvagria the Faithfulâ€â€”to the freedom he had while writing over the course of the last two years. Itâ€Ÿs a freedom, he points out, that came as a result of the bandâ€Ÿs working independently for the first time in many years. â€œWhen you write a record in a month and a half, you have the same mentality throughout the entire process,â€ he says. â€œBut when you allow yourself time, your mindset changes and that influences your creativity. It gives you dramatic ups and downs, and I think thatâ€Ÿs invaluable.â€
Coheedâ€Ÿs lineup transforms, as well, on Ascension, with the addition of Cooper and the return of the bandâ€Ÿs original drummer, Josh Eppard. â€œWhen I sit down at the drum set to demo a song, Josh is who I emulate,â€ says Sanchez. â€œThereâ€Ÿs a symbiotic understanding between the two of us: I play guitar with a lot of percussion, and heâ€Ÿs a very melodic drummer. I canâ€Ÿt even describe what a pleasure it was to see him walking down the driveway toward my house again.â€ Says Eppard of his reunion with the band: â€œThe way Claudio writes has always felt like home base to me. I knew we could do something special from the first time we played together.â€
On The Afterman: Ascension theyâ€Ÿre still doing it.
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